Charlie and the chocolate factory : a children's play / by George, Richard

“…Charlie and the chocolate factory.…”

Charlie and the chocolate factory / by Dahl, Roald

A literature unit for Charlie and the chocolate factory by Roald Dahl / by Ryan, Concetta Doti

Subjects: “…Dahl, Roald. Charlie and the chocolate factory.…”

Sunday Morning.

Subjects: CONNECT: Owned by Walker Library

Inside Charlie's Chocolate Factory : the Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Greatest Creation / by Mangan, Lucy

Subjects: “…Dahl, Roald. Charlie and the chocolate factory Juvenile literature.…”

Charlie y la fâbrica de chocolate / by Dahl, Roald

“…Charlie and the chocolate factory.…”

The singer's musical theatre anthology.

Table of Contents: “…The man inside the clues -- Charlie and the chocolate factory.…”

Greed /

Table of Contents: “…A psychology of greed in Charlie and the chocolate factory /…”
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Tim Burton's bodies : gothic, animated, corporeal and creaturely /

Table of Contents: “…ALL OF US CANNIBALS: EATING BODIES IN CHARLIE AND THE CHOCOLATE FACTORY AND SWEENEY TODD: THE DEMON BARBER OF FLEET STREET --…”
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Charlie and the great glass elevator : the further adventures of Charlie Bucket and Willy Wonka, chocolate-maker extraordinary / by Dahl, Roald

Chocolate / by Reed, Janna

The films of Tim Burton : animating live action in contemporary Hollywood / by McMahan, Alison

Table of Contents: “…Burton does 2-D: from animation to machinima -- Burton and narrative: from his television work to Big fish -- Burton does 3-D: Hollywood's transition to CGI -- Burton's Batmans: myth, marketing, and merchandising -- Burton's reimaginings: Ed Wood, Planet of the apes, and Charlie and the chocolate factory -- The music of Danny Elfman -- Other pataphysical directors.…”
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Science fiction, science fact! Ages 8-12 : learning science through well-loved stories / by Pottle, Jules

Table of Contents: “…How to teach a great science lesson -- The Black Rabbit, by Philippa Leathers (light) -- The Last Wild, by Piers Torday (food chains, microbes, digestion, teeth) -- Charlie and the Chocolate Factory, by Roald Dahl (changing materials) -- Kensuke's Kingdom, by Michael Morpurgo (the water cycle) -- The Northern Lights, by Philip Pullman (forces) -- Alice's Adventures in Wonderland, by Lewis Carroll (science skills).…”

In conversation.

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The Roald Dahl treasury. by Dahl, Roald

Table of Contents: “…Fox -- Creating characters -- Giraffe and the pelly and me -- Boy who talked with animals -- Stealing a magpie -- Little red riding hood and the wolf -- Three little pigs -- Moles -- Lion -- Roald Dahl, author -- Tortoises -- Esio trot -- Tortoise-catcher -- Hickety, pickety -- Crocodile -- Those who don't believe in magic will never find it -- BFG -- BFG stamp -- Snozzcumbers -- Minpins -- Cinderella -- James and the giant peach -- Jack and the beanstalk -- Witches -- Cow -- Cadbury's dairy milk -- Charlie and the chocolate factory -- Veruca salt song -- Treats -- George's marvellous medicine -- Winkles for tea -- Sweet-shop -- Little nut-tree -- Matilda's father -- Danny's father -- Roald Dahl's father -- Letter from Roald Dahl to his sister, Alfhild -- Headmaster -- Roald Dahl guide to railway safety -- Matilda -- When we acquired the motor-boat -- Dahl invention-- Poem in reply to schoolchildren -- Danny, the champion of the world -- Hansel and Gretel -- Hansen and Gretel spare ribs -- Conkers! …”

Alex McDowell: World Building and Narrative.

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Lost and Othered Children in Contemporary Cinema. by Olson, Debbie C.

Table of Contents: “…WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!"…”
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Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / by Nolan, Steve

Table of Contents: “…-- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'.…”
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Audition speeches for 6 to 16 year olds : over 50 audition pieces for actors and actresses / by Marlow, Jean

Table of Contents: “…(3) HANSEL AND GRETEL(4) THE RED BALLOON; (5) THE SEE-SAW TREE; (6) THE SNOW QUEEN; (7) TOAD OF TOAD HALL; (8) THE WITCHES; Girls 9-10; GIRLS 9-10; (1) THE BORROWERS; (2) THE BOX OF DELIGHTS; (3) CHARLIE AND THE CHOCOLATE FACTORY; (4) DAUGHTERS OF VENICE; (5) KINDERTRANSPORT; (6) A MIDSUMMER NIGHT'S DREAM; (7) THE PRINCESS AND THE GOBLIN; Boys 9-10; BOYS 9-10; (1) FANTASTIC MR FOX; (2) FLIBBERTY AND THE PENGUIN; (3) JAMES AND THE GIANT PEACH; (4) THE LION, THE WITCH AND THE WARDROBE; (5) THE RAILWAY CHILDREN; (6) THE VOYAGE OF THE DAWN TREADER; Girls 11-13; GIRLS 11-13; (1) INVISIBLE FRIENDS.…”
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