The sonata / by Schmidt-Beste, Thomas

Subjects: “…Sonata.…”
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The sonata / by Schmidt, Thomas (Musicologist)

Table of Contents: “…Chapter 1 : Definitions. Sonata and canzona ; Sonata and sinfonia ; Sonata and concerto ; Sonata and suite/partita ; The sonata and free instrumental genres : toccata, ricercar, capriccio. fantasia -- Chapter 2 : Form. …”
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The Kreutzer sonata variations : Lev Tolstoy's Novella and counterstories by Sofiya Tolstaya and Lev Lvovich Tolstoy /

Table of Contents: “…Katz -- The story and counterstories. The Kreutzer sonata / Lev Nikolaevich Tolstoy ; Whose fault? ; Song without words / Sofiya Andreevna Tolstaya ; Chopin's prelude / Lev Lvovich Tolstoy -- The reflections. …”
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The sonatas of Henry Purcell : rhetoric and reversal / by Schab, Alon

Table of Contents: “…Purcell's trio sonatas -- Harmony and counterpoint in the service of rhetoric -- Indiscernible structures -- Proportional symmetry and asymmetry -- Mirror symmetry and its implications -- Double fugue, triple fugue, and commutatio -- Ground bass.…”
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Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / by Vande Moortele, Steven

Table of Contents: “…Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works…”
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Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / by Vande Moortele, Steven

Table of Contents: “…Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement.…”
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Liszt, Sonata in B minor / by Hamilton, Kenneth, 1963-

Table of Contents: “…Forms and formulae. Orchestral sonata forms -- 3. Understanding the Sonata in B minor. …”
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Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / by Davis, Andrew C., 1973-

Table of Contents: “…Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda.…”
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A sonata : sung by a number of young girls, dressed in white and decked with wreaths and chaplets of flowers, holding baskets of flowers in their hands, as General Washington passed under the triumphal arch raised on the bridge at Trenton, April 21, 1789. by Howell, Richard, 1754-1802

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Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata / by Hepokoski, James A. 1946-, Darcy, Warren

Table of Contents: “…Contexts -- Sonata form as a whole : foundational considerations -- The medial caesura and the two-part exposition -- The continuous exposition -- The primary theme -- The transition (TR) -- The secondary theme (S) and essential expositional closure (EEC) : initial considerations -- S-complications : EEC deferral and apparent double medial caesuras (TMB) -- The closing zone (C) -- The development (developmental space) -- The recapitulation (recapitulatory space, recapitulatory rotation) -- Non-normative openings of the recapitulatory rotation : alternatives and deformations -- Parageneric spaces : coda and introduction -- Sonata form in minor keys -- The three- and four-movement sonata cycle -- Sonata types and the type 1 sonata -- The type 2 sonata -- Rondos and the type 4 sonata -- The type 5 sonata : fundamentals -- The type 5 sonata : Mozart's concertos (R1, the opening ritornello) -- The type 5 sonata : Mozart's concertos (solo and larger expositions : solo 1 + ritornello 2) -- The type 5 sonata : Mozart's concertos (development and recapitulation, from solo 2 through ritornello 4).…”
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Analyzing classical form : an approach for the classroom / by Caplin, William Earl, 1948-

Table of Contents: “…The sentence ; The period ; Hybrid themes ; Phrase deviations, cadential deviations, and framing functions ; Compound themes ; The small ternary (rounded binary) ; The small binary -- Part II. Sonata form. Sonata form : an overview ; Exposition (I) : main theme ; Exposition (II) : transition ; Exposition (III) : subordinate theme ; Development ; Recapitulation ; Coda ; Slow introduction -- Part III. …”
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Strindberg's Ghost Sonata. by Törnqvist, Egil

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Ives, Concord sonata : piano sonata no. 2 ("Concord, Mass., 1840-1860") / by Block, Geoffrey Holden, 1948-

Table of Contents: “…Musical borrowings in the Concord Sonata -- 6. The program. Ives and programmaticism. …”
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Ives, Concord sonata : piano sonata no. 2 ("Concord, Mass., 1840-1860") / by Block, Geoffrey Holden 1948-

Subjects: “…Ives, Charles, 1874-1954. Sonatas, piano, no. 2.…”
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Mahler's symphonic sonatas / by Monahan, Seth

Table of Contents: “…Cover; Series; Mahlers Symphonic Sonatas; Copyright; Dedication; Contents; Acknowledgments; About the Companion Website; Introduction; Part I Interpreting Mahlers Sonata Forms; 1 Sonata Form in Mahlers Narrative Imagination; 2 Adorn Novel-Symphony: The Dialectic of Freedom and Determinism; 3 Dimensions of Mahlerian Narrativity; Part II Mahlers Classical Sonatas; 4 A Demonic Haydn: Mahlers Confrontation with Tradition in the First Movement of the Sixth.…”
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Strindberg's The ghost sonata : from text to performance / by Törnqvist, Egil, 1932-2015

“…Ghost sonata…”
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Mozart's piano sonatas : contexts, sources, style / by Irving, John, 1959-

Table of Contents: “…Part I : Contexts -- The solo sonata in context -- Stylistic models for Mozart's sonatas -- Part II : Sources -- Six sonatas, K. 279-K. 284 -- Three sonatas, K. 309-K. 311 -- Four sonatas, K. 330-K. 332, K. 333 -- Fantasia and Sonata in C minor, K. 475 and K. 457 -- Later Viennese sonatas : K. 533 and K. 494, K. 545, K. 570, K. 576 -- Fragments -- Part III : Style -- Eighteenth-century views of sonata form -- Pre-compositional choices : the rhetorical inventio -- Dispositio : rhetoric and design -- The rhetorical elocutio.…”
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Six sonatas or solos : three for a violin and three for a flute with a thorough bass for ye harpsichord, theorboe or bass viol / by Croft, William, 1678-1727

“…Sonatas…”
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Prokofiev's piano sonatas : a guide for the listener and the performer / by Berman, Boris

Table of Contents: “…Prokofiev : his life and the evolution of his musical language -- Prokofiev the pianist -- Sonata no. 1 in F minor, op. 1 -- Sonata no. 2 in D minor, op. 14 -- Sonata no. 3 in A minor, op. 28 -- Sonata no. 4 in C minor, op. 29 -- Sonata no. 5 in C major, op. 38 (first version), op. 135 (second version) -- Sonata no. 6 in A major, op. 82 -- Sonata no. 7 in B-flat major, op. 83 -- Sonata no. 8 in B-flat major, op. 84 -- Sonata no. 9 in C major, op. 103 -- Sonata no. 10 in E minor, op. 137 -- Conclusion : To be a Prokofiev pianist.…”
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Beethoven's piano sonatas : a short companion / by Rosen, Charles, 1927-2012

Table of Contents: “…Introduction -- Formal principles -- Phrasing -- Tempo -- Pedal, trills, extending the keyboard -- The sonatas. The eighteenth-century sonatas -- Youthful popularity -- The years of mastery --The years of stress -- The last sonatas.…”
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