Herbert von Karajan.

Table of Contents: “…Water Music Suite No. 2 in D Major, HWV 349, composed by George Frideric Handel, 1685-1759 -- Symphony No. 9 in D Minor, Op. 125, composed by Ludwig van Beethoven, 1770-1827 -- Symphony No. 8 in F Major, Op. 93, composed by Ludwig van Beethoven, 1770-1827 -- Symphony No. 2 in D Major, Op. 73, composed by Johannes Brahms, 1833-1897 -- Symphony No. 39 in E Flat Major, K. 543, composed by Wolfgang Amadeus Mozart, 1756-1791 -- Symphony No. 29 in A Major, K. 201, composed by Wolfgang Amadeus Mozart, 1756-1791 -- Symphony No. 38 'Prague' in D Major, K. 504, composed by Wolfgang Amadeus Mozart, 1756-1791 -- Symphony No. 4 in E Minor, Op. 98, composed by Johannes Brahms, 1833-1897 -- Symphony No. 8 'Unfinished', D. 759, composed by Franz Peter Schubert, 1797-1828 -- 6 German Dances, K. 600, composed by Wolfgang Amadeus Mozart, 1756-1791 -- 4 German Dances, K. 602, composed by Wolfgang Amadeus Mozart, 1756-1791 -- 3 German Dances, K. 605, composed by Wolfgang Amadeus Mozart, 1756-1791 -- Symphony No. 5 in B Flat Major, D. 485, composed by Franz Peter Schubert, 1797-1828 -- Symphony Nr. 4 in D Minor, Op. 120, composed by Robert Schumann, 1810-1856 -- Les Préludes, symphonic poem No. 3, S. 97 (LW G3), composed by Franz Liszt, 1811-1886 -- Pictures at an Exhibition, composed by Modest Petrovich Mussorgsky, 1839-1881 -- Faust- Ballett Musik, composed by Charles Gounod, 1818-1893 -- Prince Igor Polovtsian Dances, composed by Alexander Borodin, 1833-1887 -- Aida, composed by Giuseppe Verdi, 1813-1901 -- Der fliegende Holländer, WWV 63, composed by Richard Wagner, 1813-1883 -- Tannhäuser, WWV 70, composed by Richard Wagner, 1813-1883 -- Lohengrin, WWV 75, composed by Richard Wagner, 1813-1883 -- Orphée aux Enfers, composed by Jacques Offenbach, 1819-1880 -- Les contes d'Hoffmann (The Tales of Hoffmann) (arr. for orchestra), composed by Jacques Offenbach, 1819-1880 -- La Traviata, composed by Giuseppe Verdi, 1813-1901 -- Manon Lescaut, composed by Giacomo Puccini, 1858-1924 -- Invitation to the Dance in D Flat Major, Op. 65 / J. 260, composed by Carl Maria von Weber, 1786-1826 -- L'Italiana in Algeri, composed by Gioachino Rossini, 1792-1868 -- Semiramide, composed by Gioachino Rossini, 1792-1868 -- Il barbiere di Siviglia, composed by Gioachino Rossini, 1792-1868 -- Guillaume Tell, composed by Gioachino Rossini, 1792-1868 -- La scala di seta, composed by Gioachino Rossini, 1792-1868 -- La gazza ladra, composed by Gioachino Rossini, 1792-1868 -- La Gioconda, Op. 9, composed by Amilcare Ponchielli, 1834-1886 -- Tritsch-Tratsch Polka, Op. 214, composed by Johann Strauss, Jr., 1825-1899.…”
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African theatre.

Table of Contents: “…Smith on Hilde Roos, The La Traviata affair: opera in the age of apartheid -- Wayne Muller on Naomi André, Black opera: history, power, engagement -- William Fourie on Naomi André, Donato Somma and Innocentia Jabulisile Mhlambi, eds., 'New voices in Black South African opera', African Studies, vol. 75, no. 1.…”
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The tenor arias by Verdi, Giuseppe, 1813-1901

Table of Contents: “…La traviata. De' miei bollenti spiriti ; O mio rimorso! …”

La Divina.

Table of Contents: “…. ; Georges Prêtre, conductor) (5:06) -- La traviata. Teneste la promessa ... Addio, del passato (Orquesta Sinfonica del Teatro Nacional de San Carlos, Lisbon ; Franco Ghione, conductor) (5:14) ; Don Carlo. …”
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Complete Tranquility.

Table of Contents: “…Mozart ; Allegretto, Andantino, Allegro brillante from Fantasia on arias from La traviata / Marc-Olivier Dupin ; Twelve German dances, H. …”
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Popular music from TV, film and opera.

Table of Contents: “…Ecco: respiro appena-- Io son l'umile ancella / Cilea -- La Traviata. Ah, fors'è lui ; Addio del passato / Verdi -- Turandot. …”
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OperAria.

Table of Contents: “…Tutto è deserto / Il balen del suo sorriso (Il conte di Luna - Il trovatore) ; Di Provenza il mar (Germont - La traviata) ; Sacra la scelta (Miller - Luisa Miller) ; Alzati! …”

The very best of Maria Callas. by Callas, Maria, 1923-1977

Table of Contents: “…Caro nome / Verdi (7:30) -- La traviata. Ah fors'e lui / Verdi (3:17) -- Manon. …”
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Surround yourself with Enrico Caruso : the essential operatic recordings : fifty arias and ensembles recorded between 1905-1920 /

Table of Contents: “…E ben sonanti" from L'elisir d'amore, composed by Gaetano Donizetti, 1797-1848 -- "Che gelida manina" from La bohème, composed by Giacomo Puccini, 1858-1924 -- "Un di all'azzurro spazio" from Andrea Chénier, composed by Umberto Giordano, 1867-1948 -- "Celeste Aida" and "La fatal pietra / O terra addio" from Aida, composed by Giuseppe Verdi, 1813-1901 -- "Recondita armonia" from Tosca, composed by Giacomo Puccini, 1858-1924 -- 3 arias from Il Trovatore, composed by Giuseppe Verdi, 1813-1901 -- "Cielo e mar" from La Gioconda, op. 9, composed by Amilcare Ponchielli, 1834-1886 -- 4 arias from Rigoletto, composed by Giuseppe Verdi, 1813-1901 -- "O tu che in seno agl'angeli" and "Invano, Alvaro / Le minaccie, i fieri accenti" from La forza del destino, composed by Giuseppe Verdi, 1813-1901 -- "Ma se m'è forza perderti" from Un ballo in maschera, composed by Giuseppe Verdi, 1813-1901 -- "Qual voluttà trascorrere" from I Lombardi alla prima Crociata, composed by Giuseppe Verdi, 1813-1901 -- "Donna non vidi mai" from Manon Lescaut, composed by Giacomo Puccini, 1858-1924 -- "Ora e per sempre addio" and "Sì pel ciel" from Otello, composed by Giuseppe Verdi, 1813-1901 -- "Libiamo, libiamo ne'lieti calici" from La traviata, composed by Giuseppe Verdi, 1813-1901 -- "Ah, la paterna mano" from Macbeth, composed by Giuseppe Verdi, 1813-1901 -- "Come un bel dì di maggio" from Andrea Chénier, composed by Umberto Giordano, 1867-1948 -- "Sleale! …”
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Schirmer scores : a repertory of western music /

Table of Contents: “…Music and drama -- Excerpts from l'Ormindo / Francesco Cavalli -- Excerpt from Rodelinda / George Frideric Handel -- Excerpt from Die Zauberflöte / Wolfgang Amadeus Mozart -- Excerpt from La traviata / Giuseppe Verdi -- Excepts from Die Meistersinger von Nürnberg -- Part V. …”

Ultimate Callas.

Table of Contents: “…Al dolce guidami castel natio / Donizetti -- La Traviata. Ah, fors'è lui / Verdi -- Il Trovatore. …”
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Opera Album 2002.

Table of Contents: “…Der Hölle Rache / Mozart (Natalie Dessay) -- La traviata. Libiamo, ne' lieti calici / Verdi (Roberto Alagna, Angela Gheorghiu) -- Norma. …”
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Opera 2009.

Table of Contents: “…Bess You Is My Woman / Gershwin (Bryn Terfel, Lesley Garrett) -- La Traviata. Lunge da lei-- De' miei bollenti-- O mio rimorso / Verdi (Rolando Villazón) -- La Sonnambula. …”
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Icon : Mirella Freni.

Table of Contents: “…O rendetemi la speme-- qui la voce / Bellini -- La traviata. È strano!-- sempre libera / Verdi -- L'amico Fritz. …”
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The Scribner radio music library /

Table of Contents:

Operatic anthology : celebrated arias selected from operas by old and modern composers, in five volumes /

Table of Contents: “…Blick' ich umher (Wolfram's address) ; O du mein holder Abendstern (romance) / Wagner -- La traviata. Di provenza il mar (aria) / Verdi -- Il trovatore. …”

The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Aïda ; Alzira ; Aroldo ; Attila ; La Battaglia di Legnano = The Battle of Legnano ; Il Corsaro = The Corsair ; Don Carlo ; I Due Foscari = The Two Foscari ; Ernani ; Falstaff ; La Forza del Destino = The Force of Destiny ; Giovanna d'Arco = Joan of Arc ; I Lombardi alla Prima Crociata = The Lombards at the First Crusade ; Luisa Miller ; Macbeth ; I Masnadieri = The Bandits ; Nabucco ; Oberto ; Otello ; Rigoletto ; Simon Boccanegra ; Stiffelio ; La Traviata = The Fallen Woman ; Il Trovatore = The Troubadour ; Un Ballo in Maschera = The Masked Ball ; Un Giorno di Regno = A One-Day Reign ; Les Vêpres Siciliennes = I Vespri Siciliani = The Sicilian Vespers -- Hector Villa-Lobos. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Oberto (Verdi) ; Obruchenie v Monastyre (Prokofiev) ; Oedipus Rex (Stravinsky) ; Of Mice and Men (Floyd) ; Ognenny Angel (Prokofiev) ; The Old Maid and the Thief (Menotti) ; Olympie (Spontini) ; A One-Day Reign (Verdi) ; The Oracle (Leoni) ; L'Oracolo (Leoni) ; Orfeo ed Euridice (Gluck) ; Orlando (Handel) ; Orlando Furioso (Vivaldi) ; Orleanskaya Deva (Tchaikovsky) ; Ormindo (Cavalli) ; L'Ormindo (Cavalli) ; Orontea (Cesti) ; L'Orontea (Cesti) ; Orphée aux Enfers (Offenbach) ; Orphée et Eurydice (Gluck) ; Orpheus and Eurydice (Gluck) ; Orpheus in the Underworld (Offenbach) ; Osud (Janáček) ; Otello (Rossini) ; Otello (Verdi) ; Owen Wingrave (Britten) ; Paganini (Lehár) ; Pagliacci (Leoncavallo) ; Palestrina (Pfitzner) ; Paradise Lost (Penderecki) ; Parisian Life (Offenbach) ; Parisina d'Este (Donizetti) ; Parisina of Este (Donizetti) ; Parsifal (Wagner) ; Il Pastor Fido (Handel) ; Paul Bunyan (Britten) ; Le Pauvre Matelot (Milhaud) ; The Pearl Fishers (Bizet) ; Les Pêcheurs de Perles (Bizet) ; Pelléas and Mélisande (Debussy) ; Pelléas et Mélisande (Debussy) ; Pénélope (Fauré) ; Périchole (Offenbach) ; La Périchole (Offenbach) ; Peter Grimes (Britten) ; Phaëton (Lully) ; Il Piccolo Marat (Mascagni) ; La Pietra del Paragone (Rossini) ; Pikovaya Dama (Tchaikovsky) ; Pimpinone (Telemann) ; Pique Dame (Tchaikovsky) [under The Queen of Spades] ; Il Parata (Bellini) ; The Pirate (Bellini) ; The Pirates of Penzance (Sullivan) ; The Poacher (Lortzing) ; The Poisoned Kiss (Williams) ; Les Pont des Soupirs (Offenbach) ; The Poor Sailor (Milhaud) ; Porgy and Bess (Gershwin) ; Postcard from Morocco (Argento) ; The Postilion of Lonjumeau (Adam) ; Le Postillon de Lonjumeau (Adam) ; Il Postino (Catán) ; The Postman (Catán) ; The Postman Always Rings Twice (Paulus) ; The Pretender Gardener (Mozart) ; The Pretended Simpleton (Mozart) ; The Pretty Maid of Perth (Bizet) ; Il Prigioniero (Dallapiccola) ; Příhody Lišky Bystroušky (Janáček) ; Prince Igor (Borodin) ; The Princes Khovansky (Musorgsky) ; The Princess and the Pea (Toch) ; Die Prinzessin auf der Ebse (Toch) ; The Prisoner (Dallapiccola) ; Prodaná Nevĕsta (Smetana) ; The Prodigal Son (Britten) ; The Prodigal Son (Debussy) ; Prometheus (Orff) ; The Prophet (Meyerbeer) ; The Protagonist (Weill) ; Der Protagonist (Weill) ; The Protagonist (Weill) ; Punainen (Viiva) ; Purgatory (Weisgall) ; I Puritani (Bellini) ; The Puritans (Bellini) ; I Quattro Rusteghi (Wolf-Ferrari) ; The Queen of Sheba (Goldmark) ; The Queen of Spades (Tchaikovsky) ; A Quiet Place (Bernstein) ; Radamisto (Handel) ; The Rake's Progress (Stravinsky) ; The Rape of Lucretia (Britten) ; Il Re Pastore (Mozart) ; Řecké pašije (Martinů) ; The Red Line (Sallinen) ; The Return of Ulysses to his Country (Montiverdi) ; Das Rheingold (Wagner) ; The Rhinegold (Wagner) ; Riders to the Sea (Williams) ; Rienzi (Wagner) ; Rigoletto (Verdi) ; Rinaldo (Handel) ; The Rise and Fall of the City of Mahagonny (Weill) ; Il Ritorno d'Ulisse in Patria (Monteverdi) ; Robert le Diable (Meyerbeer) ; Robert the Devil (Meyerbeer) ; Roberto Devereux (Donizetti) ; Le Roi d'Ys (Lalo) ; Le Roi Malgré Lui (Chabrier) ; Romeo and Juliet (Gounod) ; Roméo et Juliette (Gounod) ; La Rondine (Puccini) ; Der Rosenkavalier (Strauss) ; Le Rossignol (Stravinsky) [under The Nightingale] ; The Royal Children (Humperdinck) ; The Ruby (Joio) ; Rusalka (Dvořák) ; Russlan and Ludmilla (Glinka) ; Russlan i Ludmilla (Glinka) ; Rustic Chivalry (Mascagni) ; Sadko (Rimsky-Korsakov) ; Saffo (Pacini) ; Saint Francis of Assis (Messiaen) ; Saint François d'Assise (Messiaen) ; The Saint of Bleeker Street (Menotti) ; Salome (Strauss) ; Samson and Delilah (Saint-Saëns) ; Samson et Delila (Saint-Saëns) ; Sapho (Gounod) ; Sapho (Massenet) ; Sappho (Gounod) ; Sappho (Massenet) ; Sappho (Pacini) ; Šárka (Janáček) ; Satyagraha (Glass) ; La Scala di Seta (Rossini) ; Scaramouche (Sibelius) ; The Scarf (Hoiby) ; Der Schauspieldirektor (Mozart) ; School for Wives (Liebermann) ; Schwanda the Bagpiper (Weinberger) [under Švanda Dudák] ; Die Schweigsame Frau (Strauss) ; The Second Hurricane (Copland) ; The Secret Marriage (Cimarosa) ; Il Segreto di Susanne (Wolf-Ferrari) ; Semirama (Respighi) ; Semiramide (Rossini) ; Serse (Handel) ; La Serva Padrona (Pergolesi) ; The Shepherd King (Mozart) ; The Shepherd of the Delectable Mountains (Williams) ; The Sicilian Vespers (Verdi) ; Le Siège de Corinthe (Rossini) ; The Siege of Corinth (Rossini) ; Siegfried (Wagner) ; Il Signor Bruschino (Rossini) ; The Silent Woman (Strauss) ; The Silken Ladder (Rossini) ; Simon Boccanegra (Verdi) ; Sir John in Love (Williams) ; Sister Angelica (Puccini) ; Six Characters in Search of an Author (Weisgall) ; Skazani o Nevidimom Grade Kitezhe i Deve Fevrony (Rimsky-Korsakov) ; Skazka o Tsare Saltane (Rimsky-Korsakov) ; Skupoi Rytsar' (Rakhmaninov) ; The Sleepwalker (Bellini) ; Snegurochka (Rimsky-Korsakov) ; The Snow Maiden (Rimsky-Korsakov) ; Il Sogno di Scipione (Mozart) ; Die Soldaten (Zimmermann) ; The Soldier's Tale (Stravinsky) ; The Soldiers (Zimmermann) ; Solovey (Stravinsky) ; La Sonnambula (Bellini) ; Sorochinskaya Yarmarka (Musorgsky) ; The Spanish Hour (Ravel) ; The Spanish Lady (Elgar) ; Lo Speziale (Haydn) ; Die Spieler (Shostakovich) ; The Square (Wolf-Ferrari) ; Stiffelio (Verdi) ; The Stone Guest (Dargomyzhsky) ; Strandrecht (Smyth) ; La Straniera (Bellini) ; Street Scene (Weill) ; A Streetcar Named Desire (Previn) ; The Studen Prince (Romberg) ; Summer and Smoke (Hoiby) ; Sunday Excursion (Wilder) ; The Sunken Bell (Respighi) ; Suor Angelica (Puccini) ; Susanna's Secret (Wolf-Ferrari) ; Susannah (Floyd) ; Švanda Dudák (Weinberger) ; Švanda the Bagpiper (Weinberger) ; The Swallow (Puccini) ; Il Tabarro (Puccini) ; The Tale of Tsar Saltan (Rimsky-Korsakov) ; A Tale of Two Cities (Benjamin) ; The Tales of Hoffmann (Offenbach) ; Tamerlano (Handel) ; The Taming of the Shrew (Giannini) ; Tancredi (Rossini) ; Tannhäuser (Wagner) ; Tartuffe (Mechem) ; The Telephone (Menotti) ; The Tempest (Adès) ; The Tempest (Hoiby) ; The Tender Land (Copland) ; Die Teufel von Loudun (Penderecki) ; Thaïs (Massenet) ; The Thieving Magpie (Rossini) ; Three Decembers (Heggie) ; The Three Penny Opera (Weill) ; Tiefland (d'Albert) ; To Cross the Face of the Moon (Martínez) ; Tom Jones (Philidor) ; Tosca (Puccini) ; Die Tot Stadt (Korngold) ; The Touchstone (Rossini) ; Transformations (Susa) ; La Traviata (Verdi) ; Treemonisha (Joplin) ; Tristan and Isolde (Wagner) ; Tristan und Isolde (Wagner) ; Troilus and Cressida (Walton) ; The Trojans (Berlioz) ; The Troubadour (Verdi) ; Trouble in Tahiti (Bernstein)[under A Quiet Place] ; Il Trovatore (Verdi) ; Les Troyens (Berlioz) ; Tsar and Carpenter (Lortzing) ; The Tsar Has His Photograph Taken (Weill) ; The Tsar's Bride (Rimsky-Korsakov) ; Tsarskaya Nevesta (Rimsky-Korsakov) ; Turandot (Busoni) ; Turandot (Puccini) ; Il Turco in Italia (Rossini) ; The Turk in Italy (Rossini) ; The Turn of the Shrew (Britten) ; The Twilight of the Gods (Wagner) ; The Two Foscari (Verdi) ; Ulisse (Dallapiccola) ; Ulysses (Dallapiccola) ; Un Ballo in Maschera (Verdi) ; Un Giorno di Regno (Verdi) ; Un Re in Ascolto (Berio) ; Une Education Manquée (Chabrier) ; The Valkyrie (Wagner) ; The Vampire (Marschner) ; Der Vampyr (Marschner) ; Vanessa (Barber) ; Vĕc Makropulsos (Janáček) ; Les Vêpres Siciliennes (Verdi) ; Veselohra no mostě (Martinů) ; I Vespri Siciliani (Verdi) ; The Vestal (Spontini) ; La Vestale (Spontini) ; Il Viaggio a Reims (Rossini) ; La Vida Breve (de Falla) ; La Vie Parisienne (Offenbach) ; Viennese Blood (Strauss Jr.) ; A View from the Bridge (Bolcom) ; A Village Romeo and Juliet (Delius) ; Le Villi (Puccini) ; Violanta (Korngold) ; The Visit of the Old Lady (Einem) ; The Visitation (Schuller) ; Viva la Mamma (Donizetti) ; Voina i Mir (Prokofiev) ; La Voix Humaine (Poulenc) ; Volo di Notte (Dallapiccola) ; Volpone (Musto) ; Von Heute auf Morgen…”