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Cinema After Deleuze /
Published 2012Table of Contents: “…Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image.…”
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Gettin' around : jazz, script, transnationalism /
Published 2018Table of Contents: “…"Good Morning, Heartache" Sound, Script, and Improvisation in Paule Marshall's The Fisher King and Steven Spielberg's The Terminal; Conclusion. Jürg Wickihalder Gets Around; Notes; Bibliography…”
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The dynamics of interconnections in popular culture(s) /
Published 2014Table of Contents: “…Foreword; preface; introduction; interconnections; cultural anthropology's dictum; the usable past and the usable presentin steven spielberg presents animaniacs; history, heritage and the museologicalfunction of sports bars; on the linkages between sociologyand popular culture; linkages between economicsand popular culture; dynamics; 'they got to go'; we are all cylons; frommail order and picture brides, lonely hearts and social clubs, to eharmony, 'just lunch', speed datingand coffee mating; the 'nature' of frontiers; don'tworry about the government.…”
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Heroes for my son /
Published 2010Table of Contents: “…Seuss -- Bella Abzug -- Dan West -- Mother Theresa -- Steven Spielberg -- George H.W. Bush -- Lucille Ball -- George Washington -- Charlie Chaplin -- Oprah Winfrey -- Frank Shankwitz -- Mark Twain -- Eleanor Roosevelt -- Neil Armstrong -- Paul Newman -- Pele -- Barbara Johns -- Aung San Suu Kyi -- Eli Segal -- Abraham Lincoln -- Andy Miyares -- Clara Hale -- Muhammad Ali -- Barack Obama -- Harper Lee -- Thomas Jefferson -- Mahatma Gandhi -- Frederick Douglass -- Chesley B. …”
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Movies, moves and music : the sonic world of dance films /
Published 2016Table of Contents: “…The sonic world of dance films / Mark Evans and Mary Fogarty -- From choreocinema to experimental screendance: a personal archaeology / Greg Faller -- From Beat Street to Step up 3D: the sound of street dance films / Mary Fogarty -- Space, authenticity and utopia in the hip-hop teen dance film / Faye Woods -- The school and "the streets": race, class, sound, and space in Step up and Step up 2 / Brian Su-jen Chung and Afia Ofori-mensa -- The essence and momentum of honey: an interplay of sound and movement / Diane Hughes -- Gone in a flash(dance): the estrangement of diegetic performance in the 1980s teen dance film / Kelly Kessler -- "Anything but ballet": individuality, genre-bending, and sexual expression in center stage / Gillian Turnbull -- Zoot suit mayhem: swing dance and the politics of revisionist history in Steven Spielberg's 1941 / Philip Hayward and Jon Fitzgerald -- Across the universe and nostalgia: re-presenting the Beatles through moving images and dancing bodies / Colleen Cunagan and Roxane Fenton -- Looking for the past in pastiche: intertextuality in Bollywood song-and-dance sequences / Usha Iyer -- The call to rize / Megan Anne Todd -- Resounding neurological ecologies: choreographing the body's lost interactions with the world / Sarah-Mace Dennis.…”
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Alternative scriptwriting : successfully breaking the rules /
Published 2007Table of Contents: “…Beyond the rules -- Structure -- Critique of restorative three-act form -- Counter-structure -- More thoughts on three acts : fifteen years later -- Narrative and anti-narrative : the case of the two Stevens : the work of Steven Spielberg and Steven Soderbergh -- Working with genre I -- Working with genre II : the meldodrama and the thriller -- Working against genre -- Genres of voice -- The non-linear film -- Reframing the active/passive character distinction -- Stretching the limits of character identification -- Main and secondary characters -- Subtext, action, and character -- The primacy of character over action : the non-American screenplay -- The subtleties and implications of screenplay form -- Agency and the other -- Character, history, and politics -- Tone : the inescapability of irony -- Dramatic voice/narrative voice -- Digital features -- Writing the narrative voice -- Rewriting -- Adaptations from contemporary literature -- Personal scriptwriting : the edge -- Personal scriptwriting : beyond the edge.…”
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American history and contemporary Hollywood film /
Published 2005Table of Contents: “…Intro -- CONTENTS -- Acknowledgements -- Preface -- Introduction -- 1 Lessons from Hollywood's American Revolution: Revolution -- The Patriot -- 2 Rattlig the chains of history: Steven Spielberg's Amistad and 'telling everyone's story': Roots -- Amistad -- 3 Hollywood's Civil War dilemma: to imagine or unrael the nation?…”
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Traumatic realism : the demands of Holocaust representation /
Published 2000CONNECT
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Interrogating America through theatre and performance /
Published 2007Table of Contents: “…Haedicke -- Facts on trial : documentary theatre and Zoot suit / Jacqueline O'Connor -- "The ground on which I stand is I, too, am America" : African American cycle dramatists, dramas, and the voice of inclusion / Ladrica Menson-Furr -- My Uncle Sam in consumer society : Len Jenkin and the death of Death of a salesman / Steve Feffer -- From paradise to parasite : information theory, noise, and disequilibrium in John Guare's Six degrees of separation / Mike Vanden Heuvel -- Not "very Steven Spielberg"? Angels in America on film / Deborah R. …”
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