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Autoren und Redaktoren als Editoren : Internationale Fachtagung der Arbeitsgemeinschaft für germanistische Edition und des Sonderforschungsbereichs 482 "Ereignis Weimar - Jena : Kultur um 1800" der Friedrich-Schiller-Universität Jena, veranstaltet von der Klassik Stiftung Weimar /
Published 2008CONNECT
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Thinking the unconscious : nineteenth-century German thought /
Published 2010Table of Contents: “…The unconscious from the storm and stress to Weimar classicism : the dialectic of time and pleasure /…”
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A companion to the works of Heinrich Heine /
Published 2002Table of Contents: CONNECT
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Music in 1853 : the biography of a year /
Published 2012Table of Contents: “…Brahms leaves home, April-May -- Berlioz and Spohr in London, May-July -- Brahms and Liszt in Weimar, June -- Wagner and Liszt in Zurich, May-July -- Berlioz in Baden-Baden and Frankfurt, July-August -- Joachim and Brahms in Gottingen and Bonn, July-September -- Liszt in Frankfurt, Weimar, and Carlsbad, July-September -- Wagner in St Moritz and La Spezia, July-September -- Liszt in Karlsruhe, September-October -- Schumann and Brahms in Dusseldorf, September-October -- Liszt, Wagner and Berlioz in Paris, October -- Berlioz, Joachim and Brahms in Hanover, October-November -- Brahms, Berlioz and Liszt in Leipzig, November-December -- The Schumanns in Holland and Hanover, November-February.…”
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The collected writings of Franz Liszt. essays about musical works for the stage and queries about the stage, its composers, and performes /
Published 2016Table of Contents: “…Wagner and its First Performance in Weimar on the Occasion of the Herder and Goethe Festival (1850); 3 The Flying Dutchman by Richard Wagner (1854); 4 The Rhine's Gold by Richard Wagner (1855); Bibliography; Index; About the Editor/Translator.…”
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Towards emancipation : German women writers of the nineteenth century /
Published 1998Table of Contents: “…The romantic legacy / Henriette Herz [and others] -- Weimar connections / Johanna Schopenhauer [and others] -- The 1848ers / Fanny Lewald, Johanna Kinkel, Malwida von Meysenbug -- Popular literature / Ida von Hahn-Hahn, Eugenie Marlitt, Marie von Ebner-Eschenbach -- The woman question / Louise Otto-Peters, Hedwig Dohm, Helene Böhlau -- In Nietzsche's Shadow / Gabriele Reuter, Lou Andreas-Salomé, Franziska zu Reventlow.…”
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W.M.L. de Wette, founder of modern biblical criticism : an intellectual biography /
Published 1992Table of Contents: “…Abbreviations; Preface; Chapter 1 THE HIDDEN YEARS; Chapter 2 JENA 1799-1807: DOUBT AND HOPE, SUCCESS AND TRAGEDY; Chapter 3 HEIDELBERG; Chapter 4 BERLIN I: TOWARDS CERTAINTY; Chapter 5 BERLIN II: BREAKTHROUGH AND DISASTER; Chapter 6 WEIMAR; Chapter 7 BASEL; Chapter 8 RETROSPECT; List of Writings by de Wette; Letters of de Wette; Select Bibliography; Index of Biblical References; Index of Names.…”
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Through others' eyes : published accounts of Antebellum Montgomery, Alabama /
Published 2014Table of Contents: “…Auguste Levasseur -- Karl Bernhard, Duke of Saxe-Weimar-Eisenach -- Noah Ludlow -- James Stuart -- Anne Royall -- Thomas Hamilton -- Sol Smith -- George Featherstonhaugh -- Harriet Martineau -- P.T. …”
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Choral Fantasies : Music, Festivity, and Nationhood in Nineteenth-Century Germany.
Published 2012Table of Contents: “…Monuments and monumentalityMusic and presence; WEIMAR, 1870; Absence and telos; A TEMPORARY RETREAT; 4: Songs and states in Brahms's Triumphlied and Wagner's Kaisermarsch; Liberalism and song in the early Gründerzeit; Shock and awe; Brahms's aesthetics of participation; Participation in context: Volksgesang vs. folksong; Nation and religion; Telling history, enacting history; 5: Occasions and nations in Brahms's Fest- und Gedenksprüche; Origins, occasions, obfuscations; Titles and genres; Fathers, sons, nations; Music and performance; A look ahead (and back); Notes to the text; Introduction.…”
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The music of Joseph Joachim /
Published 2018Table of Contents: “…Fantasy on Hungarian Themes (1848-50); Fantasy on Irish [Scottish] Themes (1852); 2. From Leipzig to Weimar. Early Sketches; Andantino and Allegro scherzoso Op. 1 (1844-47); Three Pieces Op. 2 (1849-52); 3. …”
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