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  1. 1

    Music at the limits / by Said, Edward W.

    Published 2008
    Table of Contents: “…Pomp and circumstance (on musical festivals) ; Music (on Richard Strauss) ; Die Walkure, Aida, X ; Music (music and feminism) ; Middle age and performers ; Music (the Vienna Philharmonic : the complete Beethoven symphonies and concertos) ; The Barber of Seville, Don Giovanni ; Glenn Gould at the Metropolitan Museum ; Giulio Cesare ; Bluebeard's Castle and Erwartung ; Extreme occasions (on Celibidache) ; Peter Sellars's Mozart ; Andras Schiff at Carnegie Hall ; Richard Strauss ; Wagner and the Met's Ring ; Opera productions (Der Rosenkavalier, House of the dead, Doctor Faust) ; Style and stylessness (Elektra, Semiramide, Katya Kabanova) ; Die tote Stadt, Fidelio, The death of Klinghoffer ; Uncertainties of style (The ghosts of Versailles, Die Soldaten) ; Musical retrospection ; The bard festival ; Music as gesture (on Solti) ; Les troyens ; Why listen to Boulez? ; Hindemith and Mozart ; Music and spectacle (La cenerentola and The rake's progress) ; Bach for the masses ; Untimely meditations (review of Maynard Solomon's Late Beethoven) -- Articles for the London review of books. …”
    Book
  2. 2

    Music at the limits / by Said, Edward W.

    Published 2008
    Table of Contents: “…Richard Strauss ; Wagner and the Met's Ring ; Opera productions (Der Rosenkavalier, House of the dead, Doctor Faust) ; Style and stylessness (Elektra, Semiramide, Katya Kabanova) ; Alfred Brendel : words for music (review of Alfred Brendel's Music sounded out: essays, lectures, interviews, afterthoughts) ; Die tote Stadt, Fidelio, The death of Klinghoffer ; Uncertainties of style (The ghosts of Versailles, Die Soldaten) ; Musical retrospection ; The bard festival ; The importance of being unfaithful to Wagner ; Music as gesture (on Solti) ; Les troyens ; Child's play (review of Maynard Solomon's Mozart: a life) ; 32 short films about Glenn Gould ; Bach's genius, Schumann's eccentricity, Chopin's ruthlessness, Rosen's gift (review of Charles Rosen's The romantic generation) ; Why listen to Boulez? …”
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