Published 2005
Table of Contents:
“…Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional
counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional
counterpoint, and the great C-minor tradition.…”
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