Twentieth-century music : an introduction / by Salzman, Eric

Table of Contents:

The American Stravinsky : the style and aesthetics of Copland's new American music, the early works, 1921-1938 / by Murchison, Gayle Minetta

Table of Contents: “…-- Paris and jazz : French neoclassicism and the new modern American music -- Back in the United States : popular music, jazz, and the new American music -- European influence beyond Stravinsky and les Six : Hába and Schoenberg -- Toward a new national music during the 1930s : Copland's populism, accessible style, and folk and popular music -- Copland's journey left -- "Folk" music and the popular front : El salón México -- Billy the Kid -- A vision for American music -- .…”
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A history of twentieth-century music in a theoretic-analytical context / by Antokoletz, Elliott

Table of Contents: “…The Vienna of Freud : toward expressionism and the transformation of chromatic tonality -- Vienna Schoenberg circle : expressionism and free atonality -- Schoenberg's music societies, World War I, and evolution of the twelve-tone method -- Musical reactions to the ultrachromaticism of the Wagner-Strauss period and the rise of new national styles -- Sources of the "new Hungarian art music" and Bartók's move toward modernism -- Toward synthesis of divergent folk- and art-music sources in eastern Europe -- Cultural identity and cosmopolitan developments in northern, western, and southern Europe -- New musical sources and aesthetics in the United States -- Search for cultural identity in Latin America -- Rise of neoclassicism in France : the Cocteau-Satie era and "Les Six" -- Stravinsky in Switzerland and Paris (1914-1939) : the neoclassical style -- The "new objectivity," Gebrauchsmusik, and neotonality in Germany -- The music of Soviet composers and Socialist realism -- New sonorities based on density, color, and noise -- Beyond the Second Viennese School : early developments of twelve-tone serialism -- Total serialization in Europe -- Serial and nonserial approaches to interval-sets in the United States -- Twelve-tone tonality -- Musique concrète and electronic music -- Aleatory -- chance, improvisation, open form -- and minimalist music -- Continuation and synthesis of national characteristics and other earlier trends in Europe -- Continuation and synthesis of national characteristics and other earlier trends in the United States -- Latin American composers at home and abroad : continuation and synthesis of national characteristics and other earlier trends -- Synthesis of East and West in eastern Asia.…”

Music and ultra-modernism in France : a fragile consensus, 1913-1939 / by Kelly, Barbara L.

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An introduction to twentieth century music / by Hansen, Peter S.

Table of Contents: “…Paris after world war I ; Cocteau ; Satie ; Les six: some typical compositions -- 8. Les trois ; Milhaud: his compositions; Style characteristics ; Honegger: his compositions ; Style characteristics ; Poulenc: his compositions -- 9. …”

Twentieth-century music : a history of musical style in modern Europe and America / by Morgan, Robert P.

Table of Contents: “…Neo-classicism -- The "new spirit" in France -- Satie -- Les Six -- Poulenc -- Milhaud -- Honegger -- Stravinsky and neo-classicism -- Bartók -- 9. …”