Published 2020
Table of Contents:
“…Foreword -- Im Kwon-taek: Korean national cinema and Buddhism -- Im Kwon-taek's use of nativist Korean culture as allegories of cinema: Ch'unhyang, Chihwaseon, and Hanji -- The name of a desire: recollections of socialist realism in East Asian art cinema -- Tradition and the movies: the working-class Asian American avant-garde in Los Angeles -- The sons and daughters of Los: culture and community in Los Angeles -- Toward a geo-cinematic hermeneutics/The city as
means of production: representations of Los Angeles in Killer of sheep and Water and power -- Expanded cinema in Los Angeles: the single wing turquoise bird -- L.A.'…”
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Electronic
eBook