The arithmetic of listening : tuning theory and history for the impractical musician / by Gann, Kyle

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Experimental affinities in music /

Table of Contents: “…Introduction / Paulo de Assis - Explosive experiments and the fragility of the experimental / Lydia Goehr - Omnis ars ex experiments dependeat : "experiments" in fourteenth-century musical thought / Felix Diergarten - "Vieltönigkeit" instead of microtonality : the theory and practice of sixteenth- and seventeenth-century "microtonal" music / Martin Kirnbauer - Inscriptions : an interview with Helmut Lachenmann / Helmut Lachenmann - Nuance and innovation in Part I of the "48" / Mark Lindley - Tales from Babel : musical adventures in the science of hearing / Edward Wickham - From clockwork to pulsation : music and afterlife in the eighteenth century / Lawrence Kramer - The inner ear : an interview with Leon Fleisher / Leon Fleisher - Execution, interpretation, performance : the history of a terminological conflict / Hermann Danuser - Monumental theory / Thomas Christensen - Testing respect(fully) : an interview with Frederic Rzewski / Luk Vaes and Frederic Rzewski.…”
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Digital electronics for musicians / by Drymonitis, Alexandros

Table of Contents: “…Chapter 1: Introduction to Pure Data -- Chapter 2: Arduino basics -- Chapter 3: Embedded computers and going wireless -- Chapter 4: Getting started with musical applications -- Chapter 5: A simple synthesizer using a MIDI keyboard and Arduino -- Chapter 6: An interactive bow for bowed string instruments -- Chapter 7: An interactive drum set -- Chapter 8: A microtonal keyboard, using conductive ink -- Chapter 9: An electric guitar sequencer -- Chapter 10: A patch-bay matrix synthesizer.…”
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"Maximum clarity" and other writings on music / by Johnston, Ben

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L'archivio Edoardo Cavallini presso la Biblioteca del Conservatorio Luigi Cherubini di Firenze : inventario / by Viapiana, Miriam, 1992-

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Tonality since 1950.

Table of Contents: “…Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? …”
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Instruments for new music : sound, technology, and modernism / by Patteson, Thomas

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Music After Deleuze. by Campbell, Edward

Table of Contents: “…Smooth and striated space in Deleuze and GuattariTonality as the dominant Western system for striating and organizing musical pitch; Striated space: Alternative striations; Equal temperament and its Western others; Microtonality in music from Carrillo to Partch; Striating pitch space in Indonesian and Indian music; Spatial continuity (glissandi, clusters and clouds); Conclusion; Chapter 4 Thinking musical time; Boulez, Wagner, Proust and Deleuze; Deleuze and Guattari on time; Deleuze's three passive syntheses of time; Deleuze and his philosophical predecessors: Bergson, Husserl and Whitehead.…”
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Music of the Warao of Venezuela : song people of the rain forest / by Olsen, Dale A.

Table of Contents: “…Power as conversation: naming ; Power as music: voice masking ; Power as music: thirdness foundation interval ; Power as music: repetition ; Power as music: multipart singing ; Power as music: melodic expansion and microtonal rising ; Music as power: states of consciousness ; Music as power: the belief system ; Music as malevolent power: the myth -- Conclusion: "Ah, such beautiful music!".…”
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Sourcebook for research in music /

Table of Contents: “…Korea -- Tibet -- Turkey -- Miscellaneous Asian Cultural Areas -- The Indian Subcontinent -- Southeast Asia -- Bali, Java, Indonesia, Sumatra, Malaysia -- Burma/Myanmar -- Thailand -- Vietnam -- Miscellaneous Southeast Asian Cultural Areas -- Oceania -- Ethnomusicology and Performance Practice -- 5.3 Music Theory -- 5.3.1 The History of Theory -- 5.3.2 Bibliographies and Guides to the Literature -- 5.3.3 General Issues of Style and Analysis -- 5.3.4 Twentieth-Century Theories of Tonal Music -- Theories of Tonality and Tonal Music -- Schenkerian Analysis -- 5.3.5 Twentieth-Century Theories of Nontonal Music -- Atonality, Serialism, and Set Theory -- Modality and Octatonicism -- Microtonality -- 5.3.6 Musical Time: Theories of Rhythm and Meter -- 5.3.7 Theories of Musical Timbre -- 5.3.8 Aesthetics and Semiotics of Music -- 5.3.9 Texts of Theoretical Treatises -- 5.4 Music Education -- 5.4.1 Bibliographies, Directories, and Indexes -- 5.4.2 General Reference Sources -- 5.4.3 The History of Music Education -- 5.4.4 Research Methodology -- 5.4.5 Research Overviews -- 5.4.6 Pedagogy -- 5.5 Music Therapy -- 5.5.1 Bibliographies and Other Guides to Research -- 5.5.2 Introductions to the Discipline -- 5.5.3 Various Guides and Discussions of History, Theory, and Practice -- 5.6 Music History -- 5.6.1 Historical Surveys of Western Music -- Miscellaneous Sources -- Of Historical Interest -- 5.6.2 Histories in Series -- Of Historical Interest -- 5.6.3 Studies in English of Individual Historical Periods -- Classical Antiquity -- Medieval and Renaissance (Baroque) -- Baroque, Classic, and Romantic -- Twentieth and Twenty-First Centuries -- 5.6.4 Histories of American Music -- 5.6.5 Chronologies and Outlines -- General and Comprehensive -- Twentieth Century -- American -- Opera -- 5.6.6 Pictorial Sources on Music History -- General -- Instruments and Ensembles.…”
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Oboe unbound : contemporary techniques / by Van Cleve, Libby

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