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The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 /
Published 2014Table of Contents: “…the institututionalization of Soviet film studies and the problems of periodization -- Networks of exchange. …”
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The woman's film of the 1940s : gender, narrative, and history /
Published 2014Table of Contents: “…Introduction: To speak of love -- Film theory, narrative, and the 1940s woman's film -- The fate of one governess: Lost narrative, history, and gendered desire -- Melodrama, history, and narrative recovery -- Temporality and the past: Haunting narratives and the postwar woman's film -- By my tears I tell a story/The "absent" war -- Telling the story differently: Toward an androgynous spectatorship and interpretation.…”
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Adapted for the screen : the cultural politics of modern Chinese fiction and film /
Published 2010Subjects: “…Film adaptations History and criticism.…”
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Silent film and U.S. naturalist literature : time, narrative, and modernity /
Published 2016Table of Contents: “…Griffith, and naturalist editing -- Made of leavings and scraps: Jack London, Jack Johnson, and racial time -- Systems, not men: processes without people in utopian factory films and Charlotte Perkins Gilman's eusocial feminism -- Epilogue: scaling up to modernism.…”
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The US-Mexico border in American Cold War film : romance, revolution, and regulation /
Published 2015Table of Contents: “…Ethnicity, imperialism and the law: policing identities at the border -- Border cities as contested space: postcolonial resistance in Tijuana -- Imperial journeys and travelling shots: regulation, power and mobility -- Conclusion: border films and border studies.…”
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Limiting secularism : the ethics of coexistence in Indian literature and film /
Published 2008CONNECT
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Fictions Inc. : the corporation in postmodern fiction, film, and popular culture /
Published 2014Table of Contents: “…: (multi)national threats and the decline of the American auto industry in Ron Howard's Gung ho -- Good times, bad times . . . you know I had my share(s) : the corporation in five popular films -- A capital death : medicine, technology, and the care of the self in Don Delillo's White noise -- Family incorporated : William Gaddis's J R and the embodiment of capitalism -- Your loss is their gain : the corporate body and the corporeal body in Richard Powers's Gain -- Conclusion: Corporate hegemony, cubed.…”
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Unfriendly witnesses : gender, theater, and film in the McCarthy era /
Published 2008CONNECT
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French colonial documentary : mythologies of humanitarianism /
Published 2008Table of Contents: “…THE TRANS-SAHARAN CROSSING FILMS: COLONIAL CINEMATIC PROJECTIONS OF THE FRENCH AUTOMOBILE; 4. …”
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American racist : the life and films of Thomas Dixon /
Published 2004Table of Contents: “…The life worth living -- Southern history on the printed page -- Southern history on stage -- Southern history on film -- The fall of a nation -- The foolish virgin and the new woman -- Dixon on socialism -- The red scare -- Miscegenation -- Journeyman filmmaker -- Nation aflame -- The final years -- Raymond Rohauer and Dixon legacy.…”
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Ireland in focus : film, photography, and popular culture /
Published 2009Table of Contents: “…pt. 1. Film -- pt. 2. Photography -- pt. 3. Popular culture.…”
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Uplift cinema : the emergence of African American film and the possibility of black modernity /
Published 2015Table of Contents: “…: uplift cinema entrepreneurs at Tuskegee Institute, 1909-1913 -- "Pictorial sermons" : the campaign films of Hampton Institute, 1913-1915 -- "A vicious and hurtful play" : the Birth of a Nation and the new era, 1915 -- To "encourage and uplift" : entrepreneurial uplift cinema.…”
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Heroes and happy endings : class, gender, and nation in popular film and fiction in interwar Britain /
Published 2014“…Class, gender, and nation in popular film and fiction in interwar Britain…”
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Heroes and happy endings : class, gender, and nation in popular film and fiction in interwar Britain /
Published 2014“…Class, gender, and nation in popular film and fiction in interwar Britain…”
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