Showing 1 - 11 results of 11 for search '"piano trio"', query time: 0.04s Refine Results
  1. 1

    Chamber music : a listener's guide / by Keller, James M., 1953-

    Published 2011
    Table of Contents: “…III:69) ; String quartet in G, op. 74, no. 3, Reiter (Hob. III:74) ; Piano trio in A major (Hob. XV:18) ; Piano trio in G major, Gypsy rondo (Hob. …”
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  2. 2

    The creative process in music from Mozart to Kurtág / by Kinderman, William

    Published 2012
    Table of Contents: “…Introduction -- Mozart's second thoughts -- Beethoven's unfinished Piano Trio in F Minor from 1816 -- Schumann, Beethoven, and the "Distant Beloved" -- Aesthetics of integration in Mahler's Fifth Symphony -- Folklore transformed in Bartók's Dance Suite -- Kurtág's Kafka fragments and hommage à R. …”
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  3. 3

    Allusion as narrative premise in Brahms's instrumental music / by Sholes, Jacquelyn

    Published 2018
    Table of Contents: “…: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony.…”
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  4. 4

    Beethoven's chamber music in context / by Watson, Angus, 1932-

    Published 2010
    Table of Contents: “…Context ; Arrival and relaunch in Vienna, 1792 ; Beethoven, pianist and string player ; Amateurs, patrons and professionals ; The spirit of the composition -- pt. 2. 1793-9 ; 1793-5: three piano trios, op. 1 ; 1796: two cello sonatas, op. 5 ; 1797-8: three violin sonatas, op. 12 ; 1794?…”
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  5. 5

    Schubert's Beethoven project / by Gingerich, John Michael

    Published 2014
    Table of Contents: “…Preparations -- The year of crisis, 1823 -- Schuppanzigh and Schubert's chamber music -- Songs of death and the chamber music of 1824 -- Schubert's first public quartet and sonata form -- Schubert's Octet and Beethoven's Septet -- The Gesellschaft der Musikfreunde, Schubert, and his symphony -- Schubert's heroic symphony -- The piano sonatas of 1825-1826 -- Schubert and his publishers -- The E-flat piano trio, Schubert's career, and its two last movements -- Schubert's annus mirabilis and the String quintet.…”
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  6. 6

    Haydn studies /

    Published 2006
    Table of Contents: “…Chua -- Haydn's "Cours complet de la composition" and the Sturm und Drang / Mark Evan Bonds -- Haydn's reversals : style change, gesture and the implication-realization model / Michael Spitzer -- Haydn's symphonies between Sturm und Drang and "Classical style" : art and entertainment / James Webster -- The Haydn piano trio : textual facts and textural principles / W. …”
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  7. 7

    Franz Schubert and his world /

    Published 2014
    Table of Contents: “…Gingerich -- Schubert's Kosegarten settings of 1815 : a forgotten Liederspiel / Morten Solvik -- The queen of Golconda, the ashman, and the shepherd on a rock : Schubert and the Vienna Volkstheater / Lisa Feurzeig -- Liszt on Schubert's Alfonso und Estrella / introduced and translated by Allan Keiler -- Schubert's freedom of song, if not speech / Kristina Muxfeldt -- Schubert's Tombeau de Beethoven : decrypting the piano trio in E-flat major, op. 100 / Christopher H. …”
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  8. 8

    Haydn and his world /

    Published 1997
    Table of Contents: “…Haydn, Shakespeare, and the rules of originality / Elaine Sisman -- The Creation, Haydn's late vocal music, and the musical sublime / James Webster -- Haydn's London piano trios and his Salomon string quartets: private vs. public? …”
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  9. 9

    Unmasking Ravel : new perspectives on the music /

    Published 2011
    Table of Contents: “…Puri -- Ravel's approach to formal process: comparisons and contexts / Peter Kaminsky -- Repetition as musical motion in Ravel's piano writing / Daphne Leong and David Korevaar -- Playing with models: sonata form in Ravel's String quartet and Piano trio / Sigrun B. Heinzelmann -- Spiral and self-destruction in Ravel's La valse / Volker Helbing ; translated by Nicholas Betson -- Diatonic expansion and chromatic compression in Maurice Ravel's Sonate pour violon et violoncelle / Elliott Antokoletz -- Deception, reality, and changes of perspective in two songs from Histoires naturelles / Lauri Suurpää -- Not just a pretty surface: ornament and metric complexity in Ravel's piano music / Gurminder K. …”
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  10. 10

    Mozart's chamber music with keyboard /

    Published 2012
    Table of Contents: “…The chamber music with keyboard in Mozart biography / Martin Harlow -- Mozart's early chamber music with keyboard : traditions of performance, composition, and commodification / Nicholas Baragwanath -- Opus 1, take 2 : Mozart's Mannheim and Paris sonatas for keyboard and violin / Peter Walls -- Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David : a survey of editorial and violin performance practices / Robin Stowell -- Mozart's keyboard trios: styles, textures and contexts / Katalin Komlós -- A winning strike : the miracle of Mozart's 'Kegelstatt' / Colin Lawson -- An experiment in variation : the finale of Mozart's Piano Trio in G, K.496 / Roman Ivanovitch -- On instrumental sounds, roles, genres and performances : Mozart's Piano Quartets, K.478 and K.493 / Simon P. …”
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  11. 11

    Bach to Brahms : essays on musical design and structure /

    Published 2015
    Table of Contents: “…Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpää -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart.…”
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