Published 2003
Table of Contents:
“…Cover -- Inequality, Crisis and Social Change in
Indonesia -- Contents -- Figures -- Maps -- Tables -- Contributors -- Acknowledgements -- 1 -- Introduction --
INDONESIA'S NATIONAL CRISIS: A TWOFOLD CHALLENGE -- HISTORICAL CONSIDERATIONS -- LOCAL ANATOMY OF A NATIONAL CRISIS -- OUTLINE -- NOTES -- REFERENCES -- 2 -- Being modern in Bali after Suharto -- NATIONALISM IN THE ERA OF REFORMASI -- NEW ORDER MODERNITY -- ERA GLOBALISASI -- REFORMASI AND THE PEOPLE -- NOTES -- REFERENCES -- 3 -- Art and peace in the safest place in the world -- KAMIS KELABU: THE PUBLIC RESPONSE -- PARADISE WITHOUT POLITICS -- THE ART OF THE APOLITICAL -- A SHORT HISTORY OF POLITICAL CONSCIOUSNESS IN UBUD -- THE POLITICS OF ART -- ART AND PEACE: CLOSING THE SUKAWATI CENTURY -- NOTES -- REFERENCES -- 4 -- Reflections on literature and politics in Bali -- THE DEVELOPMENT OF LEKRA IN BALI -- LEKRA BALI AND ITS NATIONAL CONTRIBUTION -- LEKRA BALI: KEY FIGURES AND THEIR WRITINGS -- THE MASSACRES OF 1965-1966 -- THE CLASH BETWEEN LEKRA AND THE CULTURAL MANIFESTO AT THE NATIONAL LEVEL -- CULTURAL CONFLICT IN BALI: LEKRA BALI AND ITS LOCAL RIVAL -- CULTURE AND IDEOLOGY AFTER THE CLASH -- CONCLUDING REMARKS -- NOTES -- REFERENCES -- 5 -- Transformations of a genre of Balinese dance drama -- THE NEW ORDER AND 'KODRAT WANITA': REINFORCING TRADITIONAL NOTIONS OF FEMALE IDENTITY AND WOMEN'S PLACE -- THE INDONESIAN PERFORMING ARTS IN THE NEW ORDER PERIOD -- THE BALINESE PERFORMING ARTS IN THE NEW ORDER PERIOD: A DEPARTURE FROM INDIGENOUS BALINESE THEATRE TRADITION -- SENDRATARI AND DRAMA GONG-NEW ORDER INDONESIAN GENDER IDENTITY ON THE MODERN BALINESE STAGE -- ARJA MUANI: THE RE-EMERGENCE OF ARJA'S LIBERAL PLAY ON GENDER IN MODERN BALINESE PERFORMANCE -- ARJA'S CROSS-GENDER PLAY IN ITS MODERN CONTEXT -- THE EMERGENCE OF THE ARJA MUANI PHENOMENON -- GENDER AMBIGUITY IN THE INDONESIAN THEATRE CONTEXT -- ARJA MUANI AND FEMALE ADVANCEMENT: MODERN IDEAS OF WOMANHOOD IN PERFORMANCE -- SITI MAKONAH -- AYU BANGSING -- EXPRESSION OF FEMALE GENDER ATTITUDES IN ARJA MUANI -- DISPLACEMENT OF A FEMININE PARADIGM IN ARJA MUANI: THE LIKU SUCCEEDS THE GALUH AS THE LEADING FEMALE CHARACTER -- NOTIONS OF FEMALE MODESTY IN ARJA MUANI -- THE LIMITATIONS OF ARJA MUANI'S LIBERAL GENDER DIALOGUE AND FEMALE CHARACTERIZATION -- ARJA MUANI AND TRANSVESTITISM -- CONCLUDING REMARKS -- NOTES -- REFERENCES -- 6 -- Ritual as 'work' -- IS RITUAL 'WORK'? …”
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