Ang Lee : interviews / by Lee, Ang, 1954-

Table of Contents: “…The New Face of the Taiwanese Cinema: An Interview with Ang Lee, Director of The Wedding Banquet / Chris Berry -- Ang Lee Returned to His Native Taiwan to Make Eat Drink Man Woman / Steven Rea -- Eat Drink Man Woman: A Feast for the Eyes / Brooke Comer -- Schtick and Seduction / Graham Fuller -- The Angle on Ang Lee / Oren Moverman -- The Morning After / Godfrey Cheshire -- Ride with the Devil: Ang Lee Interview / Ellen Kim -- Ang Lee and James Schamus / Neil Norman -- Enter the Dragon / David E. …”
CONNECT
CONNECT

The philosophy of Ang Lee /

Table of Contents: “…The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Renée Köhler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western : the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction : desires, rituals, and the search for harmony in Eat drink man woman / Carl J. …”
CONNECT

The cinema of Ang Lee the other side of the screen / by Dilley, Whitney Crothers

Table of Contents: “…Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.…”
CONNECT

The philosophy of Ang Lee /

Table of Contents: “…; The Confucian Cowboy Aesthetic; East Meets Western; Landscape and Gender in Ang Lee's Sens and Sensibility and Brokeback Mountain; Can't Get No Satisfaction; Paternalism, Virtue Ethics, and Ang Lee; Lust, Caution; Part 2: The Western Philosophy of Ang Lee; The Power to Go beyond God's Boundaries?…”
CONNECT

The cinema of Ang Lee : the other side of the screen / by Dilley, Whitney Crothers

Table of Contents: “…Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.…”
CONNECT

The martial arts cinema of the Chinese diaspora : Ang Lee, John Woo, and Jackie Chan in Hollywood / by Szeto, Kin-Yan, 1971-

Table of Contents: “…Introduction : cosmopolitical consciousness and martial arts cinema -- The martial arts cinema of the Chinese diaspora and Hollywood -- Ang Lee's Crouching tiger, hidden dragon in a cosmopolitical perspective -- Facing off east and west in the cinema of John Woo -- Jackie Chan's transnational film trajectory and politics of comic displacement -- Conclusion.…”
CONNECT
CONNECT

Taiwan film directors : a treasure island / by Yeh, Emilie Yueh-yu

Table of Contents: “…Confucianizing Hollywood : films of Ang Lee --…”
CONNECT

Shooting the family : transnational media and intercultural values /

Table of Contents: CONNECT
CONNECT
CONNECT
CONNECT
CONNECT

Island on the edge : Taiwan new cinema and after /

Table of Contents: “…Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman /…”
CONNECT
CONNECT

Transnational Chinese cinemas : identity, nationhood, gender /

Table of Contents: “…Breaking the soy sauce jar : diaspora and displacement in the films of Ang Lee /…”
CONNECT
CONNECT

New queer cinema : the director's cut / by Rich, B. Ruby

Table of Contents: CONNECT

Celluloid comrades : representations of male homosexuality in contemporary Chinese cinemas / by Lim, Song Hwee, 1965-

Table of Contents: “…Screening homosexuality -- The burden of representation : Ang Lee's The wedding banquet -- The uses of femininity : Chen Kaige's Farewell my concubine and Zhang Yuan's East palace, west palace -- Travelling sexualities : Wong Kar-wai's Happy together -- Confessing desire : the poetics of Tsai Ming-liang's queer cinema -- Fragments of darkness : Stanley Kwan as gay director.…”
CONNECT
CONNECT

Close-ups and long shots in modern Chinese cinemas / by Deppman, Hsiu-Chuang

Table of Contents: “…The close-up of Mo Yan and Zhang Yimou : face and text in Red sorghum -- The art of the close-up in lust, caution : Ang Lee and Eileen Chang -- Philosophy of the long shot in Hou Hsiao-hsien's The assassin -- The back shot in Jia Zhangke's I wish I knew -- Between close-ups and long shots : medium shots in Wei Desheng's Cape no 7.…”
CONNECT

Close-ups and long shots in modern Chinese cinemas / by Deppman, Hsiu-Chuang

Table of Contents: “…The Close-up of Mo Yan and Zhang Yimou: Face and Text in Red Sorghum -- The Art of the Close-up in Lust, Caution: Ang Lee and Eileen Chang -- Philosophy of the Long Shot in Hou Hsiao-hsien's The Assassin -- The Back Shot in Jia Zhangke's I Wish I Knew -- Between Close-ups and Long Shots: Medium Shots in Wei Desheng's Cape No 7.…”
CONNECT

New Taiwanese cinema in focus : moving within and beyond the frame / by Wilson, Flannery

Table of Contents: “…Introduction -- Charting the course: defining the Taiwanese cinematic 'tradition' -- Taiwanese-Italian conjugations: the fractured storytelling of Edward Yang's The Terrorizers and Michaelangelo Antonioni's Blow-Up -- Mapping Hou Hsiao-hsien's visuality: setting, silence and the incongruence of translation in Flight of the Red Balloon -- Tsai Ming-liang's disjointed connectivity and lonely intertexuality -- The Chinese/Hollywood aesthetic of Ang Lee: 'Westernized', capitalist ... and box office gold -- Filming disappearance or renewal? …”
CONNECT
CONNECT

Eileen Chang : romancing languages, cultures and genres /

Table of Contents: “…Eileen Chang, Dream of the red chamber, and the Cold War / Xiaojue Wang -- 7. Eileen Chang and Ang Lee at the movies : the cinematic politics of lust, caution / Gina Marchetti -- 8. …”
CONNECT
CONNECT

Shooting the family : transnational media and intercultural values /

CONNECT

Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Deppman, Hsiu-Chuang

Table of Contents: “…Wang Dulu and Ang Lee: artistic creativity and sexual freedom in Crouching tiger, hidden dragon -- Su Tong and Zhang Yimou: women's places in Raise the red lantern -- Eileen Chang and Stanley Kwan: politics and love in Red rose (and) white rose -- Liu Yichang and Wong Kar-wai: the class trap in In the mood for love -- Dai Sijie: locating the third culture in Balzac and the little Chinese seamstress -- Hou Xiaoxian and Zhu Tianwen: politics and poetics in A time to live, a time to die -- Chen Yuhui and Chen Guofu: envisioning democracy in The personals.…”
CONNECT

Adapted for the Screen : the Cultural Politics of Adaptation in Modern Chinese Fiction and Film. by Deppman, Hsiu-Chuang

Table of Contents: “…Contents -- Acknowledgments -- Introduction -- CHAPTER 1: Wang Dulu and Ang Lee Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- CHAPTER 2: Su Tong and Zhang Yimou Womenâ€?…”
CONNECT

New Taiwanese cinema in focus : moving within and beyond the frame / by Wilson, Flannery

CONNECT