Der Rosenkavalier = The rose-bearer, or The knight of the rose / by Fisher, Burton D.

Table of Contents: “…Story synopsis -- Principal characters in the opera -- Story narrative with music highlights -- Strauss and Der Rosenkavalier.…”
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Rounding Wagner's mountain : Richard Strauss and modern German opera / by Gilliam, Bryan Randolph

Table of Contents: “…Guntram and the crisis of German musical metaphysics -- Elan vital : Feuersnot, Salome, and radical individualism -- The way to the social : Elektra and Der Rosenkavalier -- Intermezzo : Ariadne and her transformations -- The marriage operas : Die Frau ohne Schatten, Intermezzo, and Die ägyptische Helena -- Composing without Hofmannsthal : Arabella and Die schweigsame Frau -- The politics of peace : Friedenstag and Daphne -- Opera in time of war : Die liebe der Danae and Capricci.…”
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Rounding Wagner's mountain : Richard Strauss and modern German opera / by Gilliam, Bryan Randolph

Table of Contents: “…Guntram and the crisis of German musical metaphysics -- Elan vital : Feuersnot, Salome, and radical individualism -- The way to the social : Elektra and Der Rosenkavalier -- Intermezzo : Ariadne and her transformations -- The marriage operas : Die Frau ohne Schatten, Intermezzo, and Die ägyptische Helena -- Composing without Hofmannsthal : Arabella and Die schweigsame Frau -- The politics of peace : Friedenstag and Daphne -- Opera in time of war : Die liebe der Danae and Capricci.…”
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Wagner and the Novel : Wagner's Operas and the European Realist Novel: An exploration of genre. by Ridley, Hugh

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Derrick Puffett on music / by Puffett, Derrick

Table of Contents: “…On Goehr's Homage to Bach -- part PART IV: RUSSIAN AND FRENCH MUSIC -- chapter 12 A Graphic Analysis of Musorgsky's 'Catacombs' -- chapter 13 Eight Bars of Stravinsky: The Septet Revisited -- chapter 14 Debussy's Ostinato Machine -- part PART V: OPERA -- chapter 15 Siegfried in the Context of Wagner's Operatic Writing -- chapter 16 Schoeck's Operas: A Question of Genre -- chapter 17 Some Reflections onLiteraturoper -- chapter 18 Berg and German Opera -- chapter 19 Salome: an Introduction -- chapter 20 Images of Salome -- chapter 21 Strauss's Scenario for the 'Dance of the Seven Veils' -- chapter 22 Salome as Music Drama -- chapter 23 Elektra: Beginnings -- chapter 24 The Music of Elektra: Some Preliminary Thoughts -- chapter 25 An Introduction to der Rosenkavalier -- part PART VI: VIENNA -- chapter 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs -- chapter 27 A Notational Peculiarity in Early Webem and its Implications -- chapter 28 Gone with the Summer Wmd; or, What Webem Lost -- chapter 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande -- chapter THEMATIC ANALYSIS -- chapter EPILOGUE -- chapter 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6 -- part PART VII: GERMAN MUSIC -- chapter 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss -- chapter 32 Bruckner's Way: The Adagio of the Ninth Symphony -- chapter Sources.…”
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