The structure of recognizable diatonic tunings / by Blackwood, Easley

Table of Contents: “…Equal Tunings and Closed Circles of Fifths --…”
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Music Fundamentals 1 Pitch and Major Scales and Keys by Ewell, Terry B., Schmidt-Jones, Catherine

Table of Contents: “…Enharmonic Spelling -- 11. The Circle of Fifths…”
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Mandolin Lessons: 4 Favorite Advanced Tunes.

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Jazz ukulele : comping, soloing, chord melodies / by Lagrimas, Abe, Jr

Table of Contents: “…Triads ; Seventh and sixth chords ; Chord tensions ; Ukulele chord voicings ; The II V I progression ; Voice leading ; The circle of fifths -- Comping. Comping with the thumb and fingers ; Syncopation ; Comping in different jazz styles -- Notes for soloing. …”

Understanding Basic Music Theory by Schmidt-Jones, Catherine

Table of Contents: “…1 Notation -- 1.1 Pitch -- 1.2 Time -- 1.3 Style -- 2 Definitions -- 2.1 Rhythm -- 2.2 Timbre -- 2.3 Melody -- 2.4 Texture -- 2.5 Harmony -- 2.6 Counterpoint -- 2.7 Range -- 2.8 Classifying Music -- 3 The Physical Basis -- 3.1 Acoustics for Music Theory -- 3.2 Standing Waves and Musical Instruments -- 3.3 Harmonic Series I: Timbre and Octaves Solutions -- 4 Notes and Scales -- 4.1 Octaves and the Major-Minor Tonal System -- 4.2 Half Steps and Whole Steps -- 4.3 Major Keys and Scales -- 4.4 Minor Keys and Scales -- 4.5 Interval -- 4.6 Harmonic Series II: Harmonics, Intervals, and Instruments -- 4.7 The Circle of Fifths -- 4.8 Scales that aren't Major or Minor -- 5 Harmony and Form -- 5.1 Triads -- 5.2 Naming Triads -- 5.3 Consonance and Dissonance -- 5.4 Beyond Triads: Naming Other Chords -- 5.5 Beginning Harmonic Analysis -- 5.6 Cadence -- 5.7 Form -- 6 Challenges -- 6.1 Ear Training -- 6.2 Tuning Systems -- 6.3 Modes and Ragas -- 6.4 Transposition: Changing Keys…”
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From modes to keys in early modern music theory / by Dodds, Michael Robert, 1965-

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A Practical Approach to Understanding Music Theory by Brooks, Charles

Table of Contents: “…Introduction -- Dedication -- Section One -- Section 1.1: Basics -- Section 1.2: Reading Music -- Section 1.3: Form and Structure -- Section Two: Melody -- Section 2.1: Scales -- Section 2.2: Flavor of Music Using Scales -- Section 2.3: Modes -- Section Three: Harmony -- Section 3.1: Circle of Fifths -- Section 4: Rhythm -- Section 4.1: Notation -- Section 5: Putting it all Together -- Section 5.1: Practice, Application, and Performance -- Back Matter -- Acknowledgements…”
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Fundamentals, function, and form : theory and analysis of tonal western art music, by Mount , Andre

Table of Contents: “…Minor Keys and Key Signatures -- 10. The Circle of Fifths -- II. Diatonic Polyphony and Functional Harmony -- 11. …”
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In the dark on the sunny side : a memoir of an out-of-sight mathematician / by Baggett, Lawrence W., 1939-

Table of Contents: “…Cover ; copyright page ; title page; Contents; Prologue; Uncle Al's Truss ; A Quantum Moment ; Louis and the Problem of Sixty-Three; Sidebar: Counting Dominoes; A Cane Mutiny; Sidebar: Steps for Caning Chairs; Pinocchio Becomes a Real Boy; Aunt Mildred and the Circle of Fifths; Sidebar: The Comma of Pythagoras; Scarlet Ribbons ; Dauntless Courage; Sidebar: Definition of the Limit of a Sequence; The Age of Enlightenment; Sidebar: Mathematical Induction; Baggett v. …”
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Visualizing music / by Isaacson, Eric J., 1963-

Table of Contents: “…Pitch Spaces ; Collections, Scales, and Modes ; The Circle of Fifths ; The Tonnetz ; Atonal Spaces ; Symmetrical Pitch Structures ; Tonal Hierarchy, Tendency, Progression ; The Overtone Series -- Part 3. …”
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Music theory through musical theatre : putting it together / by Franceschina, John Charles, 1947-

Table of Contents: “…Cover -- Music Theory through Musical Theatre Putting It Together -- Copyright -- Contents -- About theCompanion Website -- For Teachers -- For Students -- Part One THE LEAD SHEET -- 1 Basic Concepts for Reading, Writing, and Appreciating Music -- Pitch, Staff, Clef, and Ledger Lines -- Recognizing Pitches on the Piano Keyboard -- Accidentals: Sharps, Flats, and Naturals -- Double Sharps and Double Flats -- Notes and Rhythm -- Augmentation and Diminution -- Dots and Ties -- Rests -- Meter and Time Signature -- Simple Time Signatures -- Other Simple Time Signatures -- Compound Time Signatures -- Infrequently Used Time Signatures -- Tuplets -- Beaming -- Syncopation -- Musical Terms and Symbols -- Pickup Measures -- Repeat Signs -- Tempo Marks -- Articulations -- Dynamics -- Expression Marks -- 2 Major and Minor Scales -- Major Scales -- Key Signatures -- Identifying Major Scales -- Sight-Singing -- Minor Scales -- Writing Minor Scales -- Identifying Minor Scales -- Names of Scale Degrees -- The Circle of Fifths -- The Harmonic Minor Scale -- The Melodic Minor Scale -- Singing Minor Scales -- The Major-Minor Scale (Mode Mixture) -- Modal Shifts -- Performing Major and Minor Scales -- 3 Modes and Other Scales -- Modes -- "Minor" Modes -- Writing and Singing the "Minor" Modes -- The Locrian Mode -- "Major" Modes -- Writing and Singing the "Major" Modes -- Other Scales: Pentatonic, Whole-Tone, and Chromatic -- 4 Intervals -- Perfect Intervals -- Identifying the Qualitative Nature of Intervals -- Major Intervals -- Minor Intervals -- Diminished Intervals -- Augmented Intervals -- The Tritone -- Harmonic Intervals -- Inversions of Intervals -- Compound Intervals -- Consonance and Dissonance -- Review Quiz -- Unit Test 1 -- Part Two THE ARRANGEMENT -- 5 Triads, Seventh Chords, and Nonharmonic Tones -- Harmony with Chords -- Chord Tones.…”
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Music science / by Alencar, Marcelo S., 1957-

Table of Contents: “…6.1.8 The Convolution Theorem in the Time Domain 78 -- 6.1.9 The Convolution Theorem in the Frequency Domain 80 -- 6.2 The Sampling Theorem 81 -- 6.3 Parseval's Theorem 85 -- 6.4 Average, Power, and Autocorrelation 85 -- 6.4.1 Time Autocorrelation of Signals 86 -- 7 Musical Terminology 91 -- 7.1 Basic Definitions 91 -- 7.2 A Measure of Dynamics in Music 94 -- 7.3 A Measure of Time in Music 95 -- 7.4 Musical Notation and Accidentals 96 -- 8 Sound Theory 103 -- 8.1 Sound Characteristics 103 -- 8.1.1 The Sounds of an Acoustic Guitar 104 -- 8.1.2 The Acoustic Guitar Characteristics 106 -- 8.1.3 The Plucking Effect 108 -- 8.2 Sound Envelope 111 -- 9 Acoustics and Cognition 115 -- 9.1 Acoustics and the Brain 115 -- 9.2 The Unit of Loudness 115 -- 9.3 The Auditory System 119 -- 9.4 The Physiology of Hearing 120 -- 9.5 Transmission of Sound Waves 122 -- 9.5.1 Modeling Sound Waves 123 -- 9.6 Synesthesia and Music 126 -- 10 Voice Models 129 -- 10.1 The Human Sound Apparatus 129 -- 10.2 The Physiology of Human Voice 130 -- 10.3 The Speech Production Mechanism 131 -- 10.3.1 Speech Sound Classification 133 -- 10.4 Vocal Cord Modeling 135 -- 10.5 Speech Synthesis Techniques 140 -- 10.5.1 Articulatory Synthesis 141 -- 10.5.2 Concatenation Synthesis 141 -- 10.5.3 Formant Synthesis 143 -- 10.6 The Spoken and Sung Voice 145 -- 10.7 The Voice Apparatus as a Musical Instrument 150 -- 11 Scale Formation 151 -- 11.1 The Emergence of the Scales 151 -- 11.2 Definition of Scale 151 -- 11.3 Main Scales 153 -- 11.3.1 Major Scale 153 -- 11.3.2 Minor Scale 154 -- 11.3.3 Other Scales 154 -- 11.4 The Circle of Fifths 155 -- 11.4.1 Chroma and Pitch Perception 155 -- 12 Consonance and Dissonance in Music 159 -- 12.1 Definition 159 -- 12.1.1 Consonance 159 -- 12.1.2 Dissonance 160 -- 12.2 Modeling Consonance and Dissonance 160 -- 12.2.1 Beating and Dissonance 160 -- 12.2.2 Precession Time and Consonance 162 -- 12.2.3 An Additive Dissonance Metric 162 -- 12.2.4 Frequency Ratios and Consonance 164.…”
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