The Italian cantata in Vienna : entertainment in the age of absolutism / by Bennett, Lawrence, 1940-

Table of Contents: “…Introduction -- The cantata in Vienna, 1658-1700. The political and cultural milieu ; The composers ; Repertoire and sources ; Text and music -- The cantata in Vienna, 1700-1711. …”
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The cantatas of J.S. Bach : with their librettos in German-English parallel text / by Dürr, Alfred, 1918-2011

Table of Contents: “…Contents; List of illustrations; Abbreviations; Part 1 Introduction to Bach's Cantatas; Part 2 Church Cantatas; Part 3 Secular Cantatas; Appendix: doubtful and spurious cantatas: BWV Anh. …”
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The chamber cantatas of Antonio Vivaldi / by Talbot, Michael, 1943-

Table of Contents: “…Rediscovery of Vivaldi's cantatas -- Cantata genre -- Vivaldi and the voice -- Mantuan cantatas -- Cantatas of the middle years -- Dresden cantatas -- Vivaldi's cantatas in perspective.…”
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Solo English cantatas and Italian odes of Thomas A. Arne / by Rice, Paul F.

Subjects: “…Cantatas Great Britain History and criticism.…”
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Handel as Orpheus : voice and desire in the chamber cantatas / by Harris, Ellen T.

Subjects: “…Handel, George Frideric, 1685-1759. Cantatas.…”
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J.S. Bach's Johannine theology : the St. John Passion and the Cantatas for spring 1725 / by Chafe, Eric Thomas, 1946-

Table of Contents: “…John Passion ; Jesus's trial : John, Francke, Bach ; Jesus's death and burial ; The Theologia Crucis and the Passion's symbolic structure -- Part III. The cantatas for spring 1725. Easter through Misericordias : Cantatas 249, 6, 42, and 85 ; Jubilate to Ascension Day : Cantatas 103, 108, 87, and 128 ; Instrumental characteristics ; Exaudi and Pentecost : Cantatas 183, 74, 68, and 175 ; Trinity Sunday : Cantata 176, Es ist ein trotzig und verzagt Ding ; Spring 1725 : the cantatas and the shape of the liturgy.…”
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De dood in cantates van J.S. Bach. Van 'Actus Tragicus' tot 'Trauer-Ode' / by Bossuyt, Ignace

Subjects: “…Bach, Johann Sebastian, 1685-1750. Cantatas.…”
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Benjamin Britten : the spiritual dimension / by Elliott, Graham

Table of Contents: “…Parable music I : the canticles and Cantata misericordium --…”
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Johann Sebastian Bach's St John Passion (BWV 245) / by Loewe, Andreas

Table of Contents: “…Proclaiming Scripture through Music--The Development of Bach's Cantatas --…”
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Debussy and His World /

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Decentering Musical Modernity : Perspectives on East Asian and European Music History /

Table of Contents: “…Wilhelm Stenhammar's Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 /…”
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Postmodernity's musical pasts /

Table of Contents: “…From Bach to Neruda : historicity and heterogenous temporality in the Chilean cantata (1941-1969) /…”
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Masterpieces of music before 1750 : an anthology of musical examples from Gregorian chant to J.S. Bach /

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Anthology for Music in the twentieth and twenty-first centuries /

A treasury of early music : an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque era /

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The solo song, 1580-1730 /

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The twelve-note music of Anton Webern : old forms in a new language / by Puffett, Kathryn

Table of Contents: “…The music with voices. Das Augenlicht -- Cantata I -- Cantata II -- Conclusion -- Appendices.…”
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Bach and the organ /

Table of Contents: “…: apropos the prehistory of cantata movements with obbligato organ / by Christoph Wolff -- The choir loft as chamber : concerted movements by Bach from the mid- to late 1720s / by Gregory Butler -- Music from Heaven : an eighteenth-century context for cantatas with obbligato organ / by Matthew Cron.…”

Bach and the organ /

Table of Contents: “…: apropos the prehistory of cantata movements with obbligato organ / by Christoph Wolff -- The choir loft as chamber : concerted movements by Bach from the mid- to late 1720s / by Gregory Butler -- Music from Heaven : an eighteenth-century context for cantatas with obbligato organ / by Matthew Cron.…”
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The twelve-tone music of Luigi Dallapiccola / by Alegant, Brian, 1960-

Table of Contents: “…1 On the Twelve-Tone Road (1942-1950) -- 2 Aphorism and the Appropriation of Webernian Techniques (1950-1955) -- 3 The Apex of the Schoenbergian and Webernian Influence (1956-1960) -- 4 Consolidation and Synthesis (1960-1972) -- Part Two More Detailed Analyses -- 5 Dallapiccola's Idiosyncratic Approach to "Octatonic Serialism" -- 6 An Mathilde: An Unsung Cantata -- 7 Parole di San Paolo: "A Performance under a Glass Bell."…”
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