Visible fictions : cinema, television, video / by Ellis, John, 1952-

Table of Contents: “…Cover -- Visible fictions -- Contents -- Illustrations -- Acknowledgments -- 1 Preliminaries -- Part I Cinema -- 2 Cinema as cultural event -- 3 Cinema as image and sound -- 4 Cinema narration -- 5 The cinema spectator -- 6 Stars as a cinematic phenomenon -- Part II Broadcast TV -- 7 Broadcast TV as cultural form -- 8 Broadcast TV as sound and image -- 9 Broadcast TV narration -- 10 The broadcast TV viewer -- Part III The institutions of cinema and broadcast TV -- 11 The current situation -- 12 The organisation of film production -- 13 The dominance of the Hollywood film -- 14 The organisation of broadcast TV production -- 15 Cinema and broadcast TV together -- 16 Beyond the Hollywood film: British independent cinema -- 17 Postface (1992) -- Films and programmes cited -- Cinema films -- Broadcast TV productions -- Select bibliography -- 1 Preliminaries -- 2 Cinema as cultural event -- 3 Cinema as image and sound -- 4 Cinema narration -- 5 The cinema spectator -- 6 Stars as a cinematic phenomenon -- 7 Broadcast TV as cultural form -- 8 Broadcast TV as sound and image -- 9 Broadcast TV narration -- 10 The broadcast TV viewer -- 11 The current situation -- 12 The organisation of film production -- 13 The dominance of the Hollywood film -- 14 The organisation of broadcast TV production -- 15 Cinema and broadcast TV together -- 16 Beyond the Hollywood film -- Further reading.…”
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Closely watched films : an introduction to the art of narrative film technique / by Fabe, Marilyn

Table of Contents: “…Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: François Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.…”
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Moving viewers : American film and the spectator's experience / by Plantinga, Carl R.

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Britton on film : the complete film criticism of Andrew Britton / by Britton, Andrew, 1952-1994

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Screenplay : cinema/videogames/interfaces /