Die Litaneien von Wolfgang Amadeus Mozart und die Salzburger Tradition. by KARINA ZYBINA

Subjects: CONNECT

Bach Perspectives, Volume 12 : Bach and the Counterpoint of Religion /

Subjects: CONNECT

Bach and the counterpoint of religion /

Subjects: CONNECT
CONNECT

Mozart / by Rushton, Julian

Table of Contents: “…Salzburg and the grand tour : 1756-1769 -- Works by an "almost supernatural talent" -- Italy and Salzburg : 1769-1773 -- Opera seria : "fitting the clothes to the figure" -- Salzburg : 1773-1777 -- Sacred music : "I have thoroughly acquainted myself with that style since my youth" -- Mannheim and Paris : 1777-1779 -- The "classical style" : Mozart and the keyboard -- Salzburg and Munich : 1779-1781 -- Orchestral music : "the glorious effect of a symphony with flutes, oboes, and clarinets" -- Vienna : 1781-1785 -- Singspiel : "music must never offend the ear" -- "Land of the clavier": piano concertos and piano chamber music -- Vienna and Prague : 1785-1788 -- Chamber music : "the greatest composer I know" -- Opera buffa : "most important is that it must be really comic" -- The last years : 1788-1791 -- The last works : "a rich possession, but even fairer hopes" -- Aftermath: "--de morte transire ad vitam".…”

Mozart at the gateway to his fortune : serving the Emperor, 1788-1791 / by Wolff, Christoph

Table of Contents: “…An auspicious prospect ; A timely commission ; Envisioning a new kind of sacred music -- "Composed just not yet written" : music never to be heard. …”