Arpeggi / by Moscogiuri, Federico

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Tonality as drama : closure and interruption in four twentieth-century American operas / by Latham, Edward David

Table of Contents: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
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Creating sounds from scratch;a practical guide to music synthesis for producers and composers by Pejrolo, Ana

Table of Contents: “…Coarse; Unison/​Voice Stacking; Portamento/​Glissando; Modulation Matrix; Arpeggiator; Pattern Sequencer; Oscillator Sync; Pitch Bend/​Modulation Wheel; Instruments; The Digital Hardware-​Based Synthesizer; The Keyboard Controller…”
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FL Studio cookbook : The Lofi, Retrowave, and Horror Music Chef's Guide to FL Studio Music Production / by Rena, Chris

Table of Contents: “…Technical requirements -- Using the Piano roll and its features -- Getting ready -- How to do it -- There's more -- Creating a melody with simple notes -- Getting ready -- How to do it -- There's more -- Creating chords and basslines -- Advanced techniques, arpeggiation, chord progressions -- Getting ready -- How to do it -- There's more -- Editing and manipulating MIDI files -- Getting ready -- How to do it -- There's more -- Tips for using the Piano roll and sounding unique with your instruments -- Getting ready -- How to do it -- There's more -- Chapter 3: Working with Samples…”
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Cadenzas, embellishments, and compositional studies / by Bach, Carl Philipp Emanuel, 1714-1788

Table of Contents: “…Enharmonic Progressions (Wq 121/2) -- Enharmonic Modulation from B-flat Minor to B Minor (Wq 121/5) -- Modulations from C Major to G Major (Wq 121/7) -- Modulations from C Major to F Major (Wq 121/8) -- Modulations from C Major to A Minor (Wq 121/9) -- Modulations from C Major to D Minor (Wq 121/10) -- Modulations from C Major to E Minor (Wq 121/11) -- Modulations from A Minor to C Major (Wq 121/12) -- Modulations from A Minor to E Minor (Wq 121/13) -- Modulations from A Minor to D Minor (Wq 121/14) -- Modulations from A Minor to F Major (Wq 121/15) -- Modulations from A Minor to G Major (Wq 121/16) -- Modulating Chromatic Progression (Wq 121/23) -- Modulating Progression with Diminished Seventh Chords (Wq 121/26) -- Chromatic Progressions with Arpeggiated Right Hand (Wq 121/27) -- Modulatory Passage with Arpeggios (Wq 121/28) -- Modulations with 7♭/5 (Wq 121/30) -- Modulations from C Major to F-sharp Major (Wq 121/36) -- Modulations (Wq 121/37) -- Modulations to Distant Keys (Wq 121/38) -- Modulations from C Major to All Keys (Wq 121/54) -- Resolutions of 4+ (Wq 121/1) -- Resolutions of Diminished Seventh Chords (Wq 121/25) -- Resolutions of 7/# (Wq 121/29) -- Resolutions of 4+ and 5♭ (Wq 121/31) -- Resolution of 4+ (Wq 121/32) -- Progressions with a Diminished Seventh in the Bass (Wq 121/33) -- Enharmonic Modulation from C Minor to B Minor (Wq 121/34) -- Modulation with a Diminished Seventh Chord (Wq 121/35) -- Resolutions of 2 (Wq 121/41) -- Resolutions of 5/4 (Wq 121/43) -- Compositional Idea, Allegro assai in B-flat Major (Wq 120/20) -- Compositional Idea, Adagio in F-sharp Minor (Wq 121/4) -- Compositional Idea, Andante in G Major (Wq 121/6) -- Compositional Idea, Allegretto in D Major (Wq 121/17) -- Compositional Idea, Andante in C Major (Wq 121/18) -- Compositional Idea, Andante in A Minor (Wq 121/19) -- Compositional Idea, Allegro assai in G Major (Wq 121/20) -- Compositional Idea, Adagio in C Major (Wq 121/21) -- Passage in E Major (Wq 121/22) -- Fugue Subject (Wq 121/40) -- Studies on B-A-C-H (Wq 121/3) -- Study on C-F-E-B-A-C-H (Wq 121/42) -- Study on B-A-C-H (Wq 121/51) -- Studies on B-A-C-H (Wq/H deest) -- Inversion Canon for Two Voices in G Major (Wq 121/24) -- Inversion Canon for Two Voices in G Major (Wq 121/44) -- Augmentation Canon for Two Voices in A Major (Wq 121/45) -- Augmentation Canon for Two Voices in G Major (Wq 121/46) -- Perpetual Canon for Four Voices in C Major (Wq 121/47) -- Perpetual Canon for Four Voices in F Major (Wq 121/48) -- Canon for Two Voices in G Major at the Lower Ninth (Wq 121/49) -- Canon for Two Voices in G Major at the Lower Fourth (Wq 121/50) -- Canon for Two Voices in G Major at the Lower Fourth (Wq 121/52) -- Canon for Two Voices in C Major at the Lower and Upper Fifth, in Diminution at the Octave, and in Invertible Counterpoint at the Octave (Wq 121/53) -- Diminution Canon for Two Voices in C Major (Wq 121/55) -- Inversion Canon for Two Voices in D Minor (Wq/H deest) -- Examples for Most Tasks in Continuo Playing (Wq 121/39) -- Examples from Marpurg's Abhandlung von der Fuge, Wq/H deest -- Einfall, Wq 257.…”

Logic Pro X: MIDI Plug-Ins and Effects.

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Jazz Piano: 3 Basics of Improvisation.

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Alchemy : synthesis and sound design with Alchemy in Logic Pro X / by Dvorin, David

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