Metaphors of depth in German musical thought : from E.T.A. Hoffmann to Arnold Schoenberg / by Watkins, Holly, 1972-

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A kingdom not of this world : Wagner, the arts, and utopian visions in fin-de-siècle Vienna / by Karnes, Kevin, 1972-

Table of Contents: “…Fin-de-siècle Vienna and the utopian imagination -- Max Klinger, the Gesamtkunstwerk, and the dream of a third kingdom -- "All of Vienna has become secessionistic" : longings of an organization -- Dreams of transcendence, fantasies of control : Gustav Klimt -- The sacred spring of Arnold Schoenberg and Alexander Zemlinsky -- Gustav Mahler and the promise of return.…”
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German modernism : music and the arts / by Frisch, Walter, 1951-

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Beyond Fingal's cave : Ossian in the musical imagination / by Porter, James, 1937-

Table of Contents: “…eve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), Jørgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Coma?…”
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