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  1. 1

    Schubert's late music : history, theory, style / edited by Lorraine Byrne Bodley, Julian Horton.

    Published 2016
    Table of Contents: “…Hatten ; Against the grain: Op. 78 and a hermeneutics of late style / Richard Kramer ; Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in B flat, D. 960 / Eric Wen ; Schubert's reconciliation of gothic and classical influences / Marjorie Hirsch ; The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis / Julian Horton -- Part III: The Late Instrumental Music: Meaning and Genre. Schubert hearing Don Giovanni: Mozartian death music in the 'Unfinished' Symphony / Glenn Stanley ; Longing for the unattainable: the second movement of the 'Great' C major Symphony / Lauri Suurpää ; Tonal recollection in Schubert's late instrumental music / Ryan McClelland ; Detours, wrong tracks, and dead ends: the 'wanderer' in the labyrinth of Schubert's late instrumental music / Xavier Hascher ; Formal ambiguity and generic reinterpretation in the late instrumental music / Su-Yin Mak -- Part IV: Defining Late Style. …”
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  2. 2

    Schubert's late music : history, theory, style /

    Published 2016
    Table of Contents: “…Schubert and concepts of late style -- 17 Bounded finitude and boundless infinitude: Schubert's contradictions at the 'final barrier' -- 18 Invocations of memory in Schubert's last songs -- 19 'The prerogative of late style': thoughts on the expressive world of Schubert's late works -- 20 Singing against late style: the problem of performance history -- 10 Schubert hearing Don Giovanni: Mozartian death music in the 'Unfinished' Symphony -- 11 Longing for the unattainable: the second movement of the 'Great' C major Symphony -- 12 Tonal recollection in Schubert's late instrumental music -- 13 Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music -- 14 Formal ambiguity and generic reinterpretation in the late instrumental music -- 5 Schubert's alchemy: transformative surfaces, transfiguring depths -- 6 Against the grain: the Sonata in G (D. 894) and a hermeneutics of late style -- 7 Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in Bb, D. 960 -- 8 Schubert's reconciliation of gothic and classical influences -- 9 The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis -- 1 'Classical' music and Viennese resistance to Schubert's Beethoven project.…”
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