Jenufa : translations and pronunciation / by Cheek, Timothy, 1957-

Subjects: “…Janáček, Leoš, 1854-1928. Jenůfa.…”
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Jenufa / by Preissová, Gabriela Sekerová, 1862-1946

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Jenůfa : její pastorkyňa : opera o třech jednáních podle dramatu z moravského venkovského života od Gabriely Preissové / by Janáček, Leoš, 1854-1928

“…Jenůfa.…”

Jenůfa by Janáček, Leoš, 1854-1928

Jenůfa / by Janáček, Leoš, 1854-1928

“…Jenůfa.…”

Jenůfa by Janáček, Leoš, 1854-1928

“…Jenůfa.…”

Jenufa / by Janácek, Leoš, 1854-1928

“…Jenůfa…”
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Jenůfa/ by Janáček, Leoš, 1854-1928

“…Jenůfa…”
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Jenufa, her stepdaughter (Brno version) / by Janáček, Leoš, 1854-1928

“…Jenůfa.…”
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Jenufa, její pastorkyňa (ihre Ziehtochter) : opera o třech jednánich dle dramatu z venkovského života moravského od Gabriely Preissové = Oper aus dem mährischen Bauernleben in 3 Akten von Gabriele Preiss / by Janáček, Leoš, 1854-1928, Janáček, Leoš, 1854-1928

“…Jenůfa;…”
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Symphony no. 8 in G major, op. 88 / by Dvořák, Antonín, 1841-1904

Janáček's operas : a documentary account / by Janáček, Leoš, 1854-1928

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The music of Leos Janáček : motive, rhythm, structure / by Skoumal, Zdenek

Table of Contents: “…Janáček's motives -- Musical elements -- Nineteenth-century foundation -- Folk studies -- Jenůfa -- Middle-period works -- The cunning little vixen -- The wandering madman -- First string quartet : first movement -- Three rhythmic studies.…”
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The music of Leos Janáček : motive, rhythm, structure / by Skoumal, Zdenek

Table of Contents: “…Janáček's motives -- Musical elements -- Nineteenth-century foundation -- Folk studies -- Jenůfa -- Middle-period works -- The cunning little vixen -- The wandering madman -- First String Quartet : first movement -- Three rhythmic studies.…”
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Sinfonietta/Operatic Preludes/Schwanda the Bagpiper/etc.

Table of Contents: “…Prelude (5:36) ; Jealousy (original overture to Jenufa) (5:50) / Leos Janácek -- Schwanda the bagpiper. …”
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Singing in Czech : a guide to Czech lyric diction and vocal repertoire / by Cheek, Timothy, 1957-

Table of Contents: “…Introduction to part two - Overview : Czech opera and choral music ; Czech art song -- Bedřich Smetana : Mařenka's arias (S) -- Antonín Dvořák : Gypsy Songs ; Love Songs ; Biblical Songs ; Měsíčku Na Nebi Hlubokém (Song to the moon) -- Leoš Janáček : Slezské Písne ; Moravská Lidová Poesie v Písních ; Zápisník Zmizelého (The diary of one who vanished) ; Scene with Jenůfa (S) ; Scene with Krista (MS) ; Scene with Laca (T) ; The forester's farewell -- Bohuslav Martinů : Songs on One Page -- Pavel Haas : Čtyři Písne Na Slova C̆ínské Poezie -- Vítězslava Kaprálová : Jiskry z Popele ; Navždy ; Sbohem a Šáteček ; Smutný Večer -- Sylvie Bodorová : Sadaj, Slnko, Sadaj ; Jabloňový Vlak --…”

The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Angélique -- Leoš Janáček. Jenůfa ; Kát́a Kabanová ; Osud = Destiny ; Příhody Lišky Bystroušky = The Cunning Little Vixen ; Šárka ; Vĕc Makropulos = The Makropulos Affair ; Výlet pana Broučka do Měsíce / Výlet pana Broučka do XV století = The Excursions of Mr. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “….) ; Hamlet (Thomas) ; A Hand of Bridge (Barber) ; Hansel and Gretel (Humperdinck) ; Hänsel und Gretel (Humperdinck) ; Harlequin (Busoni) ; Háry János (Kodály) ; Das Heimchen am Herd (Goldmark) ; Heimkehr aus der Fremde (Mendelssohn-Bartholdy) ; Die Heimsuchung (Schuller) ; Hérodiade (Massenet) ; L'Heure Espagnole (Ravel) ; Histoire du Soldat (Stravinsky) ; Homecoming from Abroad (Mendelssohn-Bartholdy) ; Hugh the Drover (Williams) ; The Huguenots (Meyerbeer) ; Les Huguenots (Meyerbeer) ; The Human Voice (Poulenc) ; The Ice Break (Tippett) ; Idomeneo (Mozart) ; Igrok (Prokofiev) ; Igroki (Shostakovich) ; L'I̊le de Tulipatan (Offenbach) ; Imeneo (Handel) ; The Impresario (Mozart) ; In a Garden (Kupferman) ; L'Incoronazione di Poppea (Monteverdi) ; L'Infedeltà Delusa (Haydn) ; Infidelity Deluded (Haydn) ; The Inquisitive Women (Wolf-Ferrari) ; Intermezzo (Strauss) ; Introductions and Goodbyes (Foss) ; Iolanta (Tchaikovsky) ; Iolanthe (Sullivan) ; Iphigenia in Aulis (Gluck) ; Iphigenia in Tauris (Gluck) ; Iphigénie en Aulide (Gluck) ; Iphigénie en Tauride (Gluck) ; Iris (Mascagni) ; Irmelin (Delius) ; Isabeau (Mascagni) ; Isis (Lully) ; The Island of Tulipatan (Offenbach) ; The Italian Girl in Algiers (Rossini) ; L'Italiana in Algeria (Rossini) ; The Jacobin (Dvořák) ; Jakobín (Dvořák) ; Jeanne d'Arc au Bûcher (Honegger) ; Jenůfa (Janáček) ; Jessonda (Spohr) ; The Jesters' Supper (Giordano) ; The Jewels of the Madonna (Wolf-Ferrari) ; The Jewess (Halévy) ; Joan of Arc (Verdi) ; Joan of Arc at the Stake (Honegger) ; La Jolie Fille de Perth (Bizet) ; Le Jongleur de Notre Dame (Massenet) ; Jonny Spielt Auf (Křenek) ; Jonny Strikes Up (Křenek) ; The Joyful Girl (Ponchielli) ; Judith (Honegger) ; The Juggler of Notre Dame (Massenet) ; La Juive (Halévy) ; Julius Caeser (Handel) ; The Jumping Frog of Calaveras County (Foss) ; Der Junge Lord (Henze) ; Kamenny Gost' (Dargomyzhsky) ; Kát́a Kabanová (Janáček) ; Katerina Izmailova (Shostakovich) [under Lady Macbeth of the Mtsensk District] ; A Kékszakállú Herceg Vará (Bartók) ; Khovanshchina (Musorgsky) ; The King in Spite of HImself (Chabrier) ; A King Listens (Berio) ; The King of Ys (Lalo) ; King Priam (Tippett) ; King Roger (Szymanowski) ; Die Kluge (Orff) ; The Knights of Ekebù (Zandonai) ; The Knot Garden (Tippett) ; Knyaz' Igor' (Borodin) ; Die Königskinder (Humperdinck) ; Krapp or The Last Tape (Mihalovici) ; Krapp ou La Dernier̀re Bande (Mihalovici) ; Król Roger (Szymanowski) ; Lady Macbeth of the Mtsensk District (Shostakovich) ; The Lady of the Lake (Rossini) ; Lakmé (Delibes) ; Das Lange Weihnachtsmahl (Hindemith) ; The Last Savage (Menotti) ; Lear (Reimann) ; Ledi Makbet Mtsenskovo Uezda (Shostakovich) ; The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Rimsky-Korsakov) ; Let's Make an Opera (Britten) [under The Little Swamp] ; Die Liebe der Danea (Strauss) ; Das Liebesverbot (Wagner) ; A Life for the Tsar (Glinka) ; The Lighthouse (Davies) ; Linda di Chamounix (Donizetti) ; Linda of Chamounix (Donizetti) ; Little Marat (Mascagni) ; The Little Prince (Portman) ; The Little Sweep (Britten) ; Little Women (Adamo) ; Lizzie Borden (Beeson) ; Lodoletta (Mascagni) ; Lohengrin (Wagner) ; I Lombardi alla Prima Crociata (Verdi) ; The Lombards at the First Crusade (Verdi) ; The Long Christmas Dinner (Hindemith) ; Long Christmas Dinner (Hindemith) [under Das Lange Weinachtsmahl] ; Long Live Mother (Donizetti) ; Lord Byron (Thomson) ; Lord Byron's Love Letter (De Banfield) ; Loreley (Catalani) ; Louise (Charpentier) ; The Love for Three Oranges (Prokofiev) ; The Love of Danae (Strauss) ; The Love of Three Kings (Montemezzi) ; The Love Stricken Brother (Pergolesi) ; The Lowland (d'Albert) ; The Lowland Sea (Wilder) ; Lucia di Lammermoor (Donizetti) ; Lucia of Lammermoor (Donizetti) ; Lucio Silla (Mozart) ; The Lucky Hand (Schönberg) ; Lucrezia Borgia (Donizetti) ; Luisa Miller (Verdi) ; Lulu (Berg) ; Die Lustige Witwe (Lehár) ; Die Lustigen Weiber von Windsor (Nicolai) ; Lyubov' k Tryom Apel'sinam (Prokofiev) ; Macbeth (Bloch) ; Macbeth (Verdi) ; Madam Butterfly (Puccini) ; Madam Free-and-Easy (Giordano) ; Madama Butterfly (Puccini) ; Madame Chrysanthème (Messager) ; Madame Chrysanthemum (Messager) ; Madame Sans-Gêne (Giordano) ; The Magic Flute (Mozart) ; The Magic Fountain (Delius) ; The Magistrate (Wolf) ; Mahagonny (Weill) [under Aufstieg und Fall der Stadt Mahagonny] ; The Maid as Mistress (Pergolesi) ; The Maid of Orleans (Tchaikovsky) ; Maiskaya Noch' (Rimsky-Korsakov) ; Le Maître de Chapelle (Paër) ; The Makropulos Affair (Janáček) ; Malady of Love (Engel) ; Les Malheurs d'Orphée (Milhaud) ; Les Mamelles de Tirésias (Poulenc) ; Manon (Massenet) ; Manon Lescaut (Puccini) ; Margaret Garner (Danielpour) ; Maria Golovin (Menotti) ; Maria Stuarda (Donizetti) ; Mâraouf (Rabaud) ; Marriage by Promissory Note (Rossini) ; The Marriage of Figaro (Mozart) ; The Marriage of Figaro (Mozart) ; Martha (Flotow) ; Mary, Queen of Scots (Musgrave) ; Masaniello (Auber) ; Maskarade (Nielsen) ; A Masked Ball (Verdi) ; I Masnadieri (Verdi) ; Masquerade (Nielsen) ; Master Pedro's Puppet Show (de Falla) ; The Mastersingers of Nuremberg (Wagner) ; Mathis der Maler (Hindemith) ; Mathis the Painter (Hindemith) ; Il Matrimonio Segreto (Cimarosa) ; Mavra (Stravinsky) ; May Night (Rimsky-Korsakov) ; Mazepa (Tchaikovsky) ; McTeague (Bolcom) ; Médée (Cherubini) ; Médée (Milhaud) ; The Medium (Davies) ; The Medium (Menotti) ; Mefistofele (Boito) ; Die Meistersinger von Nürenberg (Wagner) ; The Merry Widow (Lehár) ; The Merry Wives of Windsor (Nicolai) ; The Midsummer Night's Dream (Britten) ; The Mighty Casey (Schuman) ; Mignon (Thomas) ; The Mikado (Sullivan) ; Mireille (Gounod) ; The Miserly Knight (Rakhmaninov) ; The Misfortunes of Orpheus (Milhaud) ; Miss Havisham's Wedding Night (Argento) ; Miss Julie (Rorem) ; Mister Bruschino (Rossini) ; Mister Cauliflower (Offenbach, St. …”