Le comte Ory = Count Ory : opéra comique in French in two acts / by Fisher, Burton D.

Table of Contents: “…Principal characters in Le comte Ory -- Brief story synopsis -- Story narrative with music examples -- Commentary and analysis.…”
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Il conte Ory : an opera in 2 acts / by Rossini, Gioacchino, 1792-1868

Rossini and post-Napoleonic Europe / by Roberts, Warren, 1933-

Table of Contents: “…Setting the stage : opera buffa and comedy of manners in an age of democratic revolution -- Rossini, Mozart, Paisiello, and the Barber of Seville -- Jane Austen, Goya, Rossini, and the post-Napoleonic age : La Cenerentola -- Rossini, Beethoven, and rescue opera : Fidelio and La gazza ladra -- Rossini, Ferretti, Matilde di Shabran, and the revolution of 1820-21 -- Stendhal and Rossini in Paris : Il viaggio a reims, Le comte Ory, and the July Revolution.…”
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Rossini and post-Napoleonic Europe / by Roberts, Warren, 1933-

Table of Contents: “…Setting the stage : opera buffa and comedy of manners in an age of democratic revolution -- Rossini, Mozart, Paisiello, and the Barber of Seville -- Jane Austen, Goya, Rossini, and the post-Napoleonic age : La Cenerentola -- Rossini, Beethoven, and rescue opera : Fidelio and La gazza ladra -- Rossini, Ferretti, Matilde di Shabran, and the revolution of 1820-21 -- Stendhal and Rossini in Paris : Il viaggio a reims, Le comte Ory, and the July Revolution.…”
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Rossini and post-Napoleonic Europe / by Roberts, Warren, 1933-

Table of Contents: “…Setting the stage : opera buffa and comedy of manners in an age of democratic revolution -- Rossini, Mozart, Paisiello, and the Barber of Seville -- Jane Austen, Goya, Rossini, and the post-Napoleonic age : La Cenerentola -- Rossini, Beethoven, and rescue opera : Fidelio and La gazza ladra -- Rossini, Ferretti, Matilde di Shabran, and the revolution of 1820-21 -- Stendhal and Rossini in Paris : Il viaggio a reims, Le comte Ory, and the July Revolution.…”

Rossini and post-Napoleonic Europe / by Roberts, Warren, 1933-

Table of Contents: “…Setting the stage : opera buffa and comedy of manners in an age of democratic revolution -- Rossini, Mozart, Paisiello, and the Barber of Seville -- Jane Austen, Goya, Rossini, and the post-Napoleonic age : La Cenerentola -- Rossini, Beethoven, and rescue opera : Fidelio and La gazza ladra -- Rossini, Ferretti, Matilde di Shabran, and the revolution of 1820-21 -- Stendhal and Rossini in Paris : Il viaggio a reims, Le comte Ory, and the July Revolution.…”
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The Rossini tenor. by Rossini, Gioacchino, 1792-1868

Table of Contents: “…Cessa di piu resistere (8:07) -- Le comte Ory. Astro sereno brilli (3:53) -- L'Italiana in Algeri. …”
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French opera arias : Natalie Dessay.

Table of Contents: “…Conduisez-moi vers celui que j'adore / Offenbach -- Le comte Ory. En proie à la tristesse / Rossini -- La fille du régiment. …”
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Overtures / by Rossini, Gioacchino, 1792-1868

Table of Contents: “…La scala di seta (5:44) -- Il Signor Bruschino (4:14) -- Tancredi (5:33) -- L'Italiana in Algeri (7:34) -- L'inganno felice (5:10) -- L'assedio di Corinto (9:41) -- Guillaume Tell (12:14) -- Il barbiere di Siviglia (7:34) -- La Cenerentola (8:27) -- Il viaggio a Reims (6:49) -- La cambiale di matrimonio (5:23) -- La gazza ladra (10:18) -- Semiramide (12:05) -- Le Comte Ory (3:33) -- Il turco in Italia (8:44) -- La boutique fantasque / arr. …”
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The best of Sumi Jo.

Table of Contents: “…Le chanson du canari / Adam -- Le comte Ory. Ce téméraire ; J'entends d'ici le bruit des armes / Rossini -- Un ballo in maschera. …”
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Italian belcanto opera libretti /

Table of Contents: “…Guillaume Tell / Rossini ; Le comte Ory / Rossini ; Otello / Rossini ; Semiramide / Rossini ; Il viaggio a Reims / Rossini ; La fille du régiment / Donizetti ; La favorite / Donizetti ; Beatrice di Tenda / Bellini.…”

Opera arias

Table of Contents: “…e tuo credevi / Giuseppe Verdi (6:40) -- Le comte Ory. Veiller sans cesse / Gioac[c]hino Rossini (5:34) --Simon Boccanegra. …”

Opera arias /

Table of Contents: “…e tuo credevi / Giuseppe Verdi (6:40) -- Le comte Ory. Veiller sans cesse / Gioac[c]hino Rossini (5:34) --Simon Boccanegra. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Il Barbiere di Siviglia = The Barber of Seville ; La Cambiale di Matrimonio = Marriage by Promissory Note ; La Cenerentola = Cinderella ; Le Comte Ory = The Count Ory ; La Donna del Lago = The Lady of the Lake ; Elisabetta ; La Gazza Ladra = The Thieving Magpie ; Guillaume Tell = Guglielmo Tell = William Tell ; L'Italiana in Algeria = The Italian Girl in Algiers ; Mosé in Egitto = Moïse et Pharaon = Moses in Egypt ; Otello ; La Pietra del Paragone = The Touchstone ; La Scala di Seta = The Silken Ladder ; Semiramide ; Le Siège de Corinthe = The Siege of Corinth ; Il Signor Bruschino = Mister Bruschino ; Tancredi ; Il Turco in Italia = The Turk in Italy ; Il Viaggio a Reims = The Voyage to Reims.…”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “….) ; La Battaglia di Legnano (Verdi) ; The Battle of Legnano (Verdi) ; The Bear (Walton) ; Béatrice (Messager) ; Béatrice and Bénédict (Berlioz) ; Beatrice di Tenda (Bellini) ; Béatrice et Bénédict (Berlioz) ; Beatrice of Tenda (Bellini) ; Beatrix Cenci (Ginastera) ; The Beautiful Helen (Offenbach) ; Beauty and the Beast (Giannini) ; The Beggar Student (Millöcker) ; The Beggar's Opera (Pepusch) ; La Belle Hélène (Offenbach) ; Beltane Fire (Strauss) ; Benvenuto Cellini (Berlioz) ; Bertha (Rorem) ; Der Besuch der alten Dame (Einem) ; Betrothal in a Convent (Prokofiev) ; Der Bettelstudent (Millöcker) ; Billy Budd (Britten) ; The Black Domino (Auber) ; Bluebeard's Castle (Bartók) ; Boccaccio (Suppé) ; La Bohème (Leoncavallo) ; La Bohème (Puccini) ; The Bohemian (Leoncavallo) ; The Bohemian (Puccini) ; The Bohemian Girl (Balfe) ; Bomarzo (Ginastera) ; The Boor (Argento) ; Boris Godunov (Musorgsky) ; Brandenburgers in Bohemia (Smetana) ; Braniboři v Čechách (Smetana) ; The Breasts of Tirésias (Poulenc) ; The Bridge of Sighs (Offenbach) ; A Brief Life (de Falla) ; The Brigands (Offenbach) ; Les Brigands (Offenbach) ; Brother Devil (Auber) ; The Burning Fiery Furnace (Britten) ; Calisto (Cavalli) ; La Calisto (Cavalli) ; La Cambiale di Matrimonio (Rossini) ; La Campanello Sommersa (Respighi) ; Il Campanello (Donizetti) ; Il Campiello (Wolf-Ferrari) ; Candide (Bernstein) ; Capriccio (Strauss) ; I Capuleti e i Montecchi (Bellini) ; The Capulets and the Montagues (Bellini) ; Cardillac (Hindemith) ; Carmen (Bizet) ; Carry Nation (Moore) ; Casanova's Homecoming (Argento) ; Castor and Pollux (Rameau) ; Castor et Pollux (Rameau) ; Caterina Cornaro (Donizetti) ; The Cavalieri di Ekebù (Zandonai) ; Cavalleria Rusticana (Mascagni) ; La Cena delle Beffe (Giordano) ; Cendrillon (Massenet) ; La Cenerentola (Rossini) ; Čert a Káča (Dvořák) ; The Child and the Spells (Ravel) ; The Christmas Rose (Bridge) ; The Cid (Massenet) ; Le Cid (Massenet) ; Čím človĕk žije (Martinů) ; Cinderella (Massenet) ; Cinderella (Rossini) ; The Clemency of Titus (Mozart) ; La Clemenza di Tito (Mozart) ; Cleopatra (Massenet) ; Cléopâtre (Massenet) ; The Cloak (Puccini) ; The Clowns (Leoncavallo) ; Cold Sassy Tree (Floyd) ; The Combat of Tancred and Clorinda (Monteverdi) ; Il Combattimento di Tancredi e Clorinda (Monteverdi) ; Comedy on the Bridge (Martinů) ; The Comic Duel (Paisiello) ; Le Comte Ory (Rossini) ; The Consul (Menotti) ; Le Contes d'Hoffmann (Offenbach) ; Le Convenienze ed Inconvenieze Teatrali (Donizetti) [under Viva la Mamma] ; Coq d'Or (Rimsky-Korsakov) [under the Golden Cockerel] ; The Coronation of Poppea (Monteverdi) ; Der Corregidor (Wolf) ; The Corsair (Verdi) ; Il Corsaro (Verdi) ; Così fan tutte (Mozart) ; The Count Ory (Rossini) ; Countess Maritza (Kálmán) ; The Cricket on the Hearth (Goldmark) ; The Crucible (Ward) ; Cruzar la Cara de la Luna (Martínez) ; Cumberland Fair (Wilder) ; The Cunning Little Vixen (Janáček) ; Dalibor (Smetana) ; La Damnation de Faust (Berlioz) ; The Damnation of Faust (Berlioz) ; The Dangerous Liaisons (Susa) ; Daphne (Strauss) ; The Daughter of the Regiment (Donizetti) ; The Dead City (Korngold) ; Dead Man Walking (Heggie) ; Death in Venice (Britten) ; Dèbora and Jaéle (Pizzetti) ; A Defective Education (Chabrier) ; Le Dernier Sauvage (Menotti) ; Des Esels Schatten (Stauss) ; The Desert Song (Romberg) ; Destiny (Janáček) ; The Devil and Daniel Webster (Moore) ; The Devil and Kate (Dvořák) ; The Devil Take Her (Benjamin) ; The Devils of Loudun (Penderecki) ; Dialogues des Carmélites (Poulenc) ; Dialogues of the Carmelites (Poulenc) ; Dido and Æneas (Purcell) ; Le Docteur Miracle (Bizet) ; Doctor Atomic (Adams) ; Doctor Cupid (Wolf-Ferrari) ; Doctor Faust (Busoni) ; Doctor Miracle (Bizet) ; Doktor Faust (Busoni) ; Dom Sébastien (Donizetti) ; Domino Noir (Auber) ; Don Carlo (Verdi) ; Don Giovanni (Mozart) ; Don Pasquale (Donizetti) ; Don Quichotte (Massenet) ; Don Rodrigo (Ginastera) ; The Donkey's Shadow (Strauss) ; La Donna del Lago (Rossini) ; Le Donne Curiose (Wolf-Ferrari) ; Double Trouble (Mohaupt) ; Down in the Valley (Weill) ; The Dream of Scipio (Mozart) ; Die Dreigroschenoper (Weill) ; I Due Foscari (Verdi) ; Il Duello Comico (Paisiello) ; The Duenna (Prokofiev) [under Betrothal in a Convent] ; Dvakrát Alexandr (Martinů) ; Edgar (Puccini) ; The Egyptian Helen (Strauss) ; Einstein on the Beach (Glass) ; El Retablo de Maese Pedro (de Falla) ; Elegie für junge Liebende (Henze) ; Elegy for Young Lovers (Henze) ; Elektra (Strauss) ; Elisabetta (Rossini) ; E'Elisir d'Amore (Donizetti) ; The Elixir of Love (Donizetti) ; The End of a World (Henze) ; Das Ende einer Welt (Henze) ; L'Enfant et lest Sortilèges (Ravel) ; L'Enfant Prodigue (Debussy) ; Die Englische Katze (Henze) ; The English Cat (Henze) ; L'Enlèvement d'Europe (Milhaud) ; Die Entführung aus dem Serail (Mozart) ; Ernani (Verdi) ; Erwartung (Schönberg) ; Esclarmonde (Massenet) ; Esther (Weisgall) ; Eugene Onegin (Tchaikovsky) ; Euridice (Peri) ; Euryanthe (Weber) ; Evgeny Onegin (Tchaikovsky) ; The Excursions of Mr.…”