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Schoenberg's twelve-tone music : symmetry and the musical idea /
Published 2014Table of Contents: CONNECT
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Essays on literature and music (1985-2013) by Walter Bernhart /
Published 2015Table of Contents: “…Narrative Framing in Schumann's Piano Pieces [2006] /…”
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Schoenberg's atonal music : musical idea, basic image and specters of tonal function /
Published 2019Table of Contents: “…: The Complicated, Contradictory Nature of Schoenberg's Middle-Period Music (Op. 11, No. 1) -- Piano Pieces Op. 11, Nos. 2 and 3: The Latter Movements of a Remarkably Progressive Cycle -- Das Buch der hängenden Gärten, Op. 15, Nos. 7 and 11: Basic Images in Two of the Earliest Atonal Pieces -- Erwartung, Op. 17: A Leitmotivic Opera and a "Cumulative Setting," Atomized -- Six Little Piano Pieces, Op. 19 (Nos. 2, 3, and 6): Musical Idea and Basic Image in Miniature -- Pierrot lunaire, Op. 21, Nos. 1, 14, and 21: Basic Image at the Apex of Its Development -- Summary, and the Way Forward to Twelve-Tone Music.…”
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Musical Currents from the Left Coast.
Published 2008Table of Contents: “…Woronecki -- Colloquy: Schoenberg's Three piano pieces, opus 11. Tonal space and the "tonal problem" in Schoenberg's op. 11, no. 1 / Bruce Quaglia ; "Musical idea" and motivic structure in Schoenberg's opus 11, numbers 1 / Jack Boss ; Multiple modes of continuity and coherence in Schoenberg's Piano piece, opus 11, numbers1 / Richard Kurth ; Schoenberg's compositional philosophy, the Three piano pieces, opus 11, and his subsequent Volte-face / Áine Heneghan.…”
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The life and music of Alice Mary Smith (1839-1884), a woman composer of the Victorian era : a critical assessment of her achievement /
Published 2010Table of Contents: “…Woman and the craft of composition : Britain 1850-1885 -- Alice Mary Smith : life and reception -- Chamber and orchestral music 1 : 1861-1867 -- Interlude 1 : operetta and masque -- Chamber and orchestral music 2 : 1869-1879 -- Interlude 2 : anthems, piano pieces and songs -- The last choral works : 1879-1884 -- Postlude : the forerunner in the race.…”
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Composing ambiguity : the early music of Morton Feldman /
Published 2013Table of Contents: “…Cover; Contents; List of Figures and Tables; Acknowledgements; 1 Listening to Process, Playing the System; 2 'to create music as if on a canvas': Intermission 5 (1952); 3 Piano Piece 1952: 'a discipline of vagueness'; 4 Intermission 6 (1953): 'the outlines of becoming'; 5 'Primitive Designs': Hearing and Thinking through Intersection 3; 6 Playing Feldman; Bibliography; Index…”
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Schoenberg's twelve-tone music : symmetry and the musical idea /
Published 2014Table of Contents: “…Musical idea and symmetrical ideal -- Suite for Piano Op. 25: varieties of idea in Schoenberg's earliest twelve-tone music -- Woodwing Quintet Op. 26: the twelve-tone idea reanimates a large musical form -- Three Satires Op. 28. no. 3: the earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a: the "symmetrical ideal: conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms.…”
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Self-reference in literature and music /
Published 2010Table of Contents: “…Potentials and limits of 'metareference' in instrumental music : theoretical reflections and a case study (Mozart's Ein musikalischer Spass) / Werner Wolf -- Mahler within Mahler : allusion as quotation, self-reference, and metareference / Robert Samuels -- Medial self-reference between words and music in Erik Satie's piano pieces / Peter Dayan -- Opera on opera (on opera) : self-referential negotiations of a difficult genre / Frieder von Ammon -- Christophorus, oder "Die Vision einer Oper" : Franz Schreker's opera as a metareferential work / Walter Bernhart -- 'The play's the thing' : self- and metareference in contemporary operatic adaptation of twentieth-century drama / Michael Halliwell -- Robert Carsen's production of Les contes d'Hoffmann : an exercise in theatrical self-reflection / Simon Williams -- Leoncavallo's Pagliacci : operatic metareference on stage and on film / Bernhard Kuhn -- Intermedial reference as metareference : Hans Christian Andersen's musical novels / Joachim Grage.…”
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The book of music and nature : an anthology of sounds, words, thoughts /
Published 2009Table of Contents: “…. / Steve Lacy -- From Piano pieces / Russell Sherman -- Music, nature, and computers : a showdown / Jaron Lanier -- Nature, sound art, and the sacred / David Dunn -- My one conversation with Collin Walcott / David James Duncan -- From Coming through slaughter / Michael Ondaatje -- From Rubicon beach / Steve Erickson -- The Sharawadji effect / Claude Schryer -- Sonic images / Pauline Oliveros -- The poetics of environmental sound / Pauline Oliveros -- Ambient music / Brian Eno -- Speaking from inside the soundscape / Hildegard Westerkamp -- Toothwalkers / Douglas Quin -- Blind listening / Francisco López -- From Exotica / David Toop -- From Brother of sleep / Robert Schneider -- The place where you go to listen / John Luther Adams -- Nature and music / Toru Takemitsu -- Lift-up-over sounding / Steven Feld -- Sweet singer of the pine barrens / Eric Salzman -- Where the sounds live / Bernie Krause -- From "A portrait of Shunkin" / Junichiro Tanizaki.…”
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The Music of Georges Auric : a Documented Catalogue in Four Volumes.
Published 2012Table of Contents: “…; Television Programs and Series (GATV): GATV 1 -- GATV 8; Appendices to Part I; Appendix 1A: Chronological list of compositions by or arranged by Auric (GA); Appendix 1B: Chronological list of unrealized projects by Auric (GAUP); Appendix 2: Publisher's anthology devoted exclusively to Auric's piano pieces; Appendix 3: Inventories of two manuscripts containing multiple GA works; Appendices to Part II.…”
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Occasional pieces : writings and interviews, 1952-2013 /
Published 2017Table of Contents: “…Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? …”
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Aberrant nuptials : Deleuze and artistic research 2 /
Published 2019Table of Contents: “…. / Zsuzsa Baross -- Geomusic, ecosophy, and molecular oscillators / Ronald Bogue -- East meets West in France : catching the musical scent / Edward Campbell -- Topography of the (one) : reflections on musical time in composition and performance / Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist -- In the (immanent) event of musical-philosophical thought / Steve Tromans -- Music as a reservoir of thought's materialisation : between Metastaseis and Modulor / Marianna Charitonidou -- Machinic propositions : artistic practice and deterritorialisation / Henrik Frisk, Anders Elberling -- A Ligetian way to make a piano (or a piano piece) stutter / Gustavo Rodrigues Penha -- When time begins to riot : rhythm and syncopation in the work of Jonathan Burrows and Matteo Fargion / Jonas Rutgeerts -- Anne Teresa De Keersmaeker : an unbridled activity of vital lines / Oleg Lebedev -- Sonic forms of capture / Terri Bird -- part 2. …”
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Sounding authentic : the rural miniature and musical modernism /
Published 2014CONNECT
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The innumerable dance : the life and work of William Alwyn /
Published 2008CONNECT
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Details of consequence : ornament, music, and art in Paris /
Published 2013CONNECT
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