The craft of tonal counterpoint / by Benjamin, Thomas

Table of Contents: “…Line and other elements of style -- Nonimitative two-voice writing -- Chromaticism in two voices -- Composition of binary dance forms -- Double (invertible) counterpoint -- Imitation, canon -- The two-voice invention -- Three-voice counterpoint I : texture, rhythm, harmony -- Three-voice counterpoint II : chromaticism, triple counterpoint, canon -- Fugue I -- Fugue II -- Four-voice counterpoint -- Variation forms -- Cantus firmus procedure : the chorale prelude.…”
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The craft of tonal counterpoint / by Benjamin, Thomas

Table of Contents: “…Line and other elements of style -- Nonimitative two-voice writing -- Chromaticism in two voices -- Composition of binary dance forms -- Double (invertible) counterpoint -- Imitation, canon -- The two-voice invention -- Three-voice counterpoint I : texture, rhythm, harmony -- Three-voice counterpoint II : chromaticism, triple counterpoint, canon -- Fugue I -- Fugue II -- Four-voice counterpoint -- Variation forms -- Cantus firmus procedure : the chorale prelude.…”
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Open Music Theory by Gotham, Mark, Gullings, Kyle, Hamm, Chelsey

Table of Contents: “…Fundamentals -- II. Counterpoint and Galant tSchemas -- III. Form -- IV. …”
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Comprehensive Musicianship, A Practical Resource by Harlow, Randall, Peyton, Heather, Schwabe, Jonathan Clarke, Swilley, Daniel

Table of Contents: “…About the Contributors -- Introduction -- Why Study Music Theory -- Chapter 1: Basics of Rhythm and Meter -- Chapter 2: Basics of Pitch -- Chapter 3: Scales and Modes -- Chapter 4: Intervals -- Chapter 5: Introduction to Chords -- Chapter 6: Functional Harmony -- Chapter 7: Melody -- Chapter 8: Melodic Form -- Chapter 9: Introduction to Counterpoint -- Chapter 10: Voice Leading in Harmonic Progressions -- Chapter 11: Harmonizing a Melody -- Music Theory Workbook -- Sight Singing and Aural Training Supplement…”
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Music Theory for the 21st-Century Classroom by Hutchinson, Robert

Table of Contents: “…1 Basic Concepts -- 2 Major Scales and Key Signatures -- 3 Minor Scales and Key Signatures -- 4 Basics of Rhythm -- 5 Intervals -- 6 Triads -- 7 Roman Numerals and Cadences -- 8 Seventh Chords -- 9 Harmonic Progression and Harmonic Function -- 10 Non-Chord Tones -- 11 Melodic Analysis -- 12 Form in Popular Music -- 13 Phrases in Combination -- 14 Accompanimental Textures -- 15 Creating Contrast Between Sections -- 16 Figured Bass -- 17 Secondary Dominant Chords -- 18 Secondary Diminished Chords -- 19 Mode Mixture -- 20 The Neapolitan Chord -- 21 Augmented Sixth Chords -- 22 Modulation -- 23 Enharmonic Modulation -- 24 Binary and Ternary Forms -- 25 Sonata and Rondo Forms -- 26 Voice Leading Triads -- 27 Voice Leading Seventh Chords -- 28 Voice Leading With Non-Chord Tones -- 29 Voice Leading Chromatic Harmonies -- 30 Introduction to Counterpoint -- 31 Introduction to Jazz Theory -- 32 Impressionism and Extended Tonality -- 33 Set Theory -- 34 Serialism -- 35 Minimalism…”
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Elements of Creative Writing by Schraffenberger, J.D, Morgan, Rachel, Tracey, Grant

Table of Contents: “…Introduction -- Fiction -- Chapter One: One Great Way to Write a Short Story -- Chapter Two: Plotting -- Chapter Three: Counterpointed Plotting -- Chapter Four: Show and Tell -- Chapter Five: Characterization and Method Writing -- Chapter Six: Character and Dialouge -- Chapter Seven: Setting, Stillness, and Voice -- Chapter Eight: Point of View -- Chapter Nine: Learning the Unwritten Rules -- Poetry -- Chapter One: A Poetry State of Mind -- Chapter Two: The Architecture of a Poem -- Chapter Three: Sound -- Chapter Four: Inspiration and Risk -- Chapter Five: Endings and Beginnings -- Chapter Six: Figurative Language -- Chapter Seven: Forms, Forms, Forms -- Chapter Eight: Go to the Image -- Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings -- Creative Nonfiction -- Chapter One: Creative Nonfiction and the Essay -- Chapter Two: Truth and Memory, Truth in Memory -- Chapter Three: Research and History -- Chapter Four: Writing Environments -- Chapter Five: Notes on Style -- Chapter Six: Figurative Language -- Chapter Seven: Imagery and the Senses -- Chapter Eight: Writing the Body -- Chapter Nine: Forms -- Back Matter -- Authors -- Contributors -- North American Review Staff…”
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Understanding Basic Music Theory by Schmidt-Jones, Catherine

Table of Contents: “…1 Notation -- 1.1 Pitch -- 1.2 Time -- 1.3 Style -- 2 Definitions -- 2.1 Rhythm -- 2.2 Timbre -- 2.3 Melody -- 2.4 Texture -- 2.5 Harmony -- 2.6 Counterpoint -- 2.7 Range -- 2.8 Classifying Music -- 3 The Physical Basis -- 3.1 Acoustics for Music Theory -- 3.2 Standing Waves and Musical Instruments -- 3.3 Harmonic Series I: Timbre and Octaves Solutions -- 4 Notes and Scales -- 4.1 Octaves and the Major-Minor Tonal System -- 4.2 Half Steps and Whole Steps -- 4.3 Major Keys and Scales -- 4.4 Minor Keys and Scales -- 4.5 Interval -- 4.6 Harmonic Series II: Harmonics, Intervals, and Instruments -- 4.7 The Circle of Fifths -- 4.8 Scales that aren't Major or Minor -- 5 Harmony and Form -- 5.1 Triads -- 5.2 Naming Triads -- 5.3 Consonance and Dissonance -- 5.4 Beyond Triads: Naming Other Chords -- 5.5 Beginning Harmonic Analysis -- 5.6 Cadence -- 5.7 Form -- 6 Challenges -- 6.1 Ear Training -- 6.2 Tuning Systems -- 6.3 Modes and Ragas -- 6.4 Transposition: Changing Keys…”
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