Quarter notes and bank notes : the economics of music composition in the eighteenth and nineteenth centuries / by Scherer, F. M.

Table of Contents: “…Introduction -- The political, social, and economic milieu -- Music composition as a profession -- Composers' backgrounds, aspirations, and economic rewards -- The geography of composer supply and demand -- Changes in transportation and composers' mobility -- The economics of music publishing -- Conclusion.…”

Quarter notes and bank notes : the economics of music composition in the eighteenth and nineteenth centuries / by Scherer, F. M.

Table of Contents: “…Introduction -- The political, social, and economic milieu -- Music composition as a profession -- Composers' backgrounds, aspirations, and economic rewards -- The geography of composer supply and demand -- Changes in transportation and composers' mobility -- The economics of music publishing -- Conclusion.…”
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Musical form in the age of Beethoven : selected writings on theory and method / by Marx, Adolf Bernhard, 1795-1866

Table of Contents: “…"Form in music" -- A practical and theoretical method of musical composition, vol. III : selected excerpts -- pt. …”
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The Oxford handbook of Emily Dickinson /

Beyond Fingal's cave : Ossian in the musical imagination / by Porter, James, 1937-

Table of Contents: “…eodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian.…”
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Beyond Fingal's cave : Ossian in the musical imagination / by Porter, James, 1937-

Table of Contents: “…Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals -- Beethoven's Ossianic manner, or, Where scholars fear to tread -- Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda -- The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) -- Scáenes lyriques sans frontiáeres : Louis Thâeodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) -- Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un rãeve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), J²rgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Comáala -- Appendix 2: French and German texts of Louis Thâeodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian.…”
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Band music from the Civil War era

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Sense & sensibility.

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Sense & sensibility.

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Sense & sensibility.

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Touch, sexuality, and hands in British literature, 1740-1901 / by Cox, Kimberly

The Lost chord : essays on Victorian music /

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Analyses of nineteenth- and twentieth-century music, 1940-2000 / by Hoek, D. J. 1970-

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Religious entanglements between Germans and Indians, 1800-1945 /

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