Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / by Davis, Andrew C., 1973-

Table of Contents: “…Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda.…”
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Viola sonata op. 120 no. 1/

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Viola sonata op. 120 no. 2/

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The G major violin sonata op. 78/

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Sonata no. 2 in A major op. 100/

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Sonata no. 3 in D minor op. 108/

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Augustin Dumay violin masterclass.

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Good music.

Table of Contents: “…Cello sonata in F major masterclass, 1974 / Brahms (Paul Tortelier, instructor, cello) -- Robin is to the greenwood gone / anonymous (Anthony Rooley, lute).…”
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Josef Gingold

Table of Contents: “…Sonata in D major, op. 12 / Beethoven (Cathy Lange, violin ; Yuka Kikkawa, piano) --…”

Josef Gingold

Table of Contents: “…Sonata no. 1 in G major, op. 78 / Brahms (Sandra Park, violin ; Ja-Eun Koo, piano).…”

Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / by Smith, Peter Howard

Table of Contents: “…Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition.…”
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The F.A.E. scherzo/ by Brahms, Johannes, 1833-1897

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Brahms and the shaping of time /

Table of Contents: “…Introduction: Brahms, analysis, and time / Scott Murphy -- Setting texts -- Expressive declamation in the songs of Johannes Brahms / Harald Krebs -- Temporal disruptions and shifting levels of discourse in Brahms's Lieder / Heather Platt -- Measuring phrases -- Phrase rhythm and the expression of longing in Brahms's "Gestillte Sehnsucht" op No. 1 / Jan Miyake -- On the oddness of Brahms's five-measure phrases / Samuel Ng -- Recasting hemiolas -- Hemiola as agent of metric resolution in the music of Brahms / Ryan McClelland -- Brahms at twenty: hemiolic varietals and metric malleability in an early sonata / Richard Cohn -- Shifting perspectives -- Containment and wave: temporal experiment in Brahms's opus 2 / Frank Samarotto -- Rhythmic displacement in the fugue of Brahms's Handel variations: the refashioning of a traditional device / Eytan Agmon -- Durational enharmonicism and the opening of Brahms's "Double concerto" / Scott Murphy.…”
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Brahms and the shaping of time /

Table of Contents: “…Introduction: Brahms, analysis, and time / Scott Murphy -- Setting texts -- Expressive declamation in the songs of Johannes Brahms / Harald Krebs -- Temporal disruptions and shifting levels of discourse in Brahms's Lieder / Heather Platt -- Measuring phrases -- Phrase rhythm and the expression of longing in Brahms's "Gestillte Sehnsucht" op No. 1 / Jan Miyake -- On the oddness of Brahms's five-measure phrases / Samuel Ng -- Recasting hemiolas -- Hemiola as agent of metric resolution in the music of Brahms / Ryan McClelland -- Brahms at twenty: hemiolic varietals and metric malleability in an early sonata / Richard Cohn -- Shifting perspectives -- Containment and wave: temporal experiment in Brahms's opus 2 / Frank Samarotto -- Rhythmic displacement in the fugue of Brahms's Handel variations: the refashioning of a traditional device / Eytan Agmon -- Durational enharmonicism and the opening of Brahms's "Double concerto" / Scott Murphy.…”
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Brahms among friends : listening, performance, and the rhetoric of allusion / by Berry, Paul, 1977-

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