Showing 1 - 14 results of 14 for search '"Dialogues des Carmélites"', query time: 0.23s Refine Results
  1. 1
  2. 2

    Dialogues des Carmélites by Poulenc, Francis, 1899-1963

    Published 1992
    “…Dialogue des Carmélites…”
    Audio Disc Audio
  3. 3

    Dialogue des carmélites / by Poulenc, Francis, 1899-1963

    Published 2006
    “…Dialogues des Carmélites…”
    Access restricted to subscribers.
    Electronic Audio
  4. 4

    Dialogues des Carmélites/ by Poulenc, Francis, 1899-1963

    Published 2007
    “…Dialogues des Carmélites…”
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    Electronic Video
  5. 5

    Dialogues des Carmelites: opéra en trois actes et 12 Tableaux / by Poulenc, Francis, 1899-1963

    Published 1999
    “…Dialogues des Carmélites…”
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    Electronic Video
  6. 6

    Dialogues des Carmelites / by Poulenc, Francis, 1899-1963

    Published 2006
    “…Dialogues des Carmélites…”
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  7. 7

    Dialogues of the Carmelites; an opera in 3 acts and 12 scenes. by Poulenc, Francis, 1899-1963

    Published 1959
    “…Dialogues des Carmelites.…”
    Musical Score Book
  8. 8

    The Carmelites / by Poulenc, Francis, 1899-1963

    Published 2006
    “…Dialogues des Carmélites.…”
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    Electronic Audio
  9. 9

    A season of opera : from Orpheus to Ariadne / by Lee, M. Owen, 1930-2019

    Published 1998
    Table of Contents: “…It Is Your Turn to Speak: Dialogues des Carmélites --…”
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    Electronic eBook
  10. 10

    Francis Poulenc : music, art, and literature /

    Published 1999
    Table of Contents: “…Schmidt -- Poulenc and his patrons : social convergences / Myriam Chimènes -- In search of a libretto / Denis Waleckx -- Dialogues des Carmélites : the historical background, literary destiny and genesis of the opera / Claude Gendre -- A musical confession : Poulenc, Cocteau and La Voix humaine / Denis Waleckx -- Poulenc, Britten, Aldeburgh : a chronicle / Philip Reed -- Francis Poulenc : disc jockey / Lucie Kayas.…”
    Book
  11. 11

    A season of opera : from Orpheus to Ariadne / by Lee, M. Owen, 1930-

    Published 1998
    Table of Contents: “…: Lucia di Lammermoor -- Elemental, furious, wholly true : Il trovatore -- The requisite miracle : La traviata -- The whole checkered play of life : La forza del destino -- Melt Egypt into Nile : Aida -- A figure as old as comedy : Falstaff -- The exasperated eagle and the stoic saint : Les troyens -- The sins of Wagner's youth : Rienzi -- Long day's journey into night : Tristan und Isolde -- The making of a musical legend : Palestrina -- The moon is like the moon : Salome -- Genius and morbidezza : Manon Lescaut -- Mists, sails, sounds, and impressions : Pelléas et Mélisande -- It is your turn to speak : Dialogues des Carmélites -- An opera made of songs : Porgy and Bess -- The music wrote itself : Oklahoma! …”
    Book
  12. 12

    A season of opera : from Orpheus to Ariadne / by Lee, M. Owen, 1930-2019

    Published 1998
    Table of Contents: “…: Lucia di Lammermoor -- Elemental, furious, wholly true : Il trovatore -- The requisite miracle : La traviata -- The whole checkered play of life : La forza del destino -- Melt Egypt into Nile : Aida -- A figure as old as comedy : Falstaff -- The exasperated eagle and the stoic saint : Les troyens -- The sins of Wagner's youth : Rienzi -- Long day's journey into night : Tristan und Isolde -- The making of a musical legend : Palestrina -- The moon is like the moon : Salome -- Genius and morbidezza : Manon Lescaut -- Mists, sails, sounds, and impressions : Pelléas et Mélisande -- It is your turn to speak : Dialogues des Carmélites -- An opera made of songs : Porgy and Bess -- The music wrote itself : Oklahoma! …”
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    Electronic eBook
  13. 13

    The opera manual / by Martin, Nicholas Ivor

    Published 2014
    Table of Contents: “…The Little Prince -- Francis Poulenc. Dialogues des Carmélites = Dialogues of the Carmelites ; Les Mamelles de Tirésias = The Breasts of Tirésias ; La Voix Humaine = The Human Voice -- André Previn. …”
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  14. 14

    The opera manual / by Martin, Nicholas Ivor

    Published 2014
    Table of Contents: “….) ; La Battaglia di Legnano (Verdi) ; The Battle of Legnano (Verdi) ; The Bear (Walton) ; Béatrice (Messager) ; Béatrice and Bénédict (Berlioz) ; Beatrice di Tenda (Bellini) ; Béatrice et Bénédict (Berlioz) ; Beatrice of Tenda (Bellini) ; Beatrix Cenci (Ginastera) ; The Beautiful Helen (Offenbach) ; Beauty and the Beast (Giannini) ; The Beggar Student (Millöcker) ; The Beggar's Opera (Pepusch) ; La Belle Hélène (Offenbach) ; Beltane Fire (Strauss) ; Benvenuto Cellini (Berlioz) ; Bertha (Rorem) ; Der Besuch der alten Dame (Einem) ; Betrothal in a Convent (Prokofiev) ; Der Bettelstudent (Millöcker) ; Billy Budd (Britten) ; The Black Domino (Auber) ; Bluebeard's Castle (Bartók) ; Boccaccio (Suppé) ; La Bohème (Leoncavallo) ; La Bohème (Puccini) ; The Bohemian (Leoncavallo) ; The Bohemian (Puccini) ; The Bohemian Girl (Balfe) ; Bomarzo (Ginastera) ; The Boor (Argento) ; Boris Godunov (Musorgsky) ; Brandenburgers in Bohemia (Smetana) ; Braniboři v Čechách (Smetana) ; The Breasts of Tirésias (Poulenc) ; The Bridge of Sighs (Offenbach) ; A Brief Life (de Falla) ; The Brigands (Offenbach) ; Les Brigands (Offenbach) ; Brother Devil (Auber) ; The Burning Fiery Furnace (Britten) ; Calisto (Cavalli) ; La Calisto (Cavalli) ; La Cambiale di Matrimonio (Rossini) ; La Campanello Sommersa (Respighi) ; Il Campanello (Donizetti) ; Il Campiello (Wolf-Ferrari) ; Candide (Bernstein) ; Capriccio (Strauss) ; I Capuleti e i Montecchi (Bellini) ; The Capulets and the Montagues (Bellini) ; Cardillac (Hindemith) ; Carmen (Bizet) ; Carry Nation (Moore) ; Casanova's Homecoming (Argento) ; Castor and Pollux (Rameau) ; Castor et Pollux (Rameau) ; Caterina Cornaro (Donizetti) ; The Cavalieri di Ekebù (Zandonai) ; Cavalleria Rusticana (Mascagni) ; La Cena delle Beffe (Giordano) ; Cendrillon (Massenet) ; La Cenerentola (Rossini) ; Čert a Káča (Dvořák) ; The Child and the Spells (Ravel) ; The Christmas Rose (Bridge) ; The Cid (Massenet) ; Le Cid (Massenet) ; Čím človĕk žije (Martinů) ; Cinderella (Massenet) ; Cinderella (Rossini) ; The Clemency of Titus (Mozart) ; La Clemenza di Tito (Mozart) ; Cleopatra (Massenet) ; Cléopâtre (Massenet) ; The Cloak (Puccini) ; The Clowns (Leoncavallo) ; Cold Sassy Tree (Floyd) ; The Combat of Tancred and Clorinda (Monteverdi) ; Il Combattimento di Tancredi e Clorinda (Monteverdi) ; Comedy on the Bridge (Martinů) ; The Comic Duel (Paisiello) ; Le Comte Ory (Rossini) ; The Consul (Menotti) ; Le Contes d'Hoffmann (Offenbach) ; Le Convenienze ed Inconvenieze Teatrali (Donizetti) [under Viva la Mamma] ; Coq d'Or (Rimsky-Korsakov) [under the Golden Cockerel] ; The Coronation of Poppea (Monteverdi) ; Der Corregidor (Wolf) ; The Corsair (Verdi) ; Il Corsaro (Verdi) ; Così fan tutte (Mozart) ; The Count Ory (Rossini) ; Countess Maritza (Kálmán) ; The Cricket on the Hearth (Goldmark) ; The Crucible (Ward) ; Cruzar la Cara de la Luna (Martínez) ; Cumberland Fair (Wilder) ; The Cunning Little Vixen (Janáček) ; Dalibor (Smetana) ; La Damnation de Faust (Berlioz) ; The Damnation of Faust (Berlioz) ; The Dangerous Liaisons (Susa) ; Daphne (Strauss) ; The Daughter of the Regiment (Donizetti) ; The Dead City (Korngold) ; Dead Man Walking (Heggie) ; Death in Venice (Britten) ; Dèbora and Jaéle (Pizzetti) ; A Defective Education (Chabrier) ; Le Dernier Sauvage (Menotti) ; Des Esels Schatten (Stauss) ; The Desert Song (Romberg) ; Destiny (Janáček) ; The Devil and Daniel Webster (Moore) ; The Devil and Kate (Dvořák) ; The Devil Take Her (Benjamin) ; The Devils of Loudun (Penderecki) ; Dialogues des Carmélites (Poulenc) ; Dialogues of the Carmelites (Poulenc) ; Dido and Æneas (Purcell) ; Le Docteur Miracle (Bizet) ; Doctor Atomic (Adams) ; Doctor Cupid (Wolf-Ferrari) ; Doctor Faust (Busoni) ; Doctor Miracle (Bizet) ; Doktor Faust (Busoni) ; Dom Sébastien (Donizetti) ; Domino Noir (Auber) ; Don Carlo (Verdi) ; Don Giovanni (Mozart) ; Don Pasquale (Donizetti) ; Don Quichotte (Massenet) ; Don Rodrigo (Ginastera) ; The Donkey's Shadow (Strauss) ; La Donna del Lago (Rossini) ; Le Donne Curiose (Wolf-Ferrari) ; Double Trouble (Mohaupt) ; Down in the Valley (Weill) ; The Dream of Scipio (Mozart) ; Die Dreigroschenoper (Weill) ; I Due Foscari (Verdi) ; Il Duello Comico (Paisiello) ; The Duenna (Prokofiev) [under Betrothal in a Convent] ; Dvakrát Alexandr (Martinů) ; Edgar (Puccini) ; The Egyptian Helen (Strauss) ; Einstein on the Beach (Glass) ; El Retablo de Maese Pedro (de Falla) ; Elegie für junge Liebende (Henze) ; Elegy for Young Lovers (Henze) ; Elektra (Strauss) ; Elisabetta (Rossini) ; E'Elisir d'Amore (Donizetti) ; The Elixir of Love (Donizetti) ; The End of a World (Henze) ; Das Ende einer Welt (Henze) ; L'Enfant et lest Sortilèges (Ravel) ; L'Enfant Prodigue (Debussy) ; Die Englische Katze (Henze) ; The English Cat (Henze) ; L'Enlèvement d'Europe (Milhaud) ; Die Entführung aus dem Serail (Mozart) ; Ernani (Verdi) ; Erwartung (Schönberg) ; Esclarmonde (Massenet) ; Esther (Weisgall) ; Eugene Onegin (Tchaikovsky) ; Euridice (Peri) ; Euryanthe (Weber) ; Evgeny Onegin (Tchaikovsky) ; The Excursions of Mr.…”
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