The Routledge Handbook to Music under German Occupation, 1938-1945 : Propaganda, Myth and Reality /

Table of Contents: “…Karnes 13 The music of Čiurlionis in the context of resistance and Lithuanian national identity during the Nazi occupation (1941-1944) Vytautė Markeliūnienė14 Power through music: strategies of the German occupation authorities in Estonia Kristel Pappel and Anu KolarSection 5 The limits of tolerance 15 Getting away with Cultural Bolshevism: the first European performance of Porgy and Bess in Copenhagen, 1943 Michael Fjeldsoe16 Music criticism in the Swedish Nazi daily press: the case of Dagsposten Henrik RosengrenSection 6 Damaged careers 17 (Re)visiting the (Jewish) archive of Gideon Klein -- Terezin, 1941-1944 David Fligg18 Eugeniusz Morawski: life under the Nazi occupation of Warsaw Oskar ŁapetaSection 7 Symphonies of war and resistance 19 Religious patriotism and grotesque ridicule: responses to Nazi oppression in Pavel Haas's unfinished war-time Symphony Martin Čurda20 Paul von Klenau's Ninth Symphony: a case study Niels Krabbe21 Shostakovich's 'Leningrad' Symphony: music of endurance David Fanning and Michelle AssaySection 8 Complex and uneasy legacies 22 Listening in the Grey Zone Michael Beckerman23 The marketing of backstories: approaches to the legacies of music composed in fraught circumstances Mirjam Frank24 Nazism, music and Tyrolean identity Kurt Drexel25 Bartok against the Nazis: the Italian premieres of Bluebeard's Castle (1938) and The Miraculous Mandarin (1942) Nicolo Palazzetti26 Contemporary music and cultural politics in Switzerland during World War II: between neutrality and nationalism Simeon Thompson…”
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