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Stravinsky's "Great passacaglia" : recurring elements in the concerto for piano and wind instruments /
Published 2016Table of Contents: “…Context and composition -- Concerto as catalyst -- Analytical tools and recurring elements -- Counterpoint and tonality in the first movement -- Tetrachords and tritones in the largo -- Points of imitation in the finale.…”
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2
Stravinsky's "Great passacaglia" : recurring elements in the concerto for piano and wind instruments /
Published 2016Table of Contents: “…Context and composition -- Concerto as catalyst -- Analytical tools and recurring elements -- Counterpoint and tonality in the first movement -- Tetrachords and tritones in the largo -- Points of imitation in the finale.…”
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Electronic eBook -
3
After the Rite : Stravinsky's path to neoclassicism (1914-1925) /
Published 2014Table of Contents: “…Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). …”
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4
Stravinsky & Balanchine : a journey of invention /
Published 2002Table of Contents: “…: assembling a visual complement to the music of Agon -- Television, the Flood, and beyond -- After Stravinsky -- Unity and balance in Stravinsky's Violin concerto.…”
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5
Stravinsky & Balanchine : a journey of invention /
Published 2002Table of Contents: “…: assembling a visual complement to the music of Agon -- Television, the Flood, and beyond -- After Stravinsky -- Unity and balance in Stravinsky's Violin concerto.…”
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Electronic eBook -
6
Russian music at home and abroad : new essays /
Published 2016Table of Contents: “…The finale in Prokofieff's Symphony-concerto, op. 125 -- The birth of contemporary Russia out of the spirit of music (not) -- * * * -- Just how Russian was Stravinsky? …”
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