Hermit songs by Barber, Samuel, 1910-1981

“…Hermit songs…”

Hermit songs : to poems translated from anonymous Irish texts of the eighth to thirteenth centuries : op. 29 / by Barber, Samuel, 1910-1981

Beloved that pilgrimage

Table of Contents: “…Eight epitaphs / Theodore Chanler (10:49) -- Hermit songs / Samuel Barber (15:58) -- Twelve poems of Emily Dickinson / Aaron Copland (27:14).…”

Leontyne Price sings Barber by Barber, Samuel, 1910-1981

Table of Contents: “…Hermit songs : op. 29 (16:58) -- Sleep now : op. 10, no. 2 (2:22) -- The daisies : op. 2, no. 1 (0:49) -- Nocturne : op. 13, no. 4 (3:13) -- Nuvoletta : op. 25 (4:12) -- Knoxville, summer of 1915 (16:18) -- Two scenes from Antony and Cleopatra : op. 40. …”

Sallie Chisum remembers Billy the Kid

Table of Contents: “…Sallie Chisum remembers Billy the Kid / André Previn (9:12) -- Twelve poems of Emily Dickinson / Aaron Copland (28:40) -- Six Elizabethan songs / Dominick Argento (15:34) -- Hermit songs : op. 29 / Samuel Barber (17:31) -- Vocalise / André Previn (4:44).…”

15 American art songs piano accompaniments.

28 American art songs : for high voice and piano.

Table of Contents: “…The crucifixion : from Hermit songs : op. 29, no. 5 /…”

28 American art songs : for low voice and piano.

Table of Contents: “…The crucifixion : from Hermit songs : op. 29, no. 5 /…”

Summertime.

Table of Contents: “…Villanelle / H. Berlioz -- Hermit songs. The monk and his cat / S. Barber -- Go not, happy day / F. …”
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Man of the whole wide world / by Samuels, Arthur

Table of Contents: “…Status quo -- Road to gran 'mere -- Sir Stagamore -- Oh, doctor -- Man of the whole wide world -- It's the same all over -- Soldier boy -- Hermit's song -- One world.…”
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Collected songs / by Barber, Samuel, 1910-1981

Table of Contents: “…A nun takes the veil -- Bessie Bobtail -- Despite and still -- Hermit songs -- I hear an army -- Melodies passagères -- Monks and raisins -- Nocturne -- Nuvoletta -- Rain has fallen -- Sleep now -- Sure on this shining night -- The daisies -- The queen's face on the summery coin -- The secrets of the old -- With rue my heart is laden.…”

Songs by Barber, Samuel, 1910-1981

Table of Contents: “…Three songs opus 2 (6:00) -- Three songs opus 10 (8:00) -- Four songs opus 13 (9:00) -- Two songs opus 18 (4:00) -- Nuvoletta : opus 25 (5:16) -- Hermit songs : opus 29 (17:00) -- Despite and still : opus 41 (10:00).…”

Collected songs for high voice / by Barber, Samuel, 1910-1981

Table of Contents: “…A nun takes the veil -- Bessie Bobtail -- Despite and still: A last song ; My lizard (Wish for a young love) ; In the wilderness ; Solitary hotel ; Despite and still -- Hermit songs: At Saint Patrick's Purgatory ; Church bell at night ; St. …”

Collected songs for low voice / by Barber, Samuel, 1910-1981

Table of Contents: “…A nun takes the veil -- Bessie Bobtail -- Despite and still: A last song ; My lizard (Wish for a young love) ; In the wilderness ; Solitary hotel ; Despite and still -- Hermit songs: At Saint Patrick's Purgatory ; Church bell at night ; St. …”

Collected songs, for high voice / by Barber, Samuel, 1910-1981

Table of Contents: “…Puisque tout passe ; Un cygne ; Tombeau dans un parc ; Le clocher chante ; Départ -- Hermit songs : op. 29. At Saint Patrick's purgatory ; Church bell at night ; St. …”

Dancing revelations : Alvin Ailey's embodiment of African American culture / by DeFrantz, Thomas

Table of Contents: “…1: Revelations 1962 -- Why revelations worked -- BREAK Black modernism -- Situating revelations in African American cultural life -- 2: Early dances -- Ailey's childhood: race matters -- BREAK Unquenchable racial desire -- Blues suite -- Ailey's early dances -- Hermit songs -- 3: Early company -- Early years in New York -- Early residencies -- Southeast Asia tour -- BREAK "Official" African American culture -- Riedaiglia -- 4: Revelations II: 1969 -- BREAK Versioning -- Multiracial concert dance -- Revelations 1975 -- 5: Touring, touring, touring -- Quintet -- Swelling popularity -- BREAK Jazz dance -- Flowers -- The popular audience -- BREAK No exit from racism -- 6: Reflecting a spectrum of experience -- Masekela language -- The lark ascending -- Hidden rites -- 7: Other dances -- Feast of ashes -- BREAK Black dancer, white dance -- The river -- 8: Ailey celebrates Ellington -- The Ellington connection -- BREAK Heroes -- Ailey celebrates Ellington -- Pas de "Duke" -- Ellingtonia -- 9: Gender and spectatorship -- Cry -- Love songs -- Masked spectatorship: Ailey's representation of sexuality -- BREAK Sex -- Streams -- BREAK Black Atlantic dance -- 10: Later dances -- Memoria -- Au Bord du Precipice -- Survivors -- BREAK Alvin Ailey, public and private -- 11: Concluding moves -- The Ailey after Ailey -- Revelations 2003.…”

Missa Celtica: for mixed chorus, soprano and tenor soloists, Gaelic tenor, folk singer and celtic harp, uillean pipes, orchestra and chamber ensemble : vocal score / by Cameron, John, 1944-

Table of Contents: “…To Iona, Part 1: The Hermit's Song -- To Iona, Part 2: Colum's Voyage -- To Iona, Part 3: Adiutor to Iona -- 3. …”
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Samuel Barber : his life and legacy / by Pollack, Howard

Table of Contents: “…Samuel Barber and His Family -- A Musical Education -- Personal Matters: Early Years -- Other Formative Experiences -- Early Works through 1932 -- More Adventures at Home and Abroad, 1933-1939 -- Music for a Scene from Shelley and One Day of Spring -- Songs and Choruses, 1934-1940 -- The First Symphony and the String Quartet -- The Adagio for Strings and the First Essay -- The Violin Concerto and the Second Essay -- Wartime Service -- The Second Symphony and Excursions -- The Capricorn Concerto, Horizon, and the Cello Concerto -- Barber and His Contemporaries -- Medea -- Knoxville: Summer of 1915 and "Nuvoletta" -- The Piano Sonata and Mélodies passagères -- Personal Matters: Later Years -- A Composer's Life -- Souvenirs and the Hermit Songs -- Prayers of Kierkegaard, Adventure, and Summer Music -- Vanessa -- From the Nocturne to Die Natali -- The Piano Concerto and Andromache's Farewell -- The Creation of Antony and Cleopatra -- Antony and Cleopatra in Performance -- From the Chorale for Ascension Day to The Lovers -- From Fadograph of a Yestern Scene to the Canzonetta.…”
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Dancing revelations : Alvin Ailey's embodiment of African American culture / by DeFrantz, Thomas

Table of Contents: “…Intro -- Contents -- Introduction -- ONE: Revelations 1962 -- Why Revelations Worked -- BREAK: Black Modernism -- Situating Revelations in African American Cultural Life -- TWO: Early Dances -- Ailey's Childhood: Race Matters -- BREAK: Unquenchable Racial Desire -- Blues Suite -- Ailey's Early Dances -- Hermit Songs -- THREE: Early Company -- Early Years in New York -- Early Residencies -- Southeast Asia Tour -- BREAK: "Official" African American Culture -- Riedaiglia -- FOUR: Revelations II: 1969 -- BREAK: Versioning -- Multiracial Concert Dance -- Revelations 1975 -- FIVE: Touring, Touring, Touring -- Quintet -- Swelling Popularity -- BREAK: Jazz Dance -- Flowers -- The Popular Audience -- BREAK: No Exit from Racism -- SIX: Reflecting a Spectrum of Experience -- Masekela Language -- The Lark Ascending -- Hidden Rites -- SEVEN: Other Dances -- Feast of Ashes -- BREAK: Black Dancer, White Dance -- The River -- EIGHT: Ailey Celebrates Ellington -- The Ellington Connection -- BREAK: Heroes -- Ailey Celebrates Ellington -- Pas de "Duke" -- Ellingtonia -- NINE: Gender and Spectatorship -- Cry -- Love Songs -- Masked Spectatorship: Ailey's Representation of Sexuality -- BREAK: Sex -- Streams -- BREAK: Black Atlantic Dance -- TEN: Later Dances -- Memoria -- Au Bord du Precipice -- Survivors -- BREAK: Alvin Ailey, Public and Private -- ELEVEN: Concluding Moves -- The Ailey after Ailey -- Revelations 2003 -- APPENDIX: Choreography by Alvin Ailey -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.…”
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