Orchestral excerpts from the symphonic repertoire for viola : in five volumes /

Table of Contents: “…Triana / Albeniz -- Brandenburg concerto no. 6 / Bach -- Piano concerto no. 4 ; Piano concerto no. 5 / Beethoven -- Overture "Beatrice and Benedict" / Berlioz -- Serenade no. 2 ; Tragic overture / Brahms -- March joyeuse / Chabrier -- Iberia ; La mer / Debussy -- Symphony no. 4 / Dvořák -- Nights in the garden of Spain ; Suite from "El amor brujo" / de Falla -- Violin concerto / Glazunov -- Overture "Russlan and Ludmila" / Glinka -- Prelude to "Hansel and Gretel" / Humperdinck -- Escales / Ibert -- Istar / d'Indy -- Overture "Colas Breugnon" / Kabalevsky -- Overture "Le Roi d'Ys" ; Symphonie Espagnole / Lalo -- Faust-symphony / Liszt -- 8 Russian folk songs / Lyadov -- Symphony no. 1 / Mahler -- Overture "Fingal's Cave" ; Overture "Midsummer Night's Dream" ; Symphony no. 5 "Reformation" / Mendelssohn -- Overture "Cosi fan tutte" ; Overture "Don Giovanni" ; Overture "Idomeneo" ; Overture "Der Schauspieldirektor" ; Symphony no. 36 "Linz" ; Symphony no. 41 "Jupiter" / Mozart -- Overture "The merry wives of Windsor" / Nikolai -- Lieutenant Kije / Prokofieff -- Daphnis et Chloe. …”

Opera arias /

Table of Contents: “…Idomeneo. Quando avran fine omai ; Padre, germani, addio! …”
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W.A. Mozart / by Abert, Hermann, 1871-1927

Table of Contents: “…Childhood -- Travels of the child prodigy -- Works from the grand tour -- Studies in Salzburg -- The first operas in Vienna -- Gesellschaftsmusik and church music of 1769 -- The first Italian journey -- The second and third Italian journeys -- Opera seria -- Early operas and the oratorio la betulia liberata -- Church and instrumental works, 1769-1773 -- On the road to 'La finta giardiniera' -- Opera buffa -- La finta giardiniera -- Mozart in Salzburg, 1775 -- Munich and Augsburg -- Mannheim -- Arrival in Paris : tragédie lyrique -- 'Opéra comique' -- The music dramas of Gluck -- Mozart in Paris -- Homecoming -- Service at the Salzburg court -- Sacred and instrumental works, 1779-1781-- König Thamos and Zaide -- Idomeneo -- First steps in Vienna -- The German singspiel -- Die Entführung aus dem Serail -- Engagement and marriage -- Mozart's personality -- Relations with Constanze, friends and colleagues, 1782-1786 -- Mozart and Freemasonry -- In the service of the aristocracy and society -- Plans for new operas -- Mozart and artistic creativity -- Perfpimd changes in style: the influence of J.S. …”

Bastien und Bastienne / Der schauspieldirektor

Irrfahrten I La finta semplice /

First intermissions : twenty-one great operas explored, explained, and brought to life from the Met / by Lee, M. Owen, 1930-2019

Table of Contents: “…A New Kind of Opera: Idomeneo -- Verdi. When Verdi's Fathers Sing: Rigoletto. …”
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Tommaso Traetta and the fusion of Italian and French opera in Parma / by Loomis, George W.

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Voices : Live & Studio Recordings 1952-2007 /

Table of Contents: “…My vengance / George Frideric Handel (4:32) -- Idomeneo. Tutte nel cor vi sento / Wolfgang Amadeus Mozart (1:44) -- Fidelio. …”
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"Music's obedient daughter" : the opera libretto from source to score /

Table of Contents: “…Cover -- Tittle Page -- Copyright Page -- Table of Contents -- Introduction -- The Power of Music: Striggio and Monteverdi's L'Orfeo -- Octavia Reincarnated: Busenello's and Monteverdi's L'incoronazione di Poppea -- In the Operatic Workshop: The Case of Varesco's and Mozart's Idomeneo -- The Librettist's Dilemma in London: Badini's and Haydn's Orfeo ed Euridice -- "But There Is another Intrigue and a Comic Element Placed Alongside": Hans Sachs -- the Relation of Lortzing's Opera to Deinhardstein's Drama -- "Ce bal est original!"…”
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W.A. Mozart / by Abert, Hermann, 1871-1927

Table of Contents: “…Childhood -- Travels of the child prodigy -- Works from the grand tour -- Studies in Salzburg -- The first operas in Vienna -- Gesellschaftsmusik and church music of 1769 -- The first Italian journey -- The second and third Italian journeys -- Opera seria -- Early operas and the oratorio la betulia liberata -- Church and instrumental works, 1769-1773 -- On the road to 'La finta giardiniera' -- Opera buffa -- La finta giardiniera -- Mozart in Salzburg, 1775 -- Munich and Augsburg -- Mannheim -- Arrival in Paris : tragédie lyrique -- 'Opéra comique' -- The music dramas of Gluck -- Mozart in Paris -- Homecoming -- Service at the Salzburg court -- Sacred and instrumental works, 1779-1781 -- König Thamos and Zaide -- Idomeneo -- First steps in Vienna -- The German singspiel -- Die Entführung aus dem Serail -- Engagement and marriage -- Mozart's personality -- Relations with Constanze, friends and colleagues, 1782-1786 -- Mozart and Freemasonry -- In the service of the aristocracy and society -- Plans for new operas -- Mozart and artistic creativity -- Perfpimd changes in style: the influence of J.S. …”
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111.

Table of Contents: “…Non temer, amato bene, K. 505 / composed by Wolfgang Amadeus Mozart -- Selections from 'Così fan tutte, K. 588' / composed by Wolfgang Amadeus Mozart -- Act II: Non più di fiori from 'La clemenza di Tito, K. 621' / composed by Wolfgang Amadeus Mozart -- Act I: Quando avran fine omai - Padre, germani, addio! from 'Idomeneo, re di Creta, K. 366' / composed by Wolfgang Amadeus Mozart -- Vado, ma dove? …”
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The Pavarotti edition.

Table of Contents: “…Cavalleria rusticana, composed by Pietro Mascagni, 1863-1945, Giovanni Targioni-Tozzetti, Guido Menasci, 1867-1925 -- Manon Lescaut, composed by Giacomo Puccini, 1858-1924, Marco Praga, 1862-1929, Domenico Oliva, 1860-1917, Luigi Illica, 1857-1919, Giuseppe Giacosa, 1847-1906, Giulio Ricordi -- Pagliacci, composed by Ruggero Leoncavallo, 1857-1919 -- Andrea Chénier, composed by Umberto Giordano, 1867-1948, Luigi Illica, 1857-1919 -- Tosca, composed by Giacomo Puccini, 1858-1924, Giuseppe Giacosa, 1847-1906, Luigi Illica, 1857-1919 -- L'honestà negli amore, composed by Alessandro Scarlatti, 1660-1725 -- Alma del core, composed by Antonio Caldara, 1670-1736 -- Griselda, composed by Giovanni Battista Bononcini, 1670-1747, Paolo Antonio Rolli, 1687-1765 -- Atalanta, HWV 35, composed by George Frideric Handel, 1685-1759 -- Gli tre cicisbei ridicoli, composed by Vincenzo Legrenzio Ciampi, 1719-1762 -- Caro mio ben, composed by Giuseppe Giordani -- Orfeo ed Euridice (Orphée et Eurydice), Wq. 30, composed by Christoph Willibald Ritter von Gluck, 1714-1787, Raniero da Calzabigi -- Idomeneo, re di Creta, K. 366, composed by Wolfgang Amadeus Mozart, 1756-1791, Giovanni Battista Varesco -- Don Giovanni, ossia Il dissoluto punito, K.527, K. 527, composed by Wolfgang Amadeus Mozart, 1756-1791, Lorenzo Da Ponte, 1749-1838 -- Cosí fan tutte, K. 588, composed by Wolfgang Amadeus Mozart, 1756-1791, Lorenzo Da Ponte, 1749-1838 -- Le sette ultime parole di nostro Signore sulla croce, composed by Saverio Mercadante -- Pietà, Signore, composed by Alessandro Stradella, 1639-1682 -- Stabat Mater, composed by Gioachino Rossini, 1792-1868 -- William Tell, composed by Gioachino Rossini, 1792-1868, Étienne de Jouy, 1764-1846, Hippolyte Bis, 1789-1855 -- Martha (opera in 4 Acts), composed by Friedrich von Flotow, 1812-1883, Wilhelm Friedrich Riese -- Faust, composed by Charles Gounod, 1818-1893, Jules Barbier, 1825-1901, Michel Carré, 1821-1872 -- L'Africaine, composed by Giacomo Meyerbeer, 1791-1864, Eugène Scribe, 1791-1861 -- Mefistofele, composed by Arrigo Boïto, 1842-1918 -- La Gioconda, Op. 9, composed by Tobia Gorrio, Amilcare Ponchielli, 1834-1886 -- Carmen, GB 9; WD 31, composed by Henri Meilhac, 1831-1897, Ludovic Halévy, 1834-1908, Georges Bizet, 1838-1875 -- Manon, composed by Jules Emile Frédéric Massenet, 1842-1912, Henri Meilhac, 1831-1897, Philippe Gille, 1831-1901 -- Werther, composed by Jules Emile Frédéric Massenet, 1842-1912, Édouard Blau, 1836-1906, Paul Milliet, 1855-1924, Georges Hartmann, 1843-1900 -- Fedora, composed by Umberto Giordano, 1867-1948, Arturo Colautti -- L'amico Fritz, composed by Pietro Mascagni, 1863-1945, P. …”
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Orchestral excerpts from the symphonic repertoire : for viola, in five volumes /

Table of Contents: “…Triana / Albeniz -- Brandenburg concerto no. 6 / Bach -- Piano concerto no. 4 ; Piano concerto no.5 / Beethoven -- Overture "Beatrice and Benedict" / Berlioz -- Serenade no.2 ; Tragic overture / Brahms -- March joteuse / Chabrier -- Iberia ; La mer / Debussy -- Symphony no.8 / Dvorak -- Nights in the garden of Spain ; Suite from "El amor brujo" / Falla -- Overture "Ruslan and Ludmilla / Glinka -- Prelude to "Hansel and Gretel" / Humperdink -- Istar / D'Indy -- Overture "Le Roi d'Ys" ; Symphonie Espagnole / Lalo -- Faust-symphony / Liszt -- Eight Russian folk songs / Lyadov -- Symphony no.1 / Mahler -- Overture "Fingals Cave" ; Overture "Midsummer's Night Dream" ; Symphony no.5 / Mendelssohn -- Overture "Cosi fan tutte" ; Overture "Don Giovanni" ; Overture "Idomeneo" ; Overture "Der Schauspieldirektor" ; Symphony no.36 "Linz" ; Symphony no.41 "Jupiter" / Mozart -- Overture "The merry wives of Windsor" / Nicolai -- Daphnis et Chloe. …”

Mozart and Haydn complete clarinet (all types) parts to 81 orchestral masterworks on CD-ROM.

Table of Contents: “…Overture ; Don Giovanni : K. 527. Overture ; Idomeneo : K. 366. Overture ; Impresario : K. 486. …”

Mozart and Haydn complete ... parts to 81 orchestral masterworks on CD-ROM.

Table of Contents: “…Overture ; Don Giovanni : K. 527. Overture ; Idomeneo : K. 366. Overture ; Impresario : K. 486. …”

Mozart and Haydn complete oboe and English horn parts to 81 orchestral masterworks on CD-ROM.

Table of Contents: “…Overture ; Don Giovanni : K. 527. Overture ; Idomeneo : K. 366. Overture ; Impresario : K. 486. …”

Mozart and Haydn complete flute and piccolo parts to 81 orchestral masterworks on CD-ROM.

Table of Contents: “…Symphony no. 25 in G minor, K. 183 ; Symphony no. 26 in E© major, K. 184 ; Symphony no. 27 in G major, K. 199 ; Symphony no. 28 in C major, K. 200 ; Symphony no. 29 in A major, K. 201 ; Symphony no. 30 in D major, K. 202 ; Symphony no. 31 in D major, K. 297 "Paris" ; Symphony no. 32 in G major, K. 318 ; Symphony no. 33 in B© major, K. 319 ; Symphony no. 34 in C major, K. 338 ; Symphony no. 35 in D major, K. 385 "Haffner" ; Symphony no. 36 in C major, K. 425 "Linz" ; Symphony no. 38 in D major, K. 504 "Prague" ; Symphony no. 39 in E© major, K. 543 ; Symphony no. 40 in G minor, K. 550 ; Symphony no. 41 in C major, K. 551 "Jupiter" ; Piano concerto no. 10 in E© major for two pianos, K. 365/316a ; Piano concerto no. 13 in C major, K. 415/387b ; Piano concerto no. 14 in E© major, K. 449 ; Piano concerto no. 17 in G major, K. 453 ; Piano concerto no. 18 in B© major, K. 456 ; Piano concerto no. 19 in F major, K. 459 ; Piano concerto no. 20 in D minor, K. 466 ; Piano concerto no. 21 in C major, K. 467 ; Piano concerto no. 22 in E© major, K. 482 ; Piano concerto no. 23 in A major, K. 488 ; Piano concerto no. 24 in C minor, K. 491 ; Piano concerto no. 25 in C major, K. 503 ; Piano concerto no. 26 in D major, K. 537 "Coronation" ; Piano concerto no. 27 in B© major, K. 595 ; Violin concerto no. 3 in G, K. 216 ; Violin concerto no. 4 in D, K. 218 ; Violin concerto no. 5 in A, K. 219 ; The abduction from the seraglio overture, K. 384 ; La clemenza di Tito overture, K. 621 ; Cosái fan tutte overture, K. 588 ; Don Giovanni overture, K. 527 ; Idomeneo overture, K. 366 ; Impresario overture, K. 486 ; The magic flute overture, K. 620 ; The marriage of Figaro overture, K. 492 ; Divertimento no. 1 in E© major, K. 113 ; Divertimento no. 11 in D major, K. 251 ; Divertimento no. 15 in B© major, K. 287 "Lodron" ; Eine kleine Nachtmusik : K. 525 ; Mass in C minor, K. 427 "The great" ; Mass in C major, K. 317 "Coronation" ; A musical joke : K. 522 ; Notturno in D for four orchestras, K. 286 ; Requiem, K. 626 ; Serenade in D, K. 250 "Haffner" ; Serenade in D, K. 320 "Posthorn" ; Serenade in B© for winds, K. 361 "Gran partita" ; Serenade in E© for winds, K. 375 ; Serenade in C minor for winds, K. 388 ; Sinfonia concertante in E© for oboe, clarinet, bassoon, and horn, K. 297b / Wolfgang Amadeus Mozart --…”

The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Ascanio in Alba ; Bastien und Bastienne ; La Clemenza di Tito = The Clemency of Titus ; Così fan tutte = Women Are Like That ; Don Giovanni ; Die Entführung aus dem Serail = The Abduction from the Seraglio ; La Finta Giardiniera = The Pretend Gardener ; La Finta Semplice = The Pretended Simpleton ; Idomeneo ; Lucio Silla ; Mitridate ; Le Nozze di Figaro = The Marriage of Figaro ; Il Re Pastore = The Shepherd King ; Der Schauspieldirektor = The Impresario ; Il Sogno di Scipione = The Dream of Scipio ; Die Zauberflöte = The Magic Flute -- Thea Musgrave. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “….) ; Hamlet (Thomas) ; A Hand of Bridge (Barber) ; Hansel and Gretel (Humperdinck) ; Hänsel und Gretel (Humperdinck) ; Harlequin (Busoni) ; Háry János (Kodály) ; Das Heimchen am Herd (Goldmark) ; Heimkehr aus der Fremde (Mendelssohn-Bartholdy) ; Die Heimsuchung (Schuller) ; Hérodiade (Massenet) ; L'Heure Espagnole (Ravel) ; Histoire du Soldat (Stravinsky) ; Homecoming from Abroad (Mendelssohn-Bartholdy) ; Hugh the Drover (Williams) ; The Huguenots (Meyerbeer) ; Les Huguenots (Meyerbeer) ; The Human Voice (Poulenc) ; The Ice Break (Tippett) ; Idomeneo (Mozart) ; Igrok (Prokofiev) ; Igroki (Shostakovich) ; L'I̊le de Tulipatan (Offenbach) ; Imeneo (Handel) ; The Impresario (Mozart) ; In a Garden (Kupferman) ; L'Incoronazione di Poppea (Monteverdi) ; L'Infedeltà Delusa (Haydn) ; Infidelity Deluded (Haydn) ; The Inquisitive Women (Wolf-Ferrari) ; Intermezzo (Strauss) ; Introductions and Goodbyes (Foss) ; Iolanta (Tchaikovsky) ; Iolanthe (Sullivan) ; Iphigenia in Aulis (Gluck) ; Iphigenia in Tauris (Gluck) ; Iphigénie en Aulide (Gluck) ; Iphigénie en Tauride (Gluck) ; Iris (Mascagni) ; Irmelin (Delius) ; Isabeau (Mascagni) ; Isis (Lully) ; The Island of Tulipatan (Offenbach) ; The Italian Girl in Algiers (Rossini) ; L'Italiana in Algeria (Rossini) ; The Jacobin (Dvořák) ; Jakobín (Dvořák) ; Jeanne d'Arc au Bûcher (Honegger) ; Jenůfa (Janáček) ; Jessonda (Spohr) ; The Jesters' Supper (Giordano) ; The Jewels of the Madonna (Wolf-Ferrari) ; The Jewess (Halévy) ; Joan of Arc (Verdi) ; Joan of Arc at the Stake (Honegger) ; La Jolie Fille de Perth (Bizet) ; Le Jongleur de Notre Dame (Massenet) ; Jonny Spielt Auf (Křenek) ; Jonny Strikes Up (Křenek) ; The Joyful Girl (Ponchielli) ; Judith (Honegger) ; The Juggler of Notre Dame (Massenet) ; La Juive (Halévy) ; Julius Caeser (Handel) ; The Jumping Frog of Calaveras County (Foss) ; Der Junge Lord (Henze) ; Kamenny Gost' (Dargomyzhsky) ; Kát́a Kabanová (Janáček) ; Katerina Izmailova (Shostakovich) [under Lady Macbeth of the Mtsensk District] ; A Kékszakállú Herceg Vará (Bartók) ; Khovanshchina (Musorgsky) ; The King in Spite of HImself (Chabrier) ; A King Listens (Berio) ; The King of Ys (Lalo) ; King Priam (Tippett) ; King Roger (Szymanowski) ; Die Kluge (Orff) ; The Knights of Ekebù (Zandonai) ; The Knot Garden (Tippett) ; Knyaz' Igor' (Borodin) ; Die Königskinder (Humperdinck) ; Krapp or The Last Tape (Mihalovici) ; Krapp ou La Dernier̀re Bande (Mihalovici) ; Król Roger (Szymanowski) ; Lady Macbeth of the Mtsensk District (Shostakovich) ; The Lady of the Lake (Rossini) ; Lakmé (Delibes) ; Das Lange Weihnachtsmahl (Hindemith) ; The Last Savage (Menotti) ; Lear (Reimann) ; Ledi Makbet Mtsenskovo Uezda (Shostakovich) ; The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Rimsky-Korsakov) ; Let's Make an Opera (Britten) [under The Little Swamp] ; Die Liebe der Danea (Strauss) ; Das Liebesverbot (Wagner) ; A Life for the Tsar (Glinka) ; The Lighthouse (Davies) ; Linda di Chamounix (Donizetti) ; Linda of Chamounix (Donizetti) ; Little Marat (Mascagni) ; The Little Prince (Portman) ; The Little Sweep (Britten) ; Little Women (Adamo) ; Lizzie Borden (Beeson) ; Lodoletta (Mascagni) ; Lohengrin (Wagner) ; I Lombardi alla Prima Crociata (Verdi) ; The Lombards at the First Crusade (Verdi) ; The Long Christmas Dinner (Hindemith) ; Long Christmas Dinner (Hindemith) [under Das Lange Weinachtsmahl] ; Long Live Mother (Donizetti) ; Lord Byron (Thomson) ; Lord Byron's Love Letter (De Banfield) ; Loreley (Catalani) ; Louise (Charpentier) ; The Love for Three Oranges (Prokofiev) ; The Love of Danae (Strauss) ; The Love of Three Kings (Montemezzi) ; The Love Stricken Brother (Pergolesi) ; The Lowland (d'Albert) ; The Lowland Sea (Wilder) ; Lucia di Lammermoor (Donizetti) ; Lucia of Lammermoor (Donizetti) ; Lucio Silla (Mozart) ; The Lucky Hand (Schönberg) ; Lucrezia Borgia (Donizetti) ; Luisa Miller (Verdi) ; Lulu (Berg) ; Die Lustige Witwe (Lehár) ; Die Lustigen Weiber von Windsor (Nicolai) ; Lyubov' k Tryom Apel'sinam (Prokofiev) ; Macbeth (Bloch) ; Macbeth (Verdi) ; Madam Butterfly (Puccini) ; Madam Free-and-Easy (Giordano) ; Madama Butterfly (Puccini) ; Madame Chrysanthème (Messager) ; Madame Chrysanthemum (Messager) ; Madame Sans-Gêne (Giordano) ; The Magic Flute (Mozart) ; The Magic Fountain (Delius) ; The Magistrate (Wolf) ; Mahagonny (Weill) [under Aufstieg und Fall der Stadt Mahagonny] ; The Maid as Mistress (Pergolesi) ; The Maid of Orleans (Tchaikovsky) ; Maiskaya Noch' (Rimsky-Korsakov) ; Le Maître de Chapelle (Paër) ; The Makropulos Affair (Janáček) ; Malady of Love (Engel) ; Les Malheurs d'Orphée (Milhaud) ; Les Mamelles de Tirésias (Poulenc) ; Manon (Massenet) ; Manon Lescaut (Puccini) ; Margaret Garner (Danielpour) ; Maria Golovin (Menotti) ; Maria Stuarda (Donizetti) ; Mâraouf (Rabaud) ; Marriage by Promissory Note (Rossini) ; The Marriage of Figaro (Mozart) ; The Marriage of Figaro (Mozart) ; Martha (Flotow) ; Mary, Queen of Scots (Musgrave) ; Masaniello (Auber) ; Maskarade (Nielsen) ; A Masked Ball (Verdi) ; I Masnadieri (Verdi) ; Masquerade (Nielsen) ; Master Pedro's Puppet Show (de Falla) ; The Mastersingers of Nuremberg (Wagner) ; Mathis der Maler (Hindemith) ; Mathis the Painter (Hindemith) ; Il Matrimonio Segreto (Cimarosa) ; Mavra (Stravinsky) ; May Night (Rimsky-Korsakov) ; Mazepa (Tchaikovsky) ; McTeague (Bolcom) ; Médée (Cherubini) ; Médée (Milhaud) ; The Medium (Davies) ; The Medium (Menotti) ; Mefistofele (Boito) ; Die Meistersinger von Nürenberg (Wagner) ; The Merry Widow (Lehár) ; The Merry Wives of Windsor (Nicolai) ; The Midsummer Night's Dream (Britten) ; The Mighty Casey (Schuman) ; Mignon (Thomas) ; The Mikado (Sullivan) ; Mireille (Gounod) ; The Miserly Knight (Rakhmaninov) ; The Misfortunes of Orpheus (Milhaud) ; Miss Havisham's Wedding Night (Argento) ; Miss Julie (Rorem) ; Mister Bruschino (Rossini) ; Mister Cauliflower (Offenbach, St. …”