A nevv vvay of making fowre parts in counter-point : by a most familiar, and infallible rule. Secondly, a necessary discourse of keyes, and their proper closes. Thirdly, the allowe... by Campion, Thomas, 1567-1620

Subjects: “…Counterpoint Early works to 1800.…”
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Regulae de contrapunto / by Antonius, de Leno, active 14th century

Subjects: “…Counterpoint Early works to 1800.…”

Tractatus de discantu = Concerning discant / by Anonymous II, 13th cent

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A brief introduction to the skill of musick : in two books : the first contains the general grounds and rules of musick, the second, instructions for the viol and also the treble-v... by Playford, John, 1623-1686?

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A brief introduction to the skill of musick : in three books the first, the grounds and rules of musick, according to the gam-ut and other principles thereof, the second, instructi... by Playford, John, 1623-1686?

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An introduction to the skill of musick, : in three books the first contains the grounds and rules of musick, acording to the gam-ut, and other principles thereof, the second, instr... by Playford, John, 1623-1686?

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An introduction to the skill of musick, : in three books the first contains, I. The grounds and principles of musick according to the gamut, being newly written, and made more easi... by Playford, John, 1623-1686?

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An introduction to the skill of musick : in three books : the first contains the grounds and rules of musick ... the second, instructions and lessons both for the bass-viol and tre... by Playford, John, 1623-1686?

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An introduction to the skill of musick : in three books / by Playford, John, 1623-1686?

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A brief introduction to the skill of musick : in three books : the first, The grounds and rules of musick, according to the ga-mut and other principles thereof : the second, Instru... by Playford, John, 1623-1686?

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An introduction to the skill of musick, : in two books the first contains, I. The grounds and rules of musick according to the gamūt, and other principles thereof the second, instr... by Playford, John, 1623-1686?

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An introduction to the skill of musick : in two books : first, a brief & plain introduction to musick both for singing and for playing on the violl, by J.P. : second, The art of setting or composing of musick in parts by a most familiar and easie rule of counterpoint : formerly published by Dr. Tho. Campion, but now reprinted with large annotations by Mr.... by Playford, John, 1623-1686?

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Thomas Attwoods Theorie-und Kompositionsstudien bei Mozart : kritischer Bericht / by Heartz, Daniel

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Cadenzas, embellishments, and compositional studies / by Bach, Carl Philipp Emanuel, 1714-1788

Table of Contents: “…Enharmonic Progressions (Wq 121/2) -- Enharmonic Modulation from B-flat Minor to B Minor (Wq 121/5) -- Modulations from C Major to G Major (Wq 121/7) -- Modulations from C Major to F Major (Wq 121/8) -- Modulations from C Major to A Minor (Wq 121/9) -- Modulations from C Major to D Minor (Wq 121/10) -- Modulations from C Major to E Minor (Wq 121/11) -- Modulations from A Minor to C Major (Wq 121/12) -- Modulations from A Minor to E Minor (Wq 121/13) -- Modulations from A Minor to D Minor (Wq 121/14) -- Modulations from A Minor to F Major (Wq 121/15) -- Modulations from A Minor to G Major (Wq 121/16) -- Modulating Chromatic Progression (Wq 121/23) -- Modulating Progression with Diminished Seventh Chords (Wq 121/26) -- Chromatic Progressions with Arpeggiated Right Hand (Wq 121/27) -- Modulatory Passage with Arpeggios (Wq 121/28) -- Modulations with 7♭/5 (Wq 121/30) -- Modulations from C Major to F-sharp Major (Wq 121/36) -- Modulations (Wq 121/37) -- Modulations to Distant Keys (Wq 121/38) -- Modulations from C Major to All Keys (Wq 121/54) -- Resolutions of 4+ (Wq 121/1) -- Resolutions of Diminished Seventh Chords (Wq 121/25) -- Resolutions of 7/# (Wq 121/29) -- Resolutions of 4+ and 5♭ (Wq 121/31) -- Resolution of 4+ (Wq 121/32) -- Progressions with a Diminished Seventh in the Bass (Wq 121/33) -- Enharmonic Modulation from C Minor to B Minor (Wq 121/34) -- Modulation with a Diminished Seventh Chord (Wq 121/35) -- Resolutions of 2 (Wq 121/41) -- Resolutions of 5/4 (Wq 121/43) -- Compositional Idea, Allegro assai in B-flat Major (Wq 120/20) -- Compositional Idea, Adagio in F-sharp Minor (Wq 121/4) -- Compositional Idea, Andante in G Major (Wq 121/6) -- Compositional Idea, Allegretto in D Major (Wq 121/17) -- Compositional Idea, Andante in C Major (Wq 121/18) -- Compositional Idea, Andante in A Minor (Wq 121/19) -- Compositional Idea, Allegro assai in G Major (Wq 121/20) -- Compositional Idea, Adagio in C Major (Wq 121/21) -- Passage in E Major (Wq 121/22) -- Fugue Subject (Wq 121/40) -- Studies on B-A-C-H (Wq 121/3) -- Study on C-F-E-B-A-C-H (Wq 121/42) -- Study on B-A-C-H (Wq 121/51) -- Studies on B-A-C-H (Wq/H deest) -- Inversion Canon for Two Voices in G Major (Wq 121/24) -- Inversion Canon for Two Voices in G Major (Wq 121/44) -- Augmentation Canon for Two Voices in A Major (Wq 121/45) -- Augmentation Canon for Two Voices in G Major (Wq 121/46) -- Perpetual Canon for Four Voices in C Major (Wq 121/47) -- Perpetual Canon for Four Voices in F Major (Wq 121/48) -- Canon for Two Voices in G Major at the Lower Ninth (Wq 121/49) -- Canon for Two Voices in G Major at the Lower Fourth (Wq 121/50) -- Canon for Two Voices in G Major at the Lower Fourth (Wq 121/52) -- Canon for Two Voices in C Major at the Lower and Upper Fifth, in Diminution at the Octave, and in Invertible Counterpoint at the Octave (Wq 121/53) -- Diminution Canon for Two Voices in C Major (Wq 121/55) -- Inversion Canon for Two Voices in D Minor (Wq/H deest) -- Examples for Most Tasks in Continuo Playing (Wq 121/39) -- Examples from Marpurg's Abhandlung von der Fuge, Wq/H deest -- Einfall, Wq 257.…”

Beiträge zur Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe / by Bach, Johann Sebastian, 1685-1750

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Dialogue on ancient and modern music / by Galilei, Vincenzo, -1591

Table of Contents: “…The tuning question -- The ancient and modern tonal systems -- Critique of counterpoint -- Ancient musical practice -- Ancient and modern instruments and instrumental practice.…”

Theoretical-practical elements of music, parts III and IV / by Galeazzi, Francesco, 1758-1819

Table of Contents: “…The Life of Francesco Galeazzi -- The theoretical-practical elements of music : Galeazzi's activities as a writer and composer -- Writings and compositions by Francesco Galeazzi -- Theory of the principles of ancient and modern music -- On the elements of counterpoint.…”
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Ancient music adapted to modern practice / by Vicentino, Nicola, 1511-approximately 1576

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