Published 2002
Table of Contents:
“…Brandon, adaptors -- Critical contexts: Zeami Motokiyo, from Teachings on style and the flower -- Everyman / Anonymous -- Hamlet ; The tempest / William Shakespeare -- Critical contexts: Sir Philip Sidney, from Apology for poetry ; Louis Montrose, Anatomies of playing -- Life is a dream / Pedro Calderón de la Barca -- Tartuffe / Molière -- The rover / Aphra Behn -- Loa to the divine Narcissus / Sor Juana Inés de la Cruz -- Critical contexts: John Dryden, Preface to Troilus and Cressida, containing the grounds of criticism in tragedy ; Katharine Eisaman Maus, from Playhouse flesh and blood': sexual ideology and the restoration actress -- A doll house / Henrik Ibsen -- The cherry orchard / Anton Chekhov -- Major Barbara / Bernard Shaw -- Mother courage and her children / Bertolt Brecht -- Endgame / Samuel Beckett -- Cloud nine / Caryl Churchill -- Critical contexts: Friedrich Nietzsche, from The birth of tragedy ; Emile Zola, from Naturalism in the theatre ; Constantin Stanislavski, Direction and acting ; Bertolt Brecht, Theatre for pleasure or theatre for instruction ; Antonin Artaud, from The theater and its double -- Trifles / Susan Glaspell -- The glass menagerie / Tennessee Williams -- Los vendidos / Luis Valdez -- Fences /
August Wilson -- M. Butterfly / David Henry Hwang -- Angels in America, Part I: millennium approaches / Tony Kushner -- The America play / Suzan-Lori Parks -- Critical contexts: Arthur Miller, Tragedy and the common man ; Henry Louis Gates Jr., Beyond the culture wars -- A tempest / Aimé Césaire -- Death and the King's horseman / Wole Soyinka -- Translations / Brian Friel -- Gangsters / Maishe Maponya -- Dry lips oughta move to Kapuskasing / Tomson Highway -- Valley song / Athol Fugard -- Critical contexts: Frantz Fanon, The fact of blackness ; Helen Gilbert and Joanne Tompkins, from Post-colonial drama.…”
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