A survivor from Warsaw : for narrator, men's chorus and orchestra, op. 46 (1947) = Ein Überlebender aus Warschau : für Sprecher, Männerchor und Orchester / by Schoenberg, Arnold, 1874-1951, Schoenberg, Arnold, 1874-1951

CONNECT

A survivor from Warsaw : op.46 / by Schoenberg, Arnold, 1874-1951

Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe. by Calico, Joy H.

Table of Contents: “…Cover; Contents; Illustrations; Acknowledgments; Abbreviations and Acronyms; Introduction; West Germany: Retrenchment versus A Survivor from Warsaw; Austria: Homecoming via A Survivor from Warsaw; Norway: Performing Remembrance with A Survivor from Warsaw; East Germany: Antifascism and A Survivor from Warsaw; Poland: Cultural Diplomacy through A Survivor from Warsaw; Czechoslovakia: A Survivor as A Survivor from Warsaw; Afterword; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.…”
CONNECT
CONNECT
CONNECT

Dislocated memories : Jews, music, and postwar German culture /

Table of Contents: “…Jewishness and Antifascism : Schoenberg's A survivor from Warsaw in East Germany, 1958 /…”

Dislocated memories : Jews, music, and postwar German culture /

Table of Contents: “…Jewishness and Antifascism : Schoenberg's A survivor from Warsaw in East Germany, 1958 /…”
CONNECT

Musical witness and Holocaust representation / by Wlodarski, Amy

Table of Contents: “…The composer as witness : Arnold Schoenberg's A survivor from Warsaw -- The philosopher as witness : Theodor Adorno's A survivor from Warsaw -- The composer as witness : Hanns Eisler's Nuit et brouillard -- The state as witness : Jüdische Chronik in the German Democratic Republic -- The composer as witness : Steve Reich's Different trains.…”
CONNECT

Musical witness and Holocaust representation / by Wlodarski, Amy Lynn

Table of Contents: “…The composer as witness : Arnold Schoenberg's A survivor from Warsaw -- The philosopher as witness : Theodor Adorno's A survivor from Warsaw -- The composer as witness : Hanns Eisler's Nuit et brouillard -- The state as witness : Jüdische Chronik in the German Democratic Republic -- The composer as witness : Steve Reich's Different trains.…”
CONNECT

Political and religious ideas in the works of Arnold Schoenberg /

Table of Contents: “…Latham -- Schoenberg's Moses und Aron : a vanishing Biblical nation / Bluma Goldstein -- Schoenberg rewrites his will : A survivor from Warsaw, op. 46 / David Isadore Lieberman -- Texts and contexts of A survivor from Warsaw, op. 46 / Camille crittenden -- Returning to a homeland : religion and political context in Schoenberg's Dreimal tausend Jahre / Naomi André -- Schoenberg's Modern psalm, op. 50c and the unattainable ending / Mark P. …”

The music of Arnold Schoenberg, vol. 1 by Schoenberg, Arnold, 1874-1951

Table of Contents: “…Erwartung : op. 17 (26:50) -- Concerto for violin and orchestra, op. 36 (29:00) --Pierrot lunaire, op. 21 (32:00) -- Die glückliche Hand, op. 18 (17:20) -- A survivor from Warsaw, op. 46 (6:00).…”

Chorwerke. by Schoenberg, Arnold, 1874-1951

Table of Contents: “…Kol nidre, op. 39 -- Prelude, op. 44 -- A survivor from Warsaw, op. 46 -- Drei Volkslieder, op. 49 -- Dreimal tausend Jahre, op. 50A -- Psalm 130, op. 50B -- Moderner Psalm, op. 50C -- Israel exists again (fragment).…”

After the wake

Table of Contents: “…Excerpts from: Four last songs / Richard Strauss -- A survivor from Warsaw / Arnold Schoenberg -- Five pieces for orchestra, op. 10 / Anton Webern -- Le marteau sans maãitre / Pierre Boulez -- Gruppen / Karlheinz Stockhausen -- Serenade, for tenor horn, and strings / Benjamin Britten -- Agon / Igor Stravinsky.…”

Words and music /

Table of Contents: “…: English choral translators and their work / Judith Blezzard -- Pyramids, symbols, and butterflies : "Nacht" from Pierrot Lunaire / John Williamson -- Music and text in Schoenberg's A survivor from Warsaw / Bhesham Sharma -- Rethinking the relationship between words and music for the twentieth century : the strange case of Erik Satie / Robert Orledge -- "Breaking up is hard to do" : issues of coherence and fragmentation in post-1950 vocal music / James Wishart -- Writing for your supper : creative work and the contexts of popular songwriting / Mike Jones.…”
CONNECT
CONNECT

Schoenberg and Hollywood modernism by Marcus, Kenneth H.

Table of Contents: “…Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of maps -- List of music examples -- Acknowledgments -- List of abbreviations -- Introduction -- Part I: Modernism in Southern California, 1913-1944 -- 1 Early Modernism in Southern California, 1913-1933 -- 2 Hollywood and exile -- 3 The road to Westwood: from USC to UCLA -- Part II: The private and public spheres, 1936-1951 -- 4 The private world of Schoenberg -- 5 Judaism revisited: Schoenberg's Jewish works -- 6 War, nationalism, and anticommunism -- 7 Troubles in paradise: the final years -- Conclusion -- Appendices -- 1 List of works in exile, 1934-1950 -- 2 Text to Arnold Schoenberg, Kol Nidre, Op. 39 -- 3 Text to Arnold Schoenberg, A Survivor from Warsaw, Op. 46 -- 4 Text to Arnold Schoenberg, Ode to Napoleon Buonaparte, Op. 41, by Lord Byron -- 5 Bertolt Brecht, Letter and poem, "Und in eurem Lande?…”
CONNECT

Chorus music by Schoenberg, Arnold, 1874-1951

Table of Contents: “…Wenn der schwer Gedrückte klagt (:48) ; O dass der Sinnen doch so viele sind (2:43) -- Drei deutsche Volkslieder : bearbeitet für gemischten Chor (10:00) -- Vier Stücke für gemischten Chor, op. 27 (no. 4 with clarinet, mandolin, violin, and violoncello) (11:00) -- Drei Satiren : für gemischten Chor, op. 28 (no. 3 with piano, viola, and violoncello) (12:00) -- Sechs Stücke für Männerchor, op. 35 (15:00) -- Dreimal tausend Jahre : für gemischten Chor a cappella, op. 50A (3:06) -- Psalm 130 : for mixed chorus a cappella, op. 50B (4:30) -- Moderner Psalm : Nr. 1 für Sprecher, gemischten Chor und Orchester, op. 50C (5:33) -- A survivor from Warsaw : for narrator, male chorus and orchestra, op. 46 (7:26).…”

Music resistance from 1900 to the present /

Table of Contents: “…The Spanish musical avant-garde at the 1976 Venice biennale / Igor Contreras Zubillaga -- "A masterpiece inspired by the resistance": Arnold Schoenberg's A survivor from Warsaw in post-war Italy / Paolo Dal Molin -- Spiritual and civil resistance in performances of The bartered bride in Theresienstadt / James A. …”