The second string quartet in F-sharp minor, op. 10 / by Schoenberg, Arnold, 1874-1951, George, Stefan, 1868-1933

Subjects:

Streichquartette. kritischer Bericht, Skizzen, Fragmente /

Subjects: “…Schoenberg, Arnold, 1874-1951. Scherzo, string quartet.…”

Instrumentalkonzerte nach Werken alter Meister : kritischer Bericht, Skizzen / by Schoenberg, Arnold, 1874-1951

Subjects:

Schoenberg's twelve-tone music : symmetry and the musical idea / by Boss, Jack Forrest

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The language of the new music/

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The early works of Arnold Schoenberg, 1893-1908 / by Frisch, Walter, 1951-

Table of Contents: “…Preface and acknowledgments -- A note on abbreviations -- Schoenberg and the Brahms tradition, 1893-1897 -- The "Brahms Fog": A Context for Early Schoenberg -- The Instrumental Works -- The Songs -- Expanded tonality, expanded forms 1899-1903 -- The Dehmel Settings of 1899 -- Verklärte Nacht, op. 4 (1899) -- Gurrelieder (1900-1901) -- Pelleas und Melisande, op. 5 (1902-1903) -- "The direction much more my own," 1904-1908 -- The First String Quartet, op. 7 (1904-1905) -- The First Chamber Symphony, op. 9 (1906) -- The Second Chamber Symphony, op. 38, and the Second String Quartet, op. 10 (1906-1908) -- Appendix of longer musical examples -- Bibliography of works cited -- Index of Schoeberg's compositions and writings -- General index.…”
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Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”

Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”
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Schoenberg's musical imagination / by Cherlin, Michael

Table of Contents: “…A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.…”
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Schoenberg's twelve-tone music : symmetry and the musical idea / by Boss, Jack Forrest

Table of Contents: “…Musical idea and symmetrical ideal -- Suite for Piano Op. 25: varieties of idea in Schoenberg's earliest twelve-tone music -- Woodwing Quintet Op. 26: the twelve-tone idea reanimates a large musical form -- Three Satires Op. 28. no. 3: the earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a: the "symmetrical ideal: conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms.…”
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