Norena ; Galli-Curci ; Ponselle.

Table of Contents: “…Io sono dolcile" from Il barbiere di Siviglia -- "Ombre legère" from Le pardon de Ploërmel "Dinorah" -- "Qui la voce sua soave" from I puritani -- "Sempre libera", "Dite all giovine", and "Addio del passato" from La traviata -- "Je suis Titania la blonde" from Mignon -- "Quel guardo il cavaliere...So anch'io la virtù" from Don Pasquale -- "Sovra il sen" and "Son geloso dl zefiro" from La sonnambula -- Villanelle -- "O luce di quest' anima" from Linda di Chamounix -- "Tutte le feste al tempio" from Rigoletto -- "Verranno a te sull' aure" and "Spargi d'amaro pianto (Mad Scene)" from Lucia di Lammermoor -- Pretty mocking bird -- "Sombre forêt" from Guillaume Tell -- "Giunse alfin il momento ... …”
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Maria Callas : the voice of the century.

Table of Contents: “…Casta diva, from Norma / Bellini -- Compagne, teneri amici ... come per me sereno, from La sonnambula / Bellini -- Una voce poco fa, from Il barbiere di Siviglia / Rossini -- Regnava nel silenzio ... quando, rapito in estasi, from Lucia di Lammermoor / Donizetti -- Gualtier Maldè! …”
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Maria Callas : La voix du Siècle = The voice of the century.

Table of Contents: “…Casta Diva / Bellini -- La Sonnambula. Compagne, temiri amici ... Come per me sereno / Bellini -- Il Barbiere di Siviglia. …”
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La Divina.

Table of Contents: “…. ; Georges Prêtre, conductor) (5:13) -- La sonnambula. Compagne, teneri amici ... Come per me sereno / Bellini (Orchestra del Teatro alla Scala, Milano ; Tullio Serafin, conductor) (5:43) -- Adriana Lecouvreur. …”
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Great moments of Edita Gruberova.

Table of Contents: “…, vieni, e in me riposa (Romeo/Giulietta) / Bellini -- La Sonnambula. Care compagne ; Come per me sereno ; Sovra il sen / Bellini -- Norma. …”
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Popular music from TV, film and opera.

Table of Contents: “…O nome tutelar / Spontini -- La Sonnambula. Ah! non credea mirarti / Bellini -- Le Nozze di Figaro : K492. …”
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Voces históricas del teatro real de Madrid : disco 1 (1863-1898), disco 2 (1898-1914), disco 3 (1914-1925).

Table of Contents: “…I pagliacci, no. 1, composed by Ruggero Leoncavallo, 1857-1919 -- La sonnambula, composed by Vincenzo Bellini, 1801-1835 -- Rigoletto, no. 1, composed by Giuseppe Verdi, 1813-1901 -- Lucrezia borgia, no. 1, composed by Gaetano Donizetti, 1797-1848 -- Ernani, composed by Giuseppe Verdi, 1813-1901 -- Don Carlos, composed by Giuseppe Verdi, 1813-1901 -- L'ebrea, composed by Fromental Halévy, 1799-1862 -- Lucrezia borgia, no. 2, composed by Gaetano Donizetti, 1797-1848 -- Un ballo in maschera, composed by Giuseppe Verdi, 1813-1901 -- Mignon, composed by Charles Louis Ambroise Thomas, 1811-1896 -- I puritani di scozia, no. 1, composed by Vincenzo Bellini, 1801-1835 -- Falstaff, composed by Giuseppe Verdi, 1813-1901 -- Le prophète, composed by Giacomo Meyerbeer, 1791-1864 -- Fedora, composed by Umberto Giordano, 1867-1948 -- Tannhäuser, WWV 70, composed by Richard Wagner, 1813-1883 -- Les huguenots, no. 1, composed by Giacomo Meyerbeer, 1791-1864 -- Lucrezia borgia, no. 3, composed by Gaetano Donizetti, 1797-1848 -- Cavalleria rusticana, no. 1, composed by Pietro Mascagni, 1863-1945 -- Lohengrin, WWV 75, composed by Richard Wagner, 1813-1883 -- Hamlet, no. 1, composed by Charles Louis Ambroise Thomas, 1811-1896 -- La favorita, no. 1, composed by Gaetano Donizetti, 1797-1848 -- I puritani di scozia, no. 2, composed by Vincenzo Bellini, 1801-1835 -- Lucia di lammermoor, no. 1, composed by Gaetano Donizetti, 1797-1848 -- Rigoletto, no. 2, composed by Giuseppe Verdi, 1813-1901 -- Il barbiere di siviglia, no. 1, composed by Gioachino Rossini, 1792-1868 -- Die Meistersinger von Nürnberg, No. 1, WWV 96, composed by Richard Wagner, 1813-1883 -- Die Meistersinger von Nürnberg, no. 2, WWV 96, composed by Richard Wagner, 1813-1883 -- La favorita, no. 2, composed by Gaetano Donizetti, 1797-1848 -- Il trovatore, composed by Giuseppe Verdi, 1813-1901 -- Il Barbiere di siviglia, no. 2, composed by Gioachino Rossini, 1792-1868 -- Fausto, no. 1, composed by Charles Gounod, 1818-1893 -- Otello, no. 1, composed by Giuseppe Verdi, 1813-1901 -- Otello, no. 2, composed by Giuseppe Verdi, 1813-1901 -- La traviata, no. 1, composed by Giuseppe Verdi, 1813-1901 -- Nabucco, composed by Giuseppe Verdi, 1813-1901 -- Don Pasquale, composed by Gaetano Donizetti, 1797-1848 -- Luisa Miller, composed by Giuseppe Verdi, 1813-1901 -- Carmen, no. 1, GB 9; WD 31, composed by Georges Bizet, 1838-1875 -- Hamlet, no. 2, composed by Charles Louis Ambroise Thomas, 1811-1896 -- Werther, composed by Jules Emile Frédéric Massenet, 1842-1912 -- Rigoletto, no. 3, composed by Giuseppe Verdi, 1813-1901 -- Otello, no. 3, composed by Giuseppe Verdi, 1813-1901 -- La traviata, no. 2, composed by Giuseppe Verdi, 1813-1901 -- La favorita, no. 3, composed by Gaetano Donizetti, 1797-1848 -- Maruxa, composed by Amadeo Vives, 1871-1932 -- Aida, composed by Giuseppe Verdi, 1813-1901 -- Manon, composed by Jules Emile Frédéric Massenet, 1842-1912 -- Lucia di lammermoor, no. 2 -- Il barbiere di siviglia, no. 3, composed by Gioachino Rossini, 1792-1868 -- Mefistofele, composed by Arrigo Boïto, 1842-1918 -- Dinorah, composed by Giacomo Meyerbeer, 1791-1864 -- Fausto, no. 2, composed by Charles Gounod, 1818-1893 -- Carmen, no. 2, GB 9; WD 31, composed by Georges Bizet, 1838-1875 -- Sansone e Dalila, op. 47, composed by Camille Saint-Saëns, 1835-1921 -- Die Walküre, WWV 86b, composed by Richard Wagner, 1813-1883 -- Tosca, composed by Giacomo Puccini, 1858-1924 -- La Traviata, no. 3, composed by Giuseppe Verdi, 1813-1901 -- L'Africana, composed by Giacomo Meyerbeer, 1791-1864 -- I pagliacci, no. 2, composed by Ruggero Leoncavallo, 1857-1919 -- Les Huguenots, no. 2, composed by Giacomo Meyerbeer, 1791-1864 -- Otello, no. 4, composed by Giuseppe Verdi, 1813-1901 -- Cavalleria rusticana, no. 2, composed by Pietro Mascagni, 1863-1945 -- La Bohème, composed by Giacomo Puccini, 1858-1924.…”
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The very best of Maria Callas. by Callas, Maria, 1923-1977

Table of Contents: “…Una voce poco fa / Rossini (6:48) -- La sonnambula. Compagne, temiri amici ... Come per me sereno / Bellini (5:43) -- Rigoletto. …”
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Ultimate Callas.

Table of Contents: “…Mercè, dilette amiche / Verdi -- La Sonnambula. Compagne, temiri amici --Come per me sereno / Bellini -- Norma. …”
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Opera 2009.

Table of Contents: “…Lunge da lei-- De' miei bollenti-- O mio rimorso / Verdi (Rolando Villazón) -- La Sonnambula. Care compagne, e voi, teneri amici / Bellini (Natalie Dessay) -- L'Amico Fritz. …”
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Icon : Mirella Freni.

Table of Contents: “…Là ci darem la mano ; Batti, batti, o bel Masetto ; Vedrai, carino / Mozart -- La sonnambula. Son geloso del zefiro errante / Bellini -- Don Pasquale. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Beatrice di Tenda = Beatrice of Tenda ; I Capuleti e i Montecchi = The Capulets and the Montagues ; Norma ; Il Parata = The Pirate ; I Puritani = The Puritans ; La Sonnambula = The Sleepwalker ; La Straniera = The Foreign Woman -- Arthur Benjamin. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Oberto (Verdi) ; Obruchenie v Monastyre (Prokofiev) ; Oedipus Rex (Stravinsky) ; Of Mice and Men (Floyd) ; Ognenny Angel (Prokofiev) ; The Old Maid and the Thief (Menotti) ; Olympie (Spontini) ; A One-Day Reign (Verdi) ; The Oracle (Leoni) ; L'Oracolo (Leoni) ; Orfeo ed Euridice (Gluck) ; Orlando (Handel) ; Orlando Furioso (Vivaldi) ; Orleanskaya Deva (Tchaikovsky) ; Ormindo (Cavalli) ; L'Ormindo (Cavalli) ; Orontea (Cesti) ; L'Orontea (Cesti) ; Orphée aux Enfers (Offenbach) ; Orphée et Eurydice (Gluck) ; Orpheus and Eurydice (Gluck) ; Orpheus in the Underworld (Offenbach) ; Osud (Janáček) ; Otello (Rossini) ; Otello (Verdi) ; Owen Wingrave (Britten) ; Paganini (Lehár) ; Pagliacci (Leoncavallo) ; Palestrina (Pfitzner) ; Paradise Lost (Penderecki) ; Parisian Life (Offenbach) ; Parisina d'Este (Donizetti) ; Parisina of Este (Donizetti) ; Parsifal (Wagner) ; Il Pastor Fido (Handel) ; Paul Bunyan (Britten) ; Le Pauvre Matelot (Milhaud) ; The Pearl Fishers (Bizet) ; Les Pêcheurs de Perles (Bizet) ; Pelléas and Mélisande (Debussy) ; Pelléas et Mélisande (Debussy) ; Pénélope (Fauré) ; Périchole (Offenbach) ; La Périchole (Offenbach) ; Peter Grimes (Britten) ; Phaëton (Lully) ; Il Piccolo Marat (Mascagni) ; La Pietra del Paragone (Rossini) ; Pikovaya Dama (Tchaikovsky) ; Pimpinone (Telemann) ; Pique Dame (Tchaikovsky) [under The Queen of Spades] ; Il Parata (Bellini) ; The Pirate (Bellini) ; The Pirates of Penzance (Sullivan) ; The Poacher (Lortzing) ; The Poisoned Kiss (Williams) ; Les Pont des Soupirs (Offenbach) ; The Poor Sailor (Milhaud) ; Porgy and Bess (Gershwin) ; Postcard from Morocco (Argento) ; The Postilion of Lonjumeau (Adam) ; Le Postillon de Lonjumeau (Adam) ; Il Postino (Catán) ; The Postman (Catán) ; The Postman Always Rings Twice (Paulus) ; The Pretender Gardener (Mozart) ; The Pretended Simpleton (Mozart) ; The Pretty Maid of Perth (Bizet) ; Il Prigioniero (Dallapiccola) ; Příhody Lišky Bystroušky (Janáček) ; Prince Igor (Borodin) ; The Princes Khovansky (Musorgsky) ; The Princess and the Pea (Toch) ; Die Prinzessin auf der Ebse (Toch) ; The Prisoner (Dallapiccola) ; Prodaná Nevĕsta (Smetana) ; The Prodigal Son (Britten) ; The Prodigal Son (Debussy) ; Prometheus (Orff) ; The Prophet (Meyerbeer) ; The Protagonist (Weill) ; Der Protagonist (Weill) ; The Protagonist (Weill) ; Punainen (Viiva) ; Purgatory (Weisgall) ; I Puritani (Bellini) ; The Puritans (Bellini) ; I Quattro Rusteghi (Wolf-Ferrari) ; The Queen of Sheba (Goldmark) ; The Queen of Spades (Tchaikovsky) ; A Quiet Place (Bernstein) ; Radamisto (Handel) ; The Rake's Progress (Stravinsky) ; The Rape of Lucretia (Britten) ; Il Re Pastore (Mozart) ; Řecké pašije (Martinů) ; The Red Line (Sallinen) ; The Return of Ulysses to his Country (Montiverdi) ; Das Rheingold (Wagner) ; The Rhinegold (Wagner) ; Riders to the Sea (Williams) ; Rienzi (Wagner) ; Rigoletto (Verdi) ; Rinaldo (Handel) ; The Rise and Fall of the City of Mahagonny (Weill) ; Il Ritorno d'Ulisse in Patria (Monteverdi) ; Robert le Diable (Meyerbeer) ; Robert the Devil (Meyerbeer) ; Roberto Devereux (Donizetti) ; Le Roi d'Ys (Lalo) ; Le Roi Malgré Lui (Chabrier) ; Romeo and Juliet (Gounod) ; Roméo et Juliette (Gounod) ; La Rondine (Puccini) ; Der Rosenkavalier (Strauss) ; Le Rossignol (Stravinsky) [under The Nightingale] ; The Royal Children (Humperdinck) ; The Ruby (Joio) ; Rusalka (Dvořák) ; Russlan and Ludmilla (Glinka) ; Russlan i Ludmilla (Glinka) ; Rustic Chivalry (Mascagni) ; Sadko (Rimsky-Korsakov) ; Saffo (Pacini) ; Saint Francis of Assis (Messiaen) ; Saint François d'Assise (Messiaen) ; The Saint of Bleeker Street (Menotti) ; Salome (Strauss) ; Samson and Delilah (Saint-Saëns) ; Samson et Delila (Saint-Saëns) ; Sapho (Gounod) ; Sapho (Massenet) ; Sappho (Gounod) ; Sappho (Massenet) ; Sappho (Pacini) ; Šárka (Janáček) ; Satyagraha (Glass) ; La Scala di Seta (Rossini) ; Scaramouche (Sibelius) ; The Scarf (Hoiby) ; Der Schauspieldirektor (Mozart) ; School for Wives (Liebermann) ; Schwanda the Bagpiper (Weinberger) [under Švanda Dudák] ; Die Schweigsame Frau (Strauss) ; The Second Hurricane (Copland) ; The Secret Marriage (Cimarosa) ; Il Segreto di Susanne (Wolf-Ferrari) ; Semirama (Respighi) ; Semiramide (Rossini) ; Serse (Handel) ; La Serva Padrona (Pergolesi) ; The Shepherd King (Mozart) ; The Shepherd of the Delectable Mountains (Williams) ; The Sicilian Vespers (Verdi) ; Le Siège de Corinthe (Rossini) ; The Siege of Corinth (Rossini) ; Siegfried (Wagner) ; Il Signor Bruschino (Rossini) ; The Silent Woman (Strauss) ; The Silken Ladder (Rossini) ; Simon Boccanegra (Verdi) ; Sir John in Love (Williams) ; Sister Angelica (Puccini) ; Six Characters in Search of an Author (Weisgall) ; Skazani o Nevidimom Grade Kitezhe i Deve Fevrony (Rimsky-Korsakov) ; Skazka o Tsare Saltane (Rimsky-Korsakov) ; Skupoi Rytsar' (Rakhmaninov) ; The Sleepwalker (Bellini) ; Snegurochka (Rimsky-Korsakov) ; The Snow Maiden (Rimsky-Korsakov) ; Il Sogno di Scipione (Mozart) ; Die Soldaten (Zimmermann) ; The Soldier's Tale (Stravinsky) ; The Soldiers (Zimmermann) ; Solovey (Stravinsky) ; La Sonnambula (Bellini) ; Sorochinskaya Yarmarka (Musorgsky) ; The Spanish Hour (Ravel) ; The Spanish Lady (Elgar) ; Lo Speziale (Haydn) ; Die Spieler (Shostakovich) ; The Square (Wolf-Ferrari) ; Stiffelio (Verdi) ; The Stone Guest (Dargomyzhsky) ; Strandrecht (Smyth) ; La Straniera (Bellini) ; Street Scene (Weill) ; A Streetcar Named Desire (Previn) ; The Studen Prince (Romberg) ; Summer and Smoke (Hoiby) ; Sunday Excursion (Wilder) ; The Sunken Bell (Respighi) ; Suor Angelica (Puccini) ; Susanna's Secret (Wolf-Ferrari) ; Susannah (Floyd) ; Švanda Dudák (Weinberger) ; Švanda the Bagpiper (Weinberger) ; The Swallow (Puccini) ; Il Tabarro (Puccini) ; The Tale of Tsar Saltan (Rimsky-Korsakov) ; A Tale of Two Cities (Benjamin) ; The Tales of Hoffmann (Offenbach) ; Tamerlano (Handel) ; The Taming of the Shrew (Giannini) ; Tancredi (Rossini) ; Tannhäuser (Wagner) ; Tartuffe (Mechem) ; The Telephone (Menotti) ; The Tempest (Adès) ; The Tempest (Hoiby) ; The Tender Land (Copland) ; Die Teufel von Loudun (Penderecki) ; Thaïs (Massenet) ; The Thieving Magpie (Rossini) ; Three Decembers (Heggie) ; The Three Penny Opera (Weill) ; Tiefland (d'Albert) ; To Cross the Face of the Moon (Martínez) ; Tom Jones (Philidor) ; Tosca (Puccini) ; Die Tot Stadt (Korngold) ; The Touchstone (Rossini) ; Transformations (Susa) ; La Traviata (Verdi) ; Treemonisha (Joplin) ; Tristan and Isolde (Wagner) ; Tristan und Isolde (Wagner) ; Troilus and Cressida (Walton) ; The Trojans (Berlioz) ; The Troubadour (Verdi) ; Trouble in Tahiti (Bernstein)[under A Quiet Place] ; Il Trovatore (Verdi) ; Les Troyens (Berlioz) ; Tsar and Carpenter (Lortzing) ; The Tsar Has His Photograph Taken (Weill) ; The Tsar's Bride (Rimsky-Korsakov) ; Tsarskaya Nevesta (Rimsky-Korsakov) ; Turandot (Busoni) ; Turandot (Puccini) ; Il Turco in Italia (Rossini) ; The Turk in Italy (Rossini) ; The Turn of the Shrew (Britten) ; The Twilight of the Gods (Wagner) ; The Two Foscari (Verdi) ; Ulisse (Dallapiccola) ; Ulysses (Dallapiccola) ; Un Ballo in Maschera (Verdi) ; Un Giorno di Regno (Verdi) ; Un Re in Ascolto (Berio) ; Une Education Manquée (Chabrier) ; The Valkyrie (Wagner) ; The Vampire (Marschner) ; Der Vampyr (Marschner) ; Vanessa (Barber) ; Vĕc Makropulsos (Janáček) ; Les Vêpres Siciliennes (Verdi) ; Veselohra no mostě (Martinů) ; I Vespri Siciliani (Verdi) ; The Vestal (Spontini) ; La Vestale (Spontini) ; Il Viaggio a Reims (Rossini) ; La Vida Breve (de Falla) ; La Vie Parisienne (Offenbach) ; Viennese Blood (Strauss Jr.) ; A View from the Bridge (Bolcom) ; A Village Romeo and Juliet (Delius) ; Le Villi (Puccini) ; Violanta (Korngold) ; The Visit of the Old Lady (Einem) ; The Visitation (Schuller) ; Viva la Mamma (Donizetti) ; Voina i Mir (Prokofiev) ; La Voix Humaine (Poulenc) ; Volo di Notte (Dallapiccola) ; Volpone (Musto) ; Von Heute auf Morgen…”