Beethoven's chamber music in context / by Watson, Angus, 1932-

Table of Contents: “…Context ; Arrival and relaunch in Vienna, 1792 ; Beethoven, pianist and string player ; Amateurs, patrons and professionals ; The spirit of the composition -- pt. 2. 1793-9 ; 1793-5: three piano trios, op. 1 ; 1796: two cello sonatas, op. 5 ; 1797-8: three violin sonatas, op. 12 ; 1794?…”
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The classical style : Haydn, Mozart, Beethoven / by Rosen, Charles, 1927-2012

Table of Contents: “…The popular style ; 2. Piano trio ; 3. Church music -- VII. Beethoven: 1. Beethoven ; 2. …”

Haydn and his world /

Table of Contents: “…Haydn, Shakespeare, and the rules of originality / Elaine Sisman -- The Creation, Haydn's late vocal music, and the musical sublime / James Webster -- Haydn's London piano trios and his Salomon string quartets: private vs. public? …”
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Mozart's chamber music with keyboard /

Table of Contents: “…The chamber music with keyboard in Mozart biography / Martin Harlow -- Mozart's early chamber music with keyboard : traditions of performance, composition, and commodification / Nicholas Baragwanath -- Opus 1, take 2 : Mozart's Mannheim and Paris sonatas for keyboard and violin / Peter Walls -- Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David : a survey of editorial and violin performance practices / Robin Stowell -- Mozart's keyboard trios: styles, textures and contexts / Katalin Komlós -- A winning strike : the miracle of Mozart's 'Kegelstatt' / Colin Lawson -- An experiment in variation : the finale of Mozart's Piano Trio in G, K.496 / Roman Ivanovitch -- On instrumental sounds, roles, genres and performances : Mozart's Piano Quartets, K.478 and K.493 / Simon P. …”
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Mozart's chamber music with keyboard /

Table of Contents: “…The chamber music with keyboard in Mozart biography / Martin Harlow -- Mozart's early chamber music with keyboard : traditions of performance, composition, and commodification / Nicholas Baragwanath -- Opus 1, take 2 : Mozart's Mannheim and Paris sonatas for keyboard and violin / Peter Walls -- Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David : a survey of editorial and violin performance practices / Robin Stowell -- Mozart's keyboard trios: styles, textures and contexts / Katalin Komlós -- A winning strike : the miracle of Mozart's 'Kegelstatt' / Colin Lawson -- An experiment in variation : the finale of Mozart's Piano Trio in G, K.496 / Roman Ivanovitch -- On instrumental sounds, roles, genres and performances : Mozart's Piano Quartets, K.478 and K.493 / Simon P. …”
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Bach to Brahms : essays on musical design and structure /

Table of Contents: “…Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpää -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart.…”
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Bach to Brahms : essays on musical design and structure /

Table of Contents: “…Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpää -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart.…”
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