Essays on opera by Wellesz, Egon, 1885-1974

Subjects: “…Opera.…”

Crotchets and quavers; or, Revelations of an opera manager in America. by Maretzek, Max, 1821-1897

Subjects:

Interpreters and interpretations by Van Vechten, Carl, 1880-1964

Subjects:

The American singer a hundred years of success in opera. by Thompson, Oscar, 1887-1945

Subjects:

Edwin and Angelina; or, the banditti. An Opera in three acts. by Smith, E. H. 1771-1798

The reconciliation; or, The triumph of nature. A comic opera, in two acts. by Markoe, Peter

Clari: or, The maid of Milan. An opera, in two acts. by Payne, John Howard, 1791-1852

The disappointment: or, The force of credulity. A new American comic-opera, of two acts. by Forrest, Thomas, 1747-1825

The fall of Algiers: a comic opera, in three acts, by Payne, John Howard, 1791-1852

The archers; or, Mountaineers of Switzerland; an opera, in three acts, as performed by the old American Company, in New York; to which is subjoined a brief historical account of Switzerland, from the dissolution of the Roman Empire, to the final establishment of the Helvetic confederacy, by the battle of Sempach. by Dunlap, William, 1766-1839

The manufactures of Cincinnati and their relation to the future progress of the city. A lecture delivered at Pike's opera house, in Cincinnati, Ohio, Monday evening, March 11, 1878, by Maxwell, Sidney Denise, b. 1831

Seven essays by Sampson, George, 1873-1950

Table of Contents: “…--Bach and Shakespeare.--The operas of Mozart.--Henry Irving.--The century of divine songs.…”

Poems by Morris, George Pope, 1802-1864

The fortress of Sorrento: a petit historical drama, in two acts. by Noah, M. M. 1785-1851

A book about the theater by Matthews, Brander, 1852-1929

Table of Contents: “…-- Dramatic collaboration -- The dramatization of novels and the novelization of plays -- Women dramatists -- The evolution of scene-painting -- The book of the opera -- The poetry of the dance -- The principles of pantomime -- The ideal of the acrobat -- The decline and fall of the negro-minstrelsy -- The utility of the variety-show -- The method of modern magic -- The lamentable tragedy of Punch and Judy -- The puppet-play, past and present -- Shadow-pantomime, with all the modern improvements -- The problem of dramatic criticism.…”

From Bach to Stravinsky the history of music by its foremost critics / by Ewen, David, 1907-1985

Table of Contents: “…Mason.--The beginning of opera, by Carl Engel.--Bach, by C.S. Terry.--Handel, by Romain Rolland.…”

Scandinavian studies presented to George T. Flom by colleagues and friends

Table of Contents: “…--Gustavus III in the librettos of foreign operas, by. A. B. Benson.--Some early English and American Strindberg criticism, by Alrick Gustafson.…”