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Training the Composer : a Comparative Study Between the Pedagogical Methodologies of Arnold Schoenberg and Nadia Boulanger.
Published 2010CONNECT
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Metaphors of depth in German musical thought : from E.T.A. Hoffmann to Arnold Schoenberg /
Published 2011CONNECT
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Schoenberg and Hollywood modernism
Published 2016Table of Contents: “…," to Arnold Schoenberg for his 68th birthday (1942) -- Notes -- Bibliography -- Index.…”
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Perspectives on Schoenberg and Stravinsky /
Published 1968Table of Contents: “…Schoenberg's Five pieces for orchestra / Robert Craft -- Analysis of the Four orchestral songs, op. 22 / Arnold Schoenberg -- Three essays on Schoenberg / Milton Babbitt -- Moses und Aron ; A study of hexachord levels in Schoenberg's Violin fantasy / David Lewin -- Schoenberg and the organ / Glenn E. …”
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Jewish difference and the arts in Vienna : composing compassion in music and biblical theater /
Published 2019Table of Contents: “…A case for compassion: Siegfried Lipiner's Adam -- Voicing compassion: Gustav Mahler's second and third symphonies -- Polyphony as a poetics of compassion: Arnold Schoenberg's Die Jakobsleiter -- Dialogues of compassion: Richard Beer-Hofmann's Jaakobs Traum -- Compassion as communal song: Stefan Zweig's Jeremias.…”
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A kingdom not of this world : Wagner, the arts, and utopian visions in fin-de-siècle Vienna /
Published 2013Table of Contents: “…Fin-de-siècle Vienna and the utopian imagination -- Max Klinger, the Gesamtkunstwerk, and the dream of a third kingdom -- "All of Vienna has become secessionistic" : longings of an organization -- Dreams of transcendence, fantasies of control : Gustav Klimt -- The sacred spring of Arnold Schoenberg and Alexander Zemlinsky -- Gustav Mahler and the promise of return.…”
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Musical witness and Holocaust representation /
Published 2015Table of Contents: “…The composer as witness : Arnold Schoenberg's A survivor from Warsaw -- The philosopher as witness : Theodor Adorno's A survivor from Warsaw -- The composer as witness : Hanns Eisler's Nuit et brouillard -- The state as witness : Jüdische Chronik in the German Democratic Republic -- The composer as witness : Steve Reich's Different trains.…”
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Schoenberg's musical imagination /
Published 2007Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”
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Jewish identities : nationalism, racism, and utopianism in twentieth-century music /
Published 2008Table of Contents: “…Racial mystique : anti-semitism and Ernest Bloch's theories of art ; Denied and accepted stereotypes : from Jézabel to Schelomo ; The confines of Judaism and the elusiveness of universality : the Sacred service -- Utopias/dystopias : Arnold Schoenberg's spiritual Judaism. Uneasy parallels : from German nationalism to Jewish utopia ; Torsos and abstractions : "music in its promised land" ; On the ashes of the Holocaust : anxiety, abstraction, and Schoenberg's rhetoric of fear ; A taste for "the things in heaven" : cleansing music of politics.…”
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Legend of a musical city.
Published 1969Table of Contents: “…In the opera house and concert halls-1891-1894 -- The musical capital of nations -- In the opera house -- New concert halls and old traditions -- Modern music in Vienna: Richard Strauss, Gustav Mahler, Arnold Schoenberg -- Popular music: Johann Strauss -- Part 5. …”
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Schoenberg's twelve-tone music : symmetry and the musical idea /
Published 2014CONNECT
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Danièle Huillet, Jean-Marie Straub : objectivists in cinema /
Published 2020Table of Contents: “…Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting…”
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Danièle Huillet, Jean-Marie Straub "Objectivists" in Cinema /
Published 2020CONNECT
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Reviving Haydn : new appreciations in the twentieth century /
Published 2015CONNECT
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The classical music lover's companion to orchestral music /
Published 2018Table of Contents: “…Johann Sebastian Bach -- Mily Balakirev -- Samuel Barber -- Béla Bartók -- Ludwig van Beethoven -- Hector Berlioz -- Georges Bizet -- Alexander Borodin -- Bohuslav Martinú -- Felix Mendelssohn -- Olivier Messiaen -- Darius Milhaud -- Wolfgang Amadeus Mozart -- Modest Musorgsky -- Carl Nielsen -- Sergei Prokofiev -- Johannes Brahms -- Benjamin Britten -- Max Bruch -- Anton Bruckner -- Emmanuel Charbrier -- Frédéric Fryderyk Chopin -- Aaron Copland -- Arcangelo Corelli -- Claude Debussy -- Frederick Delius -- Antonin Dvor̆ák -- Edward Elgar -- Manuel de Falla -- Gabriel Fauré -- César Franck -- George Gershwin -- Mikhail Ivanovich Glinka -- Edvard Grieg -- George Frideric Handel / Georg Friedrich HăndelL -- Franz Joseph Haydn -- Paul Hindemith -- Gustav Holst -- Charles Ives -- Leos̆ Janác̆ek -- Franz Liszt -- Gustav Mahler -- Sergei Rachmaninoff -- Maurice Ravel -- Nikolai Rimskykorsakov -- Gioachino Rossini -- Camille Saintsaëns -- Erik Satie -- Arnold Schoenberg -- Franz Schubert -- Robert Schumann -- Alexander Scriabin / Aleksandr Nikolayevich Skryabin -- Dmitri Shostakovich -- Jean Sibelius -- Bedr̆ich Smetana -- Rirchard Strauss -- Igor Stravinsky -- Pyotr Ilyich Tchaikovsky -- Michael Tippett -- Ralph Vaughan Williams -- Antonio Vivaldi -- Richard Wagner -- William Walton -- Carl Maria von Weber -- Anton Webern.…”
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