I Puritani = The Puritans : melodrama serio in three acts / opera seria in three acts / by Fisher, Burton D.

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I puritani : 'melodramma serio' in three acts = The puritans : opera seria in three acts / by Fisher, Burton D.

Table of Contents: “…Principal characters in I puritani -- Historical perspective -- Brief story synopsis -- Story narrative with music highlights examples -- Commentary and analysis.…”
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I puritani di Scozia; an opera in three acts. by Bellini, Vincenzo, 1801-1835

“…I puritani di Scozia.…”

Variation über den Marsch aus 'I Puritani' von Bellini/ by Chopin, Frederic, 1810-1849

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Galli-Curci.

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The era of Adelina Patti.

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Alessandro Bonci.

Table of Contents: “…I puritani. A te o cara /…”
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100 great operas and their stories / by Simon, Henry W. 1901-1970

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Music in the theater : essays on Verdi and other composers / by Petrobelli, Pierluigi

Table of Contents: “…Notes on Bellini's Poetics: Apropos of I puritani -- 11. Bellini and Paisiello: Further Documents on the Birth of I puritani.…”
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The art of Elvira Uzunian arias and songs. by Uzunian, Elvira, 1934-

Table of Contents: “…Ah, non Credea Mirarti ; I Puritani. Qui La Voce...Vien, Dileto ; I Puritani. …”

Victoria : a life / by Wilson, A. N., 1950-

Table of Contents: “…Monarchs of the United Kingdom, 1760 to the present day -- Authors -- Zoology -- 'It is one step' -- 'White little slavey' -- 'The ignorant little child' -- 'Too hasty and passionate for me' -- I Puritani -- Hallelujah Chorus -- 'Godlike men' -- At war -- 'Scolder and scolded' -- Nerve damage -- 'Arme Frau' -- 'The Queen's grief still sobs' -- 'I could die for ye' -- 'Mein guter treuer Brown' -- A people detached from their sovereign -- 'You have it, Madam' -- 'Prostrate though devoted' -- 'Gracious confidences so frankly given' -- 'An inflammatory atmosphere ' -- 'You English' -- 'Her excellent young Munshi' -- 'What a funny little woman' -- Diamond Jubilee -- 'This England' -- 'Vale desideratissime!'…”

Italian belcanto opera libretti /

Table of Contents: “…La Cenerentola / Rossini ; L'Italiana in Algeri / Rossini ; La sonnambula / Bellini ; Anna Bolena / Donizetti ; Maria Stuarda / Donizetti ; Roberto Devereux / Donizetti ; Don Pasquale / Donizetti ; I puritani / Bellini -- v. 3. Guillaume Tell / Rossini ; Le comte Ory / Rossini ; Otello / Rossini ; Semiramide / Rossini ; Il viaggio a Reims / Rossini ; La fille du régiment / Donizetti ; La favorite / Donizetti ; Beatrice di Tenda / Bellini.…”

Opera Under the Stars.

Table of Contents: “…Peters: Time's Soft Footfall (The Golden Ass) (06:28) -- Verdi: La vergine degli angeli (La Forza del Destino) (04:32) -- Mozart: La ci darem (Don Giovanni) (03:18) -- Mussorgsky: Death of Boris (Boris Gudonov) (08:54) -- Rossini: Dunque io son (Il Barbiere di Siviglia) (05:33) -- Lehár: Deini ist mein ganzes herz (Das Land des Lächelns) (03:33) -- Bellini: Suoni la tromba (I Puritani) (05:43) -- Mozart: Voi che sapete (Le Nozze di Figaro) (02:59) -- Bizet: Au fond du temple (Les Pêcheurs de Perles) (07:15).…”
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Great singers.

Table of Contents: “…Come my beloved / Händel (Alma Gluck) (3:59) -- I Puritani. Ah, per sempre io ti perdei / Bellini (Giuseppe di Luca) (4:31) -- Resurrection. …”
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Arias for baritone /

Table of Contents: “…Come Paride vezzoso / Gaetano Donizetti -- I puritani. Ah! per sempre io ti perdei / Vincenzo Bellini -- Don Pasquale. …”

Liszt at the opera. transcriptions, paraphrases and fantasies on operas by Verdi, Bellini, Wagner and Donizetti / by Liszt, Franz, 1811-1886

Table of Contents: “…de l'opéra Jérusalem (I Lombardi) (Verdi), S431i (6:57) -- Don Carlos: coro di festa e marcia funebre (Verdi), S435 (8:22) -- Chœur des pèlerins: Chor der älteren Pilger aus der Oper Tannhäuser (Wagner), S443ii (7:22) -- Am stillen Herd: Lied aus Die Meistersinger von Nürnberg (Wagner), S448 (9:50) -- Réminiscences de Lucrezia Borgia: grande fantaisie I (Donizetti), S400/1: trio du second acte (11:14) -- Réminiscences de Lucrezia Borgia: grande fantaisie II (Donizetti, S400/2: chanson à boire (orgie) - duo - finale (14:31) -- Réminiscences des Huguenots (Meyerbeer), S412ii (16:00) -- Andante finale aus König Alfred (Raff), S421/1 (8:14) -- Marsch aus König Alfred (Raff), S421/2 (7:55) -- Song of the two armed men: Der, welcher wandelt diese Strasse (Mozart's Die Zauberflöte) (for piano duet), S634a [with Philip Moore, piano] (3:20) -- Tyrolean melody (Auber's La fiancée), S385a (1:27) -- Tarentelle di bravura d'après la tarentelle de La muette de Portici (Auber's Masaniello), S386ii (10:51) -- Salve Maria de l'opéra de Verdi Jérusalem, S431ii (5:07) -- I Puritani: introduction et polonaise (Bellini), S391 (5:28) -- Grosse Concert-Fantasie aus der Oper Sonnambula (Bellini), S393iii (15:25).…”

Coloratura arias for soprano /

Table of Contents: “…Regnava nel silenzio ; Il doce suono-- Spargi d'amaro piano / Gaetano Donizetti -- I puritani. O rendetemi la speme-- Qui la voce / Vincenzo Bellini -- Linda di Chamounix. …”

Norena ; Galli-Curci ; Ponselle.

Table of Contents: “…Io sono dolcile" from Il barbiere di Siviglia -- "Ombre legère" from Le pardon de Ploërmel "Dinorah" -- "Qui la voce sua soave" from I puritani -- "Sempre libera", "Dite all giovine", and "Addio del passato" from La traviata -- "Je suis Titania la blonde" from Mignon -- "Quel guardo il cavaliere...So anch'io la virtù" from Don Pasquale -- "Sovra il sen" and "Son geloso dl zefiro" from La sonnambula -- Villanelle -- "O luce di quest' anima" from Linda di Chamounix -- "Tutte le feste al tempio" from Rigoletto -- "Verranno a te sull' aure" and "Spargi d'amaro pianto (Mad Scene)" from Lucia di Lammermoor -- Pretty mocking bird -- "Sombre forêt" from Guillaume Tell -- "Giunse alfin il momento ... …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Beatrice di Tenda = Beatrice of Tenda ; I Capuleti e i Montecchi = The Capulets and the Montagues ; Norma ; Il Parata = The Pirate ; I Puritani = The Puritans ; La Sonnambula = The Sleepwalker ; La Straniera = The Foreign Woman -- Arthur Benjamin. …”
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The opera manual / by Martin, Nicholas Ivor

Table of Contents: “…Oberto (Verdi) ; Obruchenie v Monastyre (Prokofiev) ; Oedipus Rex (Stravinsky) ; Of Mice and Men (Floyd) ; Ognenny Angel (Prokofiev) ; The Old Maid and the Thief (Menotti) ; Olympie (Spontini) ; A One-Day Reign (Verdi) ; The Oracle (Leoni) ; L'Oracolo (Leoni) ; Orfeo ed Euridice (Gluck) ; Orlando (Handel) ; Orlando Furioso (Vivaldi) ; Orleanskaya Deva (Tchaikovsky) ; Ormindo (Cavalli) ; L'Ormindo (Cavalli) ; Orontea (Cesti) ; L'Orontea (Cesti) ; Orphée aux Enfers (Offenbach) ; Orphée et Eurydice (Gluck) ; Orpheus and Eurydice (Gluck) ; Orpheus in the Underworld (Offenbach) ; Osud (Janáček) ; Otello (Rossini) ; Otello (Verdi) ; Owen Wingrave (Britten) ; Paganini (Lehár) ; Pagliacci (Leoncavallo) ; Palestrina (Pfitzner) ; Paradise Lost (Penderecki) ; Parisian Life (Offenbach) ; Parisina d'Este (Donizetti) ; Parisina of Este (Donizetti) ; Parsifal (Wagner) ; Il Pastor Fido (Handel) ; Paul Bunyan (Britten) ; Le Pauvre Matelot (Milhaud) ; The Pearl Fishers (Bizet) ; Les Pêcheurs de Perles (Bizet) ; Pelléas and Mélisande (Debussy) ; Pelléas et Mélisande (Debussy) ; Pénélope (Fauré) ; Périchole (Offenbach) ; La Périchole (Offenbach) ; Peter Grimes (Britten) ; Phaëton (Lully) ; Il Piccolo Marat (Mascagni) ; La Pietra del Paragone (Rossini) ; Pikovaya Dama (Tchaikovsky) ; Pimpinone (Telemann) ; Pique Dame (Tchaikovsky) [under The Queen of Spades] ; Il Parata (Bellini) ; The Pirate (Bellini) ; The Pirates of Penzance (Sullivan) ; The Poacher (Lortzing) ; The Poisoned Kiss (Williams) ; Les Pont des Soupirs (Offenbach) ; The Poor Sailor (Milhaud) ; Porgy and Bess (Gershwin) ; Postcard from Morocco (Argento) ; The Postilion of Lonjumeau (Adam) ; Le Postillon de Lonjumeau (Adam) ; Il Postino (Catán) ; The Postman (Catán) ; The Postman Always Rings Twice (Paulus) ; The Pretender Gardener (Mozart) ; The Pretended Simpleton (Mozart) ; The Pretty Maid of Perth (Bizet) ; Il Prigioniero (Dallapiccola) ; Příhody Lišky Bystroušky (Janáček) ; Prince Igor (Borodin) ; The Princes Khovansky (Musorgsky) ; The Princess and the Pea (Toch) ; Die Prinzessin auf der Ebse (Toch) ; The Prisoner (Dallapiccola) ; Prodaná Nevĕsta (Smetana) ; The Prodigal Son (Britten) ; The Prodigal Son (Debussy) ; Prometheus (Orff) ; The Prophet (Meyerbeer) ; The Protagonist (Weill) ; Der Protagonist (Weill) ; The Protagonist (Weill) ; Punainen (Viiva) ; Purgatory (Weisgall) ; I Puritani (Bellini) ; The Puritans (Bellini) ; I Quattro Rusteghi (Wolf-Ferrari) ; The Queen of Sheba (Goldmark) ; The Queen of Spades (Tchaikovsky) ; A Quiet Place (Bernstein) ; Radamisto (Handel) ; The Rake's Progress (Stravinsky) ; The Rape of Lucretia (Britten) ; Il Re Pastore (Mozart) ; Řecké pašije (Martinů) ; The Red Line (Sallinen) ; The Return of Ulysses to his Country (Montiverdi) ; Das Rheingold (Wagner) ; The Rhinegold (Wagner) ; Riders to the Sea (Williams) ; Rienzi (Wagner) ; Rigoletto (Verdi) ; Rinaldo (Handel) ; The Rise and Fall of the City of Mahagonny (Weill) ; Il Ritorno d'Ulisse in Patria (Monteverdi) ; Robert le Diable (Meyerbeer) ; Robert the Devil (Meyerbeer) ; Roberto Devereux (Donizetti) ; Le Roi d'Ys (Lalo) ; Le Roi Malgré Lui (Chabrier) ; Romeo and Juliet (Gounod) ; Roméo et Juliette (Gounod) ; La Rondine (Puccini) ; Der Rosenkavalier (Strauss) ; Le Rossignol (Stravinsky) [under The Nightingale] ; The Royal Children (Humperdinck) ; The Ruby (Joio) ; Rusalka (Dvořák) ; Russlan and Ludmilla (Glinka) ; Russlan i Ludmilla (Glinka) ; Rustic Chivalry (Mascagni) ; Sadko (Rimsky-Korsakov) ; Saffo (Pacini) ; Saint Francis of Assis (Messiaen) ; Saint François d'Assise (Messiaen) ; The Saint of Bleeker Street (Menotti) ; Salome (Strauss) ; Samson and Delilah (Saint-Saëns) ; Samson et Delila (Saint-Saëns) ; Sapho (Gounod) ; Sapho (Massenet) ; Sappho (Gounod) ; Sappho (Massenet) ; Sappho (Pacini) ; Šárka (Janáček) ; Satyagraha (Glass) ; La Scala di Seta (Rossini) ; Scaramouche (Sibelius) ; The Scarf (Hoiby) ; Der Schauspieldirektor (Mozart) ; School for Wives (Liebermann) ; Schwanda the Bagpiper (Weinberger) [under Švanda Dudák] ; Die Schweigsame Frau (Strauss) ; The Second Hurricane (Copland) ; The Secret Marriage (Cimarosa) ; Il Segreto di Susanne (Wolf-Ferrari) ; Semirama (Respighi) ; Semiramide (Rossini) ; Serse (Handel) ; La Serva Padrona (Pergolesi) ; The Shepherd King (Mozart) ; The Shepherd of the Delectable Mountains (Williams) ; The Sicilian Vespers (Verdi) ; Le Siège de Corinthe (Rossini) ; The Siege of Corinth (Rossini) ; Siegfried (Wagner) ; Il Signor Bruschino (Rossini) ; The Silent Woman (Strauss) ; The Silken Ladder (Rossini) ; Simon Boccanegra (Verdi) ; Sir John in Love (Williams) ; Sister Angelica (Puccini) ; Six Characters in Search of an Author (Weisgall) ; Skazani o Nevidimom Grade Kitezhe i Deve Fevrony (Rimsky-Korsakov) ; Skazka o Tsare Saltane (Rimsky-Korsakov) ; Skupoi Rytsar' (Rakhmaninov) ; The Sleepwalker (Bellini) ; Snegurochka (Rimsky-Korsakov) ; The Snow Maiden (Rimsky-Korsakov) ; Il Sogno di Scipione (Mozart) ; Die Soldaten (Zimmermann) ; The Soldier's Tale (Stravinsky) ; The Soldiers (Zimmermann) ; Solovey (Stravinsky) ; La Sonnambula (Bellini) ; Sorochinskaya Yarmarka (Musorgsky) ; The Spanish Hour (Ravel) ; The Spanish Lady (Elgar) ; Lo Speziale (Haydn) ; Die Spieler (Shostakovich) ; The Square (Wolf-Ferrari) ; Stiffelio (Verdi) ; The Stone Guest (Dargomyzhsky) ; Strandrecht (Smyth) ; La Straniera (Bellini) ; Street Scene (Weill) ; A Streetcar Named Desire (Previn) ; The Studen Prince (Romberg) ; Summer and Smoke (Hoiby) ; Sunday Excursion (Wilder) ; The Sunken Bell (Respighi) ; Suor Angelica (Puccini) ; Susanna's Secret (Wolf-Ferrari) ; Susannah (Floyd) ; Švanda Dudák (Weinberger) ; Švanda the Bagpiper (Weinberger) ; The Swallow (Puccini) ; Il Tabarro (Puccini) ; The Tale of Tsar Saltan (Rimsky-Korsakov) ; A Tale of Two Cities (Benjamin) ; The Tales of Hoffmann (Offenbach) ; Tamerlano (Handel) ; The Taming of the Shrew (Giannini) ; Tancredi (Rossini) ; Tannhäuser (Wagner) ; Tartuffe (Mechem) ; The Telephone (Menotti) ; The Tempest (Adès) ; The Tempest (Hoiby) ; The Tender Land (Copland) ; Die Teufel von Loudun (Penderecki) ; Thaïs (Massenet) ; The Thieving Magpie (Rossini) ; Three Decembers (Heggie) ; The Three Penny Opera (Weill) ; Tiefland (d'Albert) ; To Cross the Face of the Moon (Martínez) ; Tom Jones (Philidor) ; Tosca (Puccini) ; Die Tot Stadt (Korngold) ; The Touchstone (Rossini) ; Transformations (Susa) ; La Traviata (Verdi) ; Treemonisha (Joplin) ; Tristan and Isolde (Wagner) ; Tristan und Isolde (Wagner) ; Troilus and Cressida (Walton) ; The Trojans (Berlioz) ; The Troubadour (Verdi) ; Trouble in Tahiti (Bernstein)[under A Quiet Place] ; Il Trovatore (Verdi) ; Les Troyens (Berlioz) ; Tsar and Carpenter (Lortzing) ; The Tsar Has His Photograph Taken (Weill) ; The Tsar's Bride (Rimsky-Korsakov) ; Tsarskaya Nevesta (Rimsky-Korsakov) ; Turandot (Busoni) ; Turandot (Puccini) ; Il Turco in Italia (Rossini) ; The Turk in Italy (Rossini) ; The Turn of the Shrew (Britten) ; The Twilight of the Gods (Wagner) ; The Two Foscari (Verdi) ; Ulisse (Dallapiccola) ; Ulysses (Dallapiccola) ; Un Ballo in Maschera (Verdi) ; Un Giorno di Regno (Verdi) ; Un Re in Ascolto (Berio) ; Une Education Manquée (Chabrier) ; The Valkyrie (Wagner) ; The Vampire (Marschner) ; Der Vampyr (Marschner) ; Vanessa (Barber) ; Vĕc Makropulsos (Janáček) ; Les Vêpres Siciliennes (Verdi) ; Veselohra no mostě (Martinů) ; I Vespri Siciliani (Verdi) ; The Vestal (Spontini) ; La Vestale (Spontini) ; Il Viaggio a Reims (Rossini) ; La Vida Breve (de Falla) ; La Vie Parisienne (Offenbach) ; Viennese Blood (Strauss Jr.) ; A View from the Bridge (Bolcom) ; A Village Romeo and Juliet (Delius) ; Le Villi (Puccini) ; Violanta (Korngold) ; The Visit of the Old Lady (Einem) ; The Visitation (Schuller) ; Viva la Mamma (Donizetti) ; Voina i Mir (Prokofiev) ; La Voix Humaine (Poulenc) ; Volo di Notte (Dallapiccola) ; Volpone (Musto) ; Von Heute auf Morgen…”