Music and instruments of the Elizabethan age : the Eglantine Table /

Table of Contents: “…List of Illustrations; Foreword; Acknowledgements; Note to the Reader; Abbreviations; Introducing the Eglantine Table; The Table: models and artistic context; Botany, the Table and Hardwick New Hall; The playing cards and gaming boards; The writing implements; The music in staff notation; The book of lute tablature; 'A full and lively pourtraiture': The Table as evidence for Tudor musical instruments; The bowed instruments and bows; The gittern or guitar; The cittern; The lute; The harp; The wind instruments; The Table and the music of the 1560s; Pipers, Fiddlers and the Musical Lives of the Majority; Tables of the Mind; Appendix 1: The renovation of the Eglantine Table by Tankerdale Ltd, 1996; Appendix 2: The Table in the context of furnishings in Bess of Hardwick's houses; Glossary; List of Contributors; Select Bibliography; Index…”
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History of English Music / by Davey, Henry

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Beyond boundaries : rethinking music circulation in early modern England /

Table of Contents: “…Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. …”
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A companion to Tudor literature /

Table of Contents: “…Cover13; -- Contents -- Illustrations -- Acknowledgments -- Chronology, 14858211;1603 -- Map of England, Scotland, and Ireland in the sixteenth century -- Introduction -- Part I: Historical and Cultural Contexts -- 1: The Reformation, Lollardy, and Catholicism -- 2: Witchcraft in Tudor England and Scotland -- 3: The Tudor Experience of Islam -- 4: Protestantism, Profit, and Politics -- 5: International Influences and Tudor Music -- 6: Tudor Technology in Transition -- 7: Enclosing the Body -- Part II: Manuscript, Print, and Letters -- 8: Manuscripts in Tudor England -- 9: John Skelton and the State of Letters -- 10: The Henrician Courtier Writing in Manuscript and Print -- 11: Old Authors, Women Writers, and the New Print Technology -- 12: Printers of Interludes -- Part III: Literary Origins, Presences, Absences -- 13: Medievalism in English Renaissance Literature -- 14: The Tudor Origins of Medieval Drama -- 15: French Presences in Tudor England -- 16: Italian in Tudor England -- Part IV: Authors, Works, and Modes -- 17: More8217;s Utopia -- 18: The Literary Voices of Katherine Parr and Anne Askew -- 19: Reformation Satire, Scatology, and Iconoclastic Aesthetics in Gammer Gurton8217;s Needle -- 20: Bad Fun and Tudor Laughter -- 21: Perspective and Realism in the Renaissance -- 22: Seeing through Words in Theories of Poetry -- 23: Tudor Versification and the Rise of Iambic Pentameter -- 24: John Lyly8217;s Galatea -- 25: Sidney8217;s Arcadia, Romance, and the Responsive Woman Reader -- 26: Nature and Techn234; in Spenser8217;s Faerie Queene -- 27: 8220;In Poesie the mirrois of our Age8221; -- 28: 8220;Conceived of young Horatio his son8221; -- 29: West of England -- 30: The Real and the Unreal in Tudor Travel Writing -- 31: Jack and the City -- Index.…”
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