Dostoevsky as a translator of Balzac / by Titus, Julia

Table of Contents: “…. -- Chapter 2 : BAKHTIN, WATT AND THE EARLY EIGHTEENTH-CENTURY NOVEL -- Novelistic Turning Points and the Eighteenth-Century Novel According to Bakhtin -- The Early Eighteenth-Century Novel: Watt and Anglo-American Criticism -- Conclusion -- Notes -- References -- Chapter 3 : CONCEPTS OF NOVELISTIC POLYPHONY: PERSON-RELATED AND COMPOSITIONAL-THEMATIC -- Introduction: Polyphonies of the Novel -- Bakhtin: Polyphony as Polysubjectivity -- The Romantic Idea of the Musical Composition of a Literary Work of Art: Friedrich Schlegel -- The Polyphonic Composition of Thomas Mann's Doctor Faustus. -- Polyphony as the Principle of Composition of a 'Novel in the Form of Variations': Milan Kundera -- Notes -- References -- Chapter 4 : FAMILIAR OTHERNESS: PECULIARITIES OF DIALOGUE IN EZRA POUND'S POETICS OF INCLUSION -- Hieratic Head -- Encountering Hades -- Walking with Kung -- Guide to Otherness -- The Pattern Persists -- Conclusion -- Note -- References -- Chapter 5 : AUTHOR AND OTHER IN DIALOGUE: BAKHTINIAN POLYPHONY IN THE POETRY OF PETER READING -- The Problem of Bakhtinian Terminology and Poetry -- Polyphony and the Poetic Text -- Peter Reading's Polyphonic Poetry -- Polyphony as Macroscopic Structure -- Notes -- References. -- Chapter 6 : TRADITION AND GENRE: THOMAS KYD'S The Spanish Tragedy -- The Tradition of Neo-Latin Drama in Kyd's Time -- Source Study and 'Ideological Colloquy' -- Kyd, Speech Genres and Literary History -- The Spanish Tragedy and Conversation -- Notes -- References -- Chapter 7 : BAKHTIN'S CONCEPT OF THE CHRONOTOPE: THE VIEWPOINT OF AN ACTING SUBJECT -- Bakhtin's Concept of Chronotope: An Epistemological Category? …”
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Touch, sexuality, and hands in British literature, 1740-1901 / by Cox, Kimberly