Search Results - "The Human Voice"

101

Voicetracks : attuning to voice in media and the arts / by Neumark, Norie

Published 2017

Table of Contents: “…Series Foreword; Leonardo/International Society for the Arts, Sciences, and Technology (ISAST); Acknowledgments; 1 Introduction: Voice, Voicetracks, New Materialism; Ahem ... clearing the throat; Finding the write voice; Tracking voices; Affects, emotions, and feelings ... ; Listening to human voice; Listening beyond human(ist) voices: new materialities, new subjectivities; New materialism; Enchanted listening; Listening through 'pataphysics; Returning to breathing, coughing, and materiality-clearing the throat, once more; Situated and carnal knowledge; Voicetracks.…”

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102

Rhetorical delivery as technological discourse : a cross-historical study / by McCorkle, Ben, 1974-

Published 2012

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103

Documentary filmmaking in the Middle East and North Africa /

Published 2022

Table of Contents: “…From Poetics of Revolution to the Poetics of the Human: Voice-over in Egyptian Documentary, 1956-82 / Viola Shafik -- 12. …”

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Electronic eBook

104

Advances in mechatronics, robotics and automation II : selected, peer reviewed papers from the 2014 2nd International Conference on Mechatronics, Robotics and Automation (ICMRA 201...

Published 2014

Table of Contents: “…Emotional Analysis and Synthesis of Human Voice Based on STRAIGHTFusion of Polarization Image Based on Curvelet Transform; Human Face Expression Recognition Based on Feature Fusion; Image Defogging Based on Improved Guided Image Filtering; Image Recognition Based on Shape and Texture Features; Point Cloud Registration Method Based on Face-Mating after Denosing; Research on False Points Removing of Speech Segmentation; Research on Image Saliency Detection Model Based on Calculating the Probability of Objectness Likelihood.…”

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Electronic Conference Proceeding eBook

105

Communication acoustics : an introduction to speech, audio, and psychoacoustics / by Pulkki, Ville

Published 2015

Table of Contents: “…4.2.3 Impulse Response and Magnitude Response4.2.4 Phase Response; 4.2.5 Non-Linear Distortion; 4.2.6 Signal-to-Noise Ratio; 4.3 Response Equalization; Summary; Further Reading; References; Chapter 5 Human Voice; 5.1 Speech Production; 5.1.1 Speech Production Mechanism; 5.1.2 Vocal Folds and Phonation; 5.1.3 Vocal and Nasal Tract and Articulation; 5.1.4 Lip Radiation Measurements; 5.2 Units and Notation of Speech used in Phonetics; 5.2.1 Vowels; 5.2.2 Consonants; 5.2.3 Prosody and Suprasegmental Features; 5.3 Modelling of Speech Production; 5.3.1 Glottal Modelling; 5.3.2 Vocal Tract Modelling.…”

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106

The Governance Revolution : What Every Board Member Needs to Know, NOW! / by Midanek, Deborah Hicks

Published 2018

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107

Speaking animals in ancient literature /

Published 2020

Table of Contents: “…Morgane Cariou: Prosopopoeia in Didactic Poetry -- Angela Pabst: Wenn die Tiere reden könnten -- Vom 'Logos'-Gebrauch der Wesen ohne 'logos' bei Plutarch -- Émeline Marquis: Philosophy in the Farmyard: The Speaking Cock in Lucian's 'Gallus sive Somnium' -- Susanna Fischer: Sprechende Schweine im Kontext der Saturnalien in der Spätantike: Symphosiusʼ 'Aenigmata' und das 'Testamentum porcelli' -- TIERREDE ALS ÜBERNATÜRLICHES PHÄNOMEN -- Marco Vespa: Presentifying the Divine in Ancient Greek Tales: Human Voices in Animal Bodies…”

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Electronic Conference Proceeding eBook

108

Paratexts : introductions to science fiction and fantasy / by Gunn, James E., 1923-2020

Published 2013

Table of Contents: “…Star bridge; Station in space; Breaking point; The immortals; The joy makers; The magicians; Some dreams are nightmares; The burning; The listeners; Human voices; Gift from the stars; The dreamers; Kampus -- Masterpieces of science fiction. …”

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109

TinyML Cookbook : combine artificial intelligence and ultra-low-power embedded devices to make the world smarter / by Iodice, Gian Marco

Published 2022

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110

The opera manual / by Martin, Nicholas Ivor

Published 2014

Table of Contents: “…Dialogues des Carmélites = Dialogues of the Carmelites ; Les Mamelles de Tirésias = The Breasts of Tirésias ; La Voix Humaine = The Human Voice -- André Previn. A Streetcar Named Desire -- Sergei Prokofiev. …”

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111

The opera manual / by Martin, Nicholas Ivor

Published 2014

Table of Contents: “….) ; Hamlet (Thomas) ; A Hand of Bridge (Barber) ; Hansel and Gretel (Humperdinck) ; Hänsel und Gretel (Humperdinck) ; Harlequin (Busoni) ; Háry János (Kodály) ; Das Heimchen am Herd (Goldmark) ; Heimkehr aus der Fremde (Mendelssohn-Bartholdy) ; Die Heimsuchung (Schuller) ; Hérodiade (Massenet) ; L'Heure Espagnole (Ravel) ; Histoire du Soldat (Stravinsky) ; Homecoming from Abroad (Mendelssohn-Bartholdy) ; Hugh the Drover (Williams) ; The Huguenots (Meyerbeer) ; Les Huguenots (Meyerbeer) ; The Human Voice (Poulenc) ; The Ice Break (Tippett) ; Idomeneo (Mozart) ; Igrok (Prokofiev) ; Igroki (Shostakovich) ; L'I̊le de Tulipatan (Offenbach) ; Imeneo (Handel) ; The Impresario (Mozart) ; In a Garden (Kupferman) ; L'Incoronazione di Poppea (Monteverdi) ; L'Infedeltà Delusa (Haydn) ; Infidelity Deluded (Haydn) ; The Inquisitive Women (Wolf-Ferrari) ; Intermezzo (Strauss) ; Introductions and Goodbyes (Foss) ; Iolanta (Tchaikovsky) ; Iolanthe (Sullivan) ; Iphigenia in Aulis (Gluck) ; Iphigenia in Tauris (Gluck) ; Iphigénie en Aulide (Gluck) ; Iphigénie en Tauride (Gluck) ; Iris (Mascagni) ; Irmelin (Delius) ; Isabeau (Mascagni) ; Isis (Lully) ; The Island of Tulipatan (Offenbach) ; The Italian Girl in Algiers (Rossini) ; L'Italiana in Algeria (Rossini) ; The Jacobin (Dvořák) ; Jakobín (Dvořák) ; Jeanne d'Arc au Bûcher (Honegger) ; Jenůfa (Janáček) ; Jessonda (Spohr) ; The Jesters' Supper (Giordano) ; The Jewels of the Madonna (Wolf-Ferrari) ; The Jewess (Halévy) ; Joan of Arc (Verdi) ; Joan of Arc at the Stake (Honegger) ; La Jolie Fille de Perth (Bizet) ; Le Jongleur de Notre Dame (Massenet) ; Jonny Spielt Auf (Křenek) ; Jonny Strikes Up (Křenek) ; The Joyful Girl (Ponchielli) ; Judith (Honegger) ; The Juggler of Notre Dame (Massenet) ; La Juive (Halévy) ; Julius Caeser (Handel) ; The Jumping Frog of Calaveras County (Foss) ; Der Junge Lord (Henze) ; Kamenny Gost' (Dargomyzhsky) ; Kát́a Kabanová (Janáček) ; Katerina Izmailova (Shostakovich) [under Lady Macbeth of the Mtsensk District] ; A Kékszakállú Herceg Vará (Bartók) ; Khovanshchina (Musorgsky) ; The King in Spite of HImself (Chabrier) ; A King Listens (Berio) ; The King of Ys (Lalo) ; King Priam (Tippett) ; King Roger (Szymanowski) ; Die Kluge (Orff) ; The Knights of Ekebù (Zandonai) ; The Knot Garden (Tippett) ; Knyaz' Igor' (Borodin) ; Die Königskinder (Humperdinck) ; Krapp or The Last Tape (Mihalovici) ; Krapp ou La Dernier̀re Bande (Mihalovici) ; Król Roger (Szymanowski) ; Lady Macbeth of the Mtsensk District (Shostakovich) ; The Lady of the Lake (Rossini) ; Lakmé (Delibes) ; Das Lange Weihnachtsmahl (Hindemith) ; The Last Savage (Menotti) ; Lear (Reimann) ; Ledi Makbet Mtsenskovo Uezda (Shostakovich) ; The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Rimsky-Korsakov) ; Let's Make an Opera (Britten) [under The Little Swamp] ; Die Liebe der Danea (Strauss) ; Das Liebesverbot (Wagner) ; A Life for the Tsar (Glinka) ; The Lighthouse (Davies) ; Linda di Chamounix (Donizetti) ; Linda of Chamounix (Donizetti) ; Little Marat (Mascagni) ; The Little Prince (Portman) ; The Little Sweep (Britten) ; Little Women (Adamo) ; Lizzie Borden (Beeson) ; Lodoletta (Mascagni) ; Lohengrin (Wagner) ; I Lombardi alla Prima Crociata (Verdi) ; The Lombards at the First Crusade (Verdi) ; The Long Christmas Dinner (Hindemith) ; Long Christmas Dinner (Hindemith) [under Das Lange Weinachtsmahl] ; Long Live Mother (Donizetti) ; Lord Byron (Thomson) ; Lord Byron's Love Letter (De Banfield) ; Loreley (Catalani) ; Louise (Charpentier) ; The Love for Three Oranges (Prokofiev) ; The Love of Danae (Strauss) ; The Love of Three Kings (Montemezzi) ; The Love Stricken Brother (Pergolesi) ; The Lowland (d'Albert) ; The Lowland Sea (Wilder) ; Lucia di Lammermoor (Donizetti) ; Lucia of Lammermoor (Donizetti) ; Lucio Silla (Mozart) ; The Lucky Hand (Schönberg) ; Lucrezia Borgia (Donizetti) ; Luisa Miller (Verdi) ; Lulu (Berg) ; Die Lustige Witwe (Lehár) ; Die Lustigen Weiber von Windsor (Nicolai) ; Lyubov' k Tryom Apel'sinam (Prokofiev) ; Macbeth (Bloch) ; Macbeth (Verdi) ; Madam Butterfly (Puccini) ; Madam Free-and-Easy (Giordano) ; Madama Butterfly (Puccini) ; Madame Chrysanthème (Messager) ; Madame Chrysanthemum (Messager) ; Madame Sans-Gêne (Giordano) ; The Magic Flute (Mozart) ; The Magic Fountain (Delius) ; The Magistrate (Wolf) ; Mahagonny (Weill) [under Aufstieg und Fall der Stadt Mahagonny] ; The Maid as Mistress (Pergolesi) ; The Maid of Orleans (Tchaikovsky) ; Maiskaya Noch' (Rimsky-Korsakov) ; Le Maître de Chapelle (Paër) ; The Makropulos Affair (Janáček) ; Malady of Love (Engel) ; Les Malheurs d'Orphée (Milhaud) ; Les Mamelles de Tirésias (Poulenc) ; Manon (Massenet) ; Manon Lescaut (Puccini) ; Margaret Garner (Danielpour) ; Maria Golovin (Menotti) ; Maria Stuarda (Donizetti) ; Mâraouf (Rabaud) ; Marriage by Promissory Note (Rossini) ; The Marriage of Figaro (Mozart) ; The Marriage of Figaro (Mozart) ; Martha (Flotow) ; Mary, Queen of Scots (Musgrave) ; Masaniello (Auber) ; Maskarade (Nielsen) ; A Masked Ball (Verdi) ; I Masnadieri (Verdi) ; Masquerade (Nielsen) ; Master Pedro's Puppet Show (de Falla) ; The Mastersingers of Nuremberg (Wagner) ; Mathis der Maler (Hindemith) ; Mathis the Painter (Hindemith) ; Il Matrimonio Segreto (Cimarosa) ; Mavra (Stravinsky) ; May Night (Rimsky-Korsakov) ; Mazepa (Tchaikovsky) ; McTeague (Bolcom) ; Médée (Cherubini) ; Médée (Milhaud) ; The Medium (Davies) ; The Medium (Menotti) ; Mefistofele (Boito) ; Die Meistersinger von Nürenberg (Wagner) ; The Merry Widow (Lehár) ; The Merry Wives of Windsor (Nicolai) ; The Midsummer Night's Dream (Britten) ; The Mighty Casey (Schuman) ; Mignon (Thomas) ; The Mikado (Sullivan) ; Mireille (Gounod) ; The Miserly Knight (Rakhmaninov) ; The Misfortunes of Orpheus (Milhaud) ; Miss Havisham's Wedding Night (Argento) ; Miss Julie (Rorem) ; Mister Bruschino (Rossini) ; Mister Cauliflower (Offenbach, St. …”

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