Ang Lee : interviews / by Lee, Ang, 1954-

Table of Contents: “…The New Face of the Taiwanese Cinema: An Interview with Ang Lee, Director of The Wedding Banquet / Chris Berry -- Ang Lee Returned to His Native Taiwan to Make Eat Drink Man Woman / Steven Rea -- Eat Drink Man Woman: A Feast for the Eyes / Brooke Comer -- Schtick and Seduction / Graham Fuller -- The Angle on Ang Lee / Oren Moverman -- The Morning After / Godfrey Cheshire -- Ride with the Devil: Ang Lee Interview / Ellen Kim -- Ang Lee and James Schamus / Neil Norman -- Enter the Dragon / David E. …”
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The philosophy of Ang Lee /

Table of Contents: “…The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Renée Köhler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western : the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction : desires, rituals, and the search for harmony in Eat drink man woman / Carl J. …”
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The cinema of Ang Lee : the other side of the screen / by Dilley, Whitney Crothers

Table of Contents: “…Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.…”

The cinema of Ang Lee the other side of the screen / by Dilley, Whitney Crothers

Table of Contents: “…Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.…”
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The philosophy of Ang Lee /

Table of Contents: “…; The Confucian Cowboy Aesthetic; East Meets Western; Landscape and Gender in Ang Lee's Sens and Sensibility and Brokeback Mountain; Can't Get No Satisfaction; Paternalism, Virtue Ethics, and Ang Lee; Lust, Caution; Part 2: The Western Philosophy of Ang Lee; The Power to Go beyond God's Boundaries?…”
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The cinema of Ang Lee : the other side of the screen / by Dilley, Whitney Crothers

Table of Contents: “…Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.…”
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The martial arts cinema of the Chinese diaspora : Ang Lee, John Woo, and Jackie Chan in Hollywood / by Szeto, Kin-Yan, 1971-

Table of Contents: “…Introduction : cosmopolitical consciousness and martial arts cinema -- The martial arts cinema of the Chinese diaspora and Hollywood -- Ang Lee's Crouching tiger, hidden dragon in a cosmopolitical perspective -- Facing off east and west in the cinema of John Woo -- Jackie Chan's transnational film trajectory and politics of comic displacement -- Conclusion.…”
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Lust, caution : the story /

Sense and sensibility

Crouching tiger, hidden dragon /

Taiwan film directors : a treasure island / by Yeh, Emilie Yueh-yu

Table of Contents: “…Confucianizing Hollywood : films of Ang Lee --…”
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Shooting the family : transnational media and intercultural values /

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Island on the edge : Taiwan new cinema and after /

Table of Contents: “…Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman /…”
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Transnational Chinese cinemas : identity, nationhood, gender /

Table of Contents: “…Breaking the soy sauce jar : diaspora and displacement in the films of Ang Lee /…”
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New queer cinema : the director's cut / by Rich, B. Ruby

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American and Chinese-language cinemas : examining cultural flows /

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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Deppman, Hsiu-Chuang

Table of Contents: “…Wang Dulu and Ang Lee: artistic creativity and sexual freedom in Crouching tiger, hidden dragon -- Su Tong and Zhang Yimou: women's places in Raise the red lantern -- Eileen Chang and Stanley Kwan: politics and love in Red rose (and) white rose -- Liu Yichang and Wong Kar-wai: the class trap in In the mood for love -- Dai Sijie: locating the third culture in Balzac and the little Chinese seamstress -- Hou Xiaoxian and Zhu Tianwen: politics and poetics in A time to live, a time to die -- Chen Yuhui and Chen Guofu: envisioning democracy in The personals.…”

Celluloid comrades : representations of male homosexuality in contemporary Chinese cinemas / by Lim, Song Hwee, 1965-

Table of Contents: “…Screening homosexuality -- The burden of representation : Ang Lee's The wedding banquet -- The uses of femininity : Chen Kaige's Farewell my concubine and Zhang Yuan's East palace, west palace -- Travelling sexualities : Wong Kar-wai's Happy together -- Confessing desire : the poetics of Tsai Ming-liang's queer cinema -- Fragments of darkness : Stanley Kwan as gay director.…”
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Close-ups and long shots in modern Chinese cinemas / by Deppman, Hsiu-Chuang

Table of Contents: “…The close-up of Mo Yan and Zhang Yimou : face and text in Red sorghum -- The art of the close-up in lust, caution : Ang Lee and Eileen Chang -- Philosophy of the long shot in Hou Hsiao-hsien's The assassin -- The back shot in Jia Zhangke's I wish I knew -- Between close-ups and long shots : medium shots in Wei Desheng's Cape no 7.…”
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Close-ups and long shots in modern Chinese cinemas / by Deppman, Hsiu-Chuang

Table of Contents: “…The Close-up of Mo Yan and Zhang Yimou: Face and Text in Red Sorghum -- The Art of the Close-up in Lust, Caution: Ang Lee and Eileen Chang -- Philosophy of the Long Shot in Hou Hsiao-hsien's The Assassin -- The Back Shot in Jia Zhangke's I Wish I Knew -- Between Close-ups and Long Shots: Medium Shots in Wei Desheng's Cape No 7.…”
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