Published 2004
Table of Contents:
“…Semiotic grounding in markedness and style : interpreting a style type in the opening of Beethoven's Ghost Trio, Op. 70, no. 1 -- Expressive doubling, topics, tropes, and shifts in level of discourse : interpreting the third movement of Beethoven's String Quartet in B major, Op. 130 -- From topic to premise and mode : the pastoral in Schubert's Piano Sonata in G Major, D 894 -- The troping of topics, genres, and forms : Bach, Mozart, Beethoven, Schubert,
Schumann, Brahms, Bruckner, Mahler -- Musical gesture. …”
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