Moses und Aron by Schoenberg, Arnold, 1874-1951

“…Moses und Aron…”

Moses und Aron : Oper in drei Akten : kritischer Bericht : Skizzen /

Subjects: “…Schoenberg, Arnold, 1874-1951. Moses und Aron Analysis, appreciation.…”

Moses und Aron : Oper in drei Akten / by Schoenberg, Arnold, 1874-1951

“…Moses und Aron…”

Moses und Aron : Oper in drei Akten : Entstehungsgeschichte, Texte und Textentwürfe zum Oratorium und zur Oper /

Subjects: “…Schoenberg, Arnold, 1874-1951. Moses und Aron. Libretto Analysis, appreciation.…”

Moses und Aron : Opernfragment in zwei Akten / by Schoenberg, Arnold, 1874-1951

“…Moses und Aron…”
CONNECT

Schoenberg's 'Moses and Aaron' by Wörner, Karl Heinrich, 1910-1969

Subjects: “…Schoenberg, Arnold, 1874-1951. Moses und Aron.…”

Moses and Aaron by Schoenberg, Arnold, 1874-1951

“…Moses und Aron…”

The artist's album /

Table of Contents: CONNECT

Discourse of silence / by Kurzon, Dennis

Table of Contents: CONNECT

Schoenberg's twelve-tone music : symmetry and the musical idea / by Boss, Jack Forrest

Table of Contents: CONNECT

Political and religious ideas in the works of Arnold Schoenberg /

Table of Contents: “…Benjamin -- Arnold Schoenberg as poet and librettist : dualism, epiphany and Die Jakobsleiter / David Schroeder -- Androgyny and the eternal feminine in Schoenberg's oratorio Die Jakobsleiter / Jennifer Shaw -- Von heute aut morgen : Schoenberg as social critic / Stephen Davison -- Schoenberg in shirtsleeves : the Male choruses, op. 35 / Robert Falck -- The prophet and the pitchman : dramatic structure and its musical elucidation in Moses und Aron, act I, scene 2 / Edward D. Latham -- Schoenberg's Moses und Aron : a vanishing Biblical nation / Bluma Goldstein -- Schoenberg rewrites his will : A survivor from Warsaw, op. 46 / David Isadore Lieberman -- Texts and contexts of A survivor from Warsaw, op. 46 / Camille crittenden -- Returning to a homeland : religion and political context in Schoenberg's Dreimal tausend Jahre / Naomi André -- Schoenberg's Modern psalm, op. 50c and the unattainable ending / Mark P. …”

Great opera choirs / by Wagner, Richard, 1813-1883, Verdi, Giuseppe, 1813-1901, Schönberg, Arnold, 1874-1951, Purcell, Henry, 1659-1695, Monteverdi, Claudio, 1567-1643, Mozart, Wolfgang Amadeus, 1756-1791

Table of Contents: “…Prince Igor (completed by Rimsky-Korsakov & Glazunov) -- Aida -- Pagliacci -- Macbeth -- Rienzi, der Letzte der Tribunen, WWV 49 -- Boris Godunov -- Die Zauberflöte, K. 620 -- La favola d'Orfeo, SV 318 -- Moses und Aron -- Madama Butterfly -- Tannhäuser, WWV 70.…”
CONNECT

Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”

Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”
CONNECT

Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”
CONNECT
CONNECT

Speechsong. by Cavell, Richard

CONNECT
CONNECT
CONNECT
CONNECT

Schoenberg's twelve-tone music : symmetry and the musical idea / by Boss, Jack Forrest

Table of Contents: “…Musical idea and symmetrical ideal -- Suite for Piano Op. 25: varieties of idea in Schoenberg's earliest twelve-tone music -- Woodwing Quintet Op. 26: the twelve-tone idea reanimates a large musical form -- Three Satires Op. 28. no. 3: the earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a: the "symmetrical ideal: conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms.…”
CONNECT

After Wagner : histories of modernist music drama from Parsifal to Nono / by Berry, Mark, 1974-

Table of Contents: “…Wagner "after Wagner" : Parsifal ; Arnold Schoenberg's "Biblical way" : towards Moses und Aron ; Richard Strauss : Paths to (and from) Capriccio -- Composition after the Second World War : from Germany to Italy, and back again? …”
CONNECT

Perspectives on Schoenberg and Stravinsky /

Table of Contents: “…Schoenberg's Five pieces for orchestra / Robert Craft -- Analysis of the Four orchestral songs, op. 22 / Arnold Schoenberg -- Three essays on Schoenberg / Milton Babbitt -- Moses und Aron ; A study of hexachord levels in Schoenberg's Violin fantasy / David Lewin -- Schoenberg and the organ / Glenn E. …”
CONNECT

After Wagner : Histories of Modernist Music Drama from Parsifal to Nono. by Berry, Mark

Table of Contents: “…Arnold Schoenberg's 'Biblical Way': Towards Moses und Aron -- 3. Richard Strauss: Paths to (and from) Capriccio -- Part II Composition after the Second World War: From Germany to Italy, and Back Again? …”
CONNECT