Der Ring des Nibelungen / by Wagner, Richard, 1813-1883

An introduction to Richard Wagner's Der Ring des Nibelungen : a handbook / by Cord, William O.

The forging of the 'Ring' : Richard Wagner's composition sketches for Der Ring des Nibelungen / by Westernhagen, Curt von

Bearbeitungen und Transkriptionen für Klavier von Werken Rich. Wagners /

Table of Contents:

Essays on music and language in modernist literature : musical modernism /

Table of Contents: “…Woolf rewriting Wagner : The waves and Der Ring des Nibelungen /…”

Opera : the art of dying / by Hutcheon, Linda, 1947-

Table of Contents: “…Music and the "murky death" -- The contemplation of death -- Eros and Thanatos : Richard Wagner's Tristan und Isolde -- "All that is, ends" : living while dying in Wagner's Der Ring des Nibelungen -- Orphic rituals of bereavement -- "'Tis a consummation devoutly to be wish'd" : staging suicide -- The undead.…”

Complete piano transcriptions from Wagner's operas / by Liszt, Franz, 1811-1886

Table of Contents: “…Lohengrin's admonition -- Isolde's Liebestod from Tristan und Isolde -- "Am stillen Herd" from Die Mesitersinger -- Valhalla from Der Ring des Nibelungen -- Solemn march to the Holy Grail from Parsifal.…”

Drama and the world of Richard Wagner / by Borchmeyer, Dieter

Table of Contents: “…Love's madness, fairy-tale enchantment, and a Sicilian carnival : Die Hochzeit, Die Feen, and Das Liebesverbot -- On the uses and disadvantages of history for the music drama-grand opera : Die hohe Braut, Rienzi, and their consequences -- The transformations of Ahasuerus : The flying Dutchman and his metamorphoses -- Venus in exile : Tannhüuser between romanticism and young Germany -- Lohengrin : the mythical palimpsest of Wagner's last romantic opera -- Love and objectification in the music drama : Tristan's Isolde and her sisters -- Nuremberg as an aesthetic state : Die Meistersinger, an image and counterimage of history -- The myth of the beginning and end of history : Der Ring des Nibelungen -- Redemption and apocatastasis : Parsifal and the religion of the late Wagner -- An encounter between two anomalies : King Ludwig II and Wagner -- Wagner and Bismarck : an epoch-making nonrelationship -- Two-faced passion : Nietzsche's critique of Wagner -- Parallel action : Thomas Mann's response to Wagner -- The disinherited heir to the throne : Franz Wilhelm Beidler, Wagner's "lost grandson," a postlude.…”

The new Milton Cross' complete stories of the great operas. by Cross, Milton, 1897-1975

Table of Contents: “…L'Africaine by Meyerbeer -- Aida by Verdi -- Amahl and the Night Visitors by Menotti -- L'Amore Dei Tre Re by Montemezzi -- Andrea Chenier by Giordano -- Arabella by Strauss -- Ariadne auf Naxos by Strauss -- Un Ballo in Maschera by Verdi -- Il Barbiere di Siviglia by Rossini -- The Bartered Bride by Smetana -- La boheme by Puccini -- Boris Godunof by Moussorgsky -- Carmen by Bizet -- Cavalleria Rusticana by Mascagni -- La Cenerentola by Rossini -- Les Contes d'Hoffmann by Offenbach -- Cosi Fan Tutte by Mozart -- Don Carlos by Verdi -- Don Giovanni by Mozart -- Don Pasquale by Donizetti -- Die Entfuhrung aus dem Serail by Mozart -- Falstaff by Verdi -- Faust by Gounod -- Fedelio by Beethoven -- La Figlia del Reggimento by Donizetti -- Die Fledermaus by Strauss -- Der Fliegende Hollander by Wagner -- La Forza del Destino by Verdi -- Der Freischutz by Weber -- Gianni Schicchi by Puccini -- La Gioconda by Ponchielli -- Hansel und Gretel by Humperdinck -- Lakme by Delibes -- Lohengrin by Wagner -- Louise by Charpentier -- The Love for Three Oranges by Prokofiev -- Lucia di Lammermoor by Donizetti -- Madama Butterfly by Puccini -- Manon by Massenet -- Manon Lescaut by Puccini -- Martha by Flotow -- The Medium by Menotti -- Mefistofele by Boito -- Die Meistersinger von Nurnberg by Wagner -- Mignon by Thomas -- Norma by Bellini -- Le Nozze di Figaro by Mozart -- Orfeo ed Euridice by Gluck -- Otello by Verdi -- Pagliacci by Leoncavallo -- Parsifal by Wagner -- Pelleas et Melisande by Debussy -- Peter Grimes by Britten -- Rigoletto by Verdi -- Der Ring des Nibelungen by Wagner -- Romeo et Juliette by Gounod -- Der Rosenkavalier by Strauss -- The Saint of Bleecker Street by Menotti -- Salome by Strauss -- Samson et Dalila by Saint-Saens -- Simon Boccanegra by Verdi -- La Sonnambula by Bellini -- Tannhauser by Wagner -- Thais by Massenet -- Tosca by Puccini -- La Traviata by Verdi -- Tristan und Isolde by Wagner -- Il Trovatore by Verdi -- Turandot by Puccini.…”