Published 2016
Table of Contents:
“…Schubert and concepts of late style -- 17 Bounded finitude and boundless infinitude: Schubert's contradictions at the 'final barrier' -- 18 Invocations of memory in Schubert's last songs -- 19 'The prerogative of late style': thoughts on the expressive world of Schubert's late works -- 20 Singing against late style: the problem of performance history -- 10 Schubert hearing
Don Giovanni: Mozartian death music in the 'Unfinished' Symphony -- 11 Longing for the unattainable: the second movement of the 'Great' C major Symphony -- 12 Tonal recollection in Schubert's late instrumental music -- 13 Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music -- 14 Formal ambiguity and generic reinterpretation in the late instrumental music -- 5 Schubert's alchemy: transformative surfaces, transfiguring depths -- 6 Against the grain: the Sonata in G (D. 894) and a hermeneutics of late style -- 7 Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in Bb, D. 960 -- 8 Schubert's reconciliation of gothic and classical influences -- 9 The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis -- 1 'Classical' music and Viennese resistance to Schubert's Beethoven project.…”
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